Remember that one day when you could wake up without an alarm? When you would get your favorite bowl of cereal and sit between the hours of 8 and 12? This is a blog dedicated to the greatest time of our childhood: Saturday mornings. The television programs you watched, the memories attached to them, and maybe introducing you to something you didn't realize existed. Updated every weekend.
Sigmund
and the Sea Monsters followed the titular sea monster Sigmund Ooze (Billy
Barty & Walker Edmiston) as he was kicked out of his family’s cave at Dead
Man’s Point for his lack of desire to put any effort into being scary. He took
up residence in the beachside clubhouse of Johnny (Johnny Whittaker) and Scott
Stuart (Scott Kolden) and befriended the two boys. They tried to keep Sigmund
sheltered and his presence a secret from other humans while Sigmund’s family
continually tried to find a way to bring him back to use him to their own ends.
Scott, Johnny and Sigmund in the clubhouse.
The creation
of the series began when Sid
Krofft spotted some sea life among the kelp on a San Diego beach. His brother, Marty, and producer Si Rose would, with the help of
their technical staff, mold Sid’s idea into what would become the series. While
very much a traditional Kroff production, it flipped the script on their
formula a bit. For the first time, there were two young boys as the series
protagonists. Rather than their being lost in a land full of strange beings, it
was the strange being who had come to the land of humans. Instead of a
snarling, heavily made-up adult nemesis, the human adult figures were genuine
human beings with pleasant demeanors. There was also a reliance on frequent
guest stars appearing, including stage and screen actor Pamelyn Ferdin, The
Brady Bunch’s Eve Plumb, Peggy Mondo, H.R.
Pufnstuf’s Jack Wild
and H.R. Pufnstuf (Van Snowden), and even series voice performers Edmiston and
Sidney Miller in on-screen roles.
The Oozes: Sweet Mama, Slurp, Big Daddy and Blurp.
As opposed to taking place in a
fantastical technicolor world of pure imagination, there was a split focus
between the world of the sea monsters and the human world with stories that would
often run concurrently and contrast with each other. You would see the
difference between the strict but fair, caring and nurturing environment of the
Stuart household under the leadership of their sharp-witted Aunt Zelda (Mary
Wickes) to the selfish, abusive and mean environment that was the Ooze cave,
populated by Big Daddy (Joe A. Giamalva, Sharon Baird & Edmiston taking
inspiration from Archie
Bunker from All in
the Family), Sweet Mama (Snowden & Miller loosely imitating Phyllis Diller), brothers Blurp
(Bill Germaine, Larry Larsen & Edmiston) and Slurp (Fred Spencer, Paul Gale
& Edmiston), and their dog-like pet lobster, Prince (portrayed by a puppet
or a marionette). The Stuart children were diligent in their responsibilities
at home, while also frequently collecting recyclable items from around the
neighborhood for an extra pro-social dab. The Ooze family sought ways to bring
Sigmund back to the cave to shove theirs onto, or take the blame for their
shortcomings while being as kid-friendly menacing as possible. Other characters
included bumbling local sheriff Chuck Bevans (Joe Higgins, playing a
variation on a role he was frequently typecast in), and elderly busybody
neighbor Mrs. Edels (Margaret
Hamilton) who frequently spotted Sigmund but was unable to convince others
of his existence.
Mrs. Edels poking around.
Sigmund and the Sea Monsters
debuted on NBC on September 8, 1973. Like
other Krofft productions, the series heavily featured songs that had very
little to do with the plot and served as a showcase for Whitaker’s talents (he
also performed all versions of the series’ theme). Whitaker and Sigmund would
actually perform the first season’s theme for an audience for the taping of The World of Sid & Marty
Krofft at the Hollywood Bowlseveral weeks before the series’ debut
(although it didn’t air on television until Thanksgiving). These songs were
composed by Bobby Hart and Danny Janssen and scored by Wes Farrell, who also provided
the background music for the season. The series was written by Rose, Rita Sedran Rose, Jack Raymond, Warren Murray,
Milt Rosen, Donald A. Ramsey, John Fenton Murray, Fred S. Fox
and Seaman
Jacobs. The characters were designed by Marty Strudler with costumes by
Oliver Soublette, Rolf Roediger
served as the puppet fabricator and Cheryal Kearney handled the set
designs.
With Sigmund’s lead-in being
the acclaimed Star
Trek: The Animated Series and its timeslot competition being The
Brady Kids and Speed
Buggy, the series easily won its ratings as well as a heap of praise
from reviewers. NBC commissioned a second season--a first for a Krofft
production--which came with a number of changes for the show. Whitaker’s songs
were cut out due to his voice changing during production, making him unable to
get through an entire song without squeaks and cracks. There was also the
addition of Sheldon (Rip Taylor), a magical sea genie found in a shell whose
enthusiasm often led him to overthink the spells he cast to grant a request
(such as sending Sigmund to Waikiki when he asked to simply go to the beach),
and his nephew, Sehlby (Sparky Marcus), whose inexperienced often caused him to
foul up his spell-casting. Season 1 director Richard Dunlap moved on to
other projects, and was replaced by Dick Darley, Murray Golden and Bob Lally. Mike McGuinness
would also take over scoring duties, and Earle Doud
and Chuck McCann would
contribute to a script.
Sigmund with Sheldon, Shelby and Shelby's mother.
Unfortunately, only 12 of the 15
planned new episodes ended up being filmed. Just as work on the season began, a
fire due to faulty
electrical equipment broke out at Samuel Goldwyn Studios (now The Lot) where they filmed. Among the $2
million in casualties were all of the Sigmund sets and most of the
costumes. Production relocated to General Service Studios (now Sunset Las Palmas Studios) where they
spent several weeks rebuilding the sets and remaking the costumes and altering
the scripts to reduce their scope as much as possible. This delay had caused a
schedule conflict with Wickes, resulting in her only being able to film a few
scenes for the season. Her character was explained as having to depart for a
brief time and she was replaced by housekeeper Gertrude Gouche (Fran Ryan), a former Marine
drill sergeant who tended to treat the boys as if they were in boot camp.
Gertrude and the sheriff investigating some strange goings on.
In 2015, the Kroffts announced they
were partnering
with Amazon to produce a reboot of the series. A pilot
was released in 2016, leading to the first season being produced early in 2017.
A teaser trailer was released at that year’s San Diego Comic-Con before the season was
made available to stream on Prime Video. While fundamentally the same, the
reboot saw brothers Johnny (Solomon
Stewart) and Scott (Kyle
Harrison Bretikopf) visiting their Aunt Maxine (Eileen O’Connell) and cousin
Robyn (Rebecca Bloom) at
Dead Man’s Cove where they found Sigmund (Mark Povinelli & Drew Massey) caught in a net on
the beach. They freed and befriended him, and had to keep him protected from a
monster-hunting sea captain named Barnabus (David Arquette). Whitaker
appeared as a seaman named Zach, and a new recording of “Friends” was used as
the theme song. The revival only ran a single
season of 7 episodes.
EPISODE GUIDE:
Season 1:
“The Monster Who Came to Dinner” (9/8/73) – Sigmund gets
kicked out of his home for not being scary enough and takes up residence in the
Stuarts’ clubhouse.
“Puppy Love” (9/15/73) – Sigmund falls in love with a dog
while Big Daddy has Slurp disguise himself as Sigmund’s favorite pin-up monster
to lure him back to do all the housework.
“Frankenstein Drops In” (9/22/73) – Johnny disguises himself
as the Frankenstein monster to rescue Scott from the Ooze cave.
“Is There a Doctor in the Cave?” (9/29/73) – The only cure
for a sick Sigmund is the food found in Sweet Mama’s fridge—which his brother also
needs.
“Happy Birthdaze” (10/6/73) – Sigmund secretly cleans up
Sheriff Bevan’s house for this birthday, but his brothers ruin it when they
arrive to take him back to prepare for Big Daddy’s birthday.
“The Nasty Nephew” (10/13/73) – Zelda’s obnoxious nephew is
visiting and ends up kidnapped by the Oozes who need an extra dependent for
their income tax.
“Monster Rock Festival” (10/20/73) – While Sigmund wins a
songwriting contest, his family tries to get him back to help them win a
concert competition.
“Ghoul School Days” (10/27/73) – The Oozes need to get at
least one of their kids to attend school while the Stuarts’ school is checking
into their slipping grades.
“The Curfew Shall Ring Tonight” (11/3/73) – A curfew is in
place in both worlds, but Sigmund breaks it to raise money to pay for a dish he
broke.
“Sweet Mama Redecorates” (11/10/73) – The Oozes exchange
furniture with the Stuarts.
“Make Room for Big Daddy” (11/17/73) – Sigmund’s brothers
move in with him to avoid getting in trouble for breaking the shellivision.
“It’s Your Move” (11/24/73) – When the boys’ parents return,
Sigmund returns home only to find it evacuated for an impending tidal wave.
“Trick or Treat” (12/1/73) – Sigmund pretends he’s wearing a
costume so he can go trick-or-treating.
“Uncle Siggy Swings” (12/8/73) – Sigmund’s uncle comes for a
visit and ends up falling in love with Zelda.
“The Dinosaur Show” (12/15/73) – A thawed-out caveman and
his pet dinosaur take over the Ooze’s cave.
“The Wild Weekend” (12/22/73) – Movie star Jack Wild comes
to the beach looking for quiet but ends up running afoul of Sweet Mama.
“Boy for a Day” (12/29/73) – The Oozes can’t go to Uncle
Siggy’s luau without Sigmund, who’s currently suffering from amnesia and
believes himself to be the boys’ brother.
Season 2:
“A Genie for Sigmund” (7/7/74) – Sigmund unleashes a genie
from a sea shell he found in his old cave.
“Paul Revere Rides Again” (9/14/74) – To settle an argument
about American history, Sheldon brings Paul Revere to the clubhouse.
“Now You See ‘Em, Now You Don’t” (9/21/74) – Sheldon turns
the boys invisible so they avoid Zelda’s “ugly” niece while Big Daddy runs for
mayor.
“The Great Johnny-O” (9/28/74) – While the boys entertain at
Zelda’s charity bazar with Sheldon’s help, Sigmund is abducted by his family to
force him to enlist in the army.
“Super Sigmund” (10/5/74) – Sigmund asks Sheldon for powers
to teach his brothers a lesson.
“Pufnstuf Drops In” (10/12/74) – Sheldon accidentally brings
H.R. Pufnstuf to the clubhouse.
“Sheldon the Nephew Sitter” (10/19/74) – Sheldon is tasked
with babysitting his precocious nephew, Shelby.
“One Way Whammy to Tahiti” (10/26/74) – Shelby accidentally
sends Johnny and his girlfriend to Tahiti while Sheldon is captured by the
oozes for display in the zoo.
“Cry Uncle” (11/2/74) – The Oozes plan to marry Sigmund off
to a wealthy girl while the boys get a new guardian while Zelda’s out of town.
“The Haunted House” (11/9/74) – While Gertrude and Bevans
are at the movies, the Oozes sneak into the Stuart house.
“Mother Makes Ten” (11/16/74) – Shelby’s mother comes to the
rescue when Sigmund’s brothers try forcing the boys into helping them find
jobs.
“You Can’t Beat a Magic Carpet” (11/23/74) – Shelby and
Sigmund get lost on a magic carpet ride while the Ooze brothers try to cheat on
their scouting test.
Lennie Weinrib (voice) – H.R.
Pufnstuf, Orson Vulture, Stupid Bat, Pop Lolly, Pola-Dotted Horse, Tick Tock,
Akim Toadenoff the Great, Hippie Tree, Evil Tree #1 & 3, Charlie the book,
West Wind, Mushroom leader
Allan Melvin (film voice) –
H.R. Pufnstuf, Heinrich Rat, Living Island Boat, Orville Pelican, Polka-Dotted
Horse, Stupid Bat, West Wind
Joan Gerber (voice) – Freddy the
Flute, Judy Frog, Grandmother Clock, Miss Wristwatch, Lady Boyd, Shirley
Pufnstuff, Madame Willow, South Wind
Don Messick (film voice) –
Freddy the Flute (most scenes), Googy Gopher, Orson Vulture
Walker Edmiston (voice) –
Seymour Spider, Dr. Blinky, Ludicrous Lion, Grandfather Clock, Chief Redwood,
test tube, candle, North Wind, East Wind, Mushroom, Hippie Tree (film), candle
(film)
Sharon Baird (performer) –
Stupid Bat, Judy Frog, Lady Boyd, Shirley Pufnstuf
H.R. Pufnstuf was the first
television series to be created by Sid and
Marty Krofft. The Banana Splits Adventure Hour, for which the
Kroffts designed the costumed characters for, proved to the networks that
productions outside of animation were still viable on Saturday morning. NBC invited the Kroffts to develop their own
show for the network. However, the Kroffts didn’t want to just make wraparounds
for more animated fare; this time, they wanted to go full live-action.
Jimmy, Pufnstuf, Cling and Clang on the Rescue Racer.
Their
show involved 11-year-old Jimmy (Jack Wild) being targeted by the evil (yet
ineffectual) witch, Wilhelmina W. Witchiepoo (Billie Hayes), for his golden
magic talking flute, Freddy (Joan Gerber). She lured Jimmy to Living Island where
he fell under the protection of the mayor, dragon H.R. Pufnstuf (performed by
Roberto Gamonet, voiced by Lennie Weinrib using a southern accent), and his
Rescue Racer Crew, mute anthropomorphic bells Cling (Joy Campbell) and Clang
(Angelo Rossitto).
Some of the citizenry on Living Island.
On Living Island, everything was
alive (as the name implied). That included the houses, the trees, vegetation,
household items and even the four winds called on by Pufnstuf to blow
Witchiepoo out of the sky. Among the residents of Living Island were Dr. Blinky
(performed by John
Silver, voiced by Walker Edmiston impersonating Ed Wynn), an owl that served as
a physician and scientist that lived in a house prone to sneezing fits; Judy
Frog (performed by Sharon Baird, voiced by Gerber), a singing, dancing frog
that served as an entertainer; Pop Lolly (Weinrib), a lollipop that sold sweets
with Cheese Guards serving as protection against hippie ants looking for
freebies; Ludicrous Lion (Silver & Edmiston impersonating W.C. Fields), a shady and
greedy peddler that operated out of a carriage pulled by Polka-Dotted Horse
(performed by Felix Silla,
voiced by Weinrib); Tick Tock (performed by Andy Ratoucheff, voiced by
Weinrib), a traveling alarm clock that warned of Witchiepoo attacks; Shirley
Pufnstuf (Silver & Gerber impersonating a younger Shirley Temple), H.R.’s sister
and a famous actress; Akim Toadenoff the Great (based on Erich von Stroheim, named after
Akim Tamiroff, voiced by Weinrib),
a monocled toad that worked as a film director; clock couple Grandmother Clock
(Gerber) and Grandfather Clock (Edmiston) who were just two of the clock people;
resident avian band The Boyds (based on The Byrds) and their lead
singer, Lady Boyd (Baird & Gerber); Hippie Tree (Weinrib), a tree that
often spoke in hippie slang; Madame Willow (Gerber), an old and elitist tree
that used a lorgnette; and Chief Redwood (Edmiston), a Native American tree.
Witchiepoo and Orson on the Vroom-Broom.
However, not every resident of
Living Island was friendly. Under Wtichiepoo’s employ was Orson Vulture
(Campbell & Weinrib), a stuffy and inept vulture that was her favorite
flunky and performed a variety of tasks for her; Seymour Spider (Rossitto &
Edmiston), a dim-witted spider that served as her hairdresser; Stupid Bat
(Baird & Weinrib), who served as a messenger that tended to bring her
messages a second too late; a group of evil trees, one that sounded like Bela Lugosi (Weinrib), one that
sounded like Peter Lorre
(Edmiston), and one that always rhymed (Weinrib); Musrhooms with the ability to
turn anyone they touch into mushrooms and whose leader chomped on a cigar while
sounding like James Cagney (Weinrib);
and skeleton guards that were easily frightened and prone to running off. When
not scheming at her snarky castle, Witchiepoo often took to the skies on her
rocket-powered Vroom-Broom.
Program for the '68 World's Fair featuring Kaleidoscope.
H.R. Pufnstuf was an
amalgamation of various projects the Kroffts had worked on before. The main
plot was recycled from Kaleidoscope, a live puppet show they performed
in the Coca-Cola Pavilion
of the HemisFair ’68 World’s Fair. That
show included a dragon character originally named Luther who became the mascot
of the fair, and a silly witch. Living Island’s currency was buttons, which
came from Sid’s childhood of charging his friends buttons to view puppet shows
he held in his back yard, as did inspiration from The Wizard of Ozwhich was the first theatrical film he ever saw. Ludicrous Lion was a
reworking of Irving from a 1957 pilot they made called Here’s Irving. The
Kroffts also paid homage to their time touring as the opening act for Judy
Garland by basing Judy Frog
on her (unfortunately, she died six months before getting to see that tribute).
Freddy the Flute hanging out in Jimmy's pocket.
In
casting Jimmy, a character with the hopes of connecting with their potential
audience, Sid first saw Wild when his friend Lionel Bart showed him a rough
cut of the film Oliver!The Kroffts immediately hired him, and Marty took guardianship of the
16-year-old British actor while he was filming the show at Paramount Studios in California. Although
Wild remembered his time in the Krofft household fondly, Marty found him a
handful considering he was already dealing with two young daughters on top of
building up a show from scratch. Casting Hayes was a simple choice for the
Kroffts when she came in to audition as the character she presented was
basically an extension of herself. To cast the little people needed to wear and
control the various character suits, the Kroffts had their friend Billy Barty (who was
unavailable to star in the show but didportray a de-aged Witchiepoo in
an episode) get the word out through the newsletter of his organization, the Little People of America. Credited as
“puppeteers” since they not only wore the suits but often had to operate
various parts of them, the cast was comprised of many people who worked with
the Kroffts before and would continue to do so through many of their television
and stage productions. The various costumes were designed by Evenda Leeper. Originally, the
concept for the series was to have a Western element to it before being changed
to a fantasy one. Pufnstuf’s accent and cowboy boots were the only remnant of
that original direction to remain in the final product.
Dr. Blinky experimenting.
H.R. Pufnstuf debuted on NBC
on September 6, 1969. As would become customary in Krofft productions, the
series’ theme by Les Szarvas
laid out all the exposition to set up the premise as well as catch up new
viewers who may have missed previous episodes; allowing the writers to focus
entirely on the story at hand. Unfortunately, the Szarvas’ tune seemed a little
too close to “The 59th
Street Bridge Song (Feelin’ Groovy)” for Paul Simon’s liking, resulting in his
suing the production. As part of their settlement, Simon was credited as the
song’s co-writer. Along with all the voices he provided, Weinrib was also one
of the series’ writers with Paul Harrison
and Robert Ridolphi. The
series’ music was composed by Gene
Page, Jr., with Szarvas providing the various song numbers used during the
episodes. The show made use of a laugh track that producer Si Rose, having come from
sitcoms, insisted on. The Kroffts were initially hesitant until Rose convinced
them that with the type of show they were making the laugh track would be
necessary to let the children watching know when to laugh.
Witchiepoo and her Skeleton Guards.
A persisting notion about the show
was that it made reference to drug culture, what with the colorful sets, crazy
characters, talking mushrooms and even the name “Pufnstuf”. Some maintain that
“H.R.” was some kind of drug slang, despite the production stating that they
stood for “His Royal” or “Royal Highness” backwards. By some accounts, either
one or both of the Kroffts indulged in recreational drugs, which they have
repeatedly denied in interviews. They’ve also denied any intentional allusion
to drugs both directly and with a bit of a wink. Marty would eventually admit
in a later interview that “Pufnstuf”, as well as the title of another show, Lidsville,
were actually intentional marijuana references done as pranks to see if
they could slip them past clueless network executives. Regardless of how much
truth or projected subtext goes into analyzing H.R. Pufnstuf, the show
did find a loyal fanbase among a crowd looking for a psychedelic trip.
An aged Jimmy turns out to be Witchiepoo's dream man.
Despite being one of NBC’s
highest-rated programs, it was also extremely expensive as the Kroffts had
chosen to shoot it on film (their only program to do so as they switched to the
much-cheaper videotape for the remainder of their library). Rather than proceed
with a second season, NBC just renewed it for several cycles of reruns until
1972. Following the conclusion of the NBC run, ABC
began airing it on both Saturday and Sunday mornings until 1978. That year, it
was packaged into Krofft Superstars with other Krofft productions, which
ran until 1985. Reruns would return to television in 1999 when TV Land would air it as part of their Super Retrovision SaturdazeSaturday morning-themed overnight programming block, and then again in 2004
as part of their weekend late-night block TV Land Kitschen.
Looking to get in
on the show’s popularity, Universal Studios
approached the Kroffts about doing a film version financed by the studio and
primary sponsor Kellogg’s. Titled simply
Pufnstuf, the film essentially combined the plots of “The Magic Path”
and “The Visiting Witch” with gags recycled from “The Stand-In” and “The Box
Kite Caper”. A little more backstory was added to Jimmy’s life before he ended
up on Living Island, as well as several new characters: a previously mentioned Boss
Witch (Martha Raye, the
second choice after Bette Davis felt
insulted at being the first choice), her chauffer Heimlich Rat (Allan Melvin),
Witchiepoo’srival Witch Hazel (Cass Elliot, who was Sid’s neighbor and
took the role as a favor), Googy Gopher and Orville Pelican (both performed by
Barty, voiced by Don Messick and Melvin, respectively). The rest of the cast
and crew was largely held over from the television production, with some
modifications made to the sets and costumes. Weinrib wasn’t available to work
on the film, resulting in his being replaced by Melvin and Messick for many of
his various voices, and the film was written by Rose with John Fenton Murray. Norman Gimbel and Charles Fox also came in as the
composers, offering a groovier soundtrack than Szarvas’ (and would go on to be
successful music-writing partners). The film, directed by series director Hollingsworth Morse, premiered
in San Antonio, Texas on June 3rd, 1970, before a wider limited
release on June 15. The film was modestly successful, although it was hampered
by detractors who felt it was just an extended episode of the show and the
growing public disinterest in G-rated films.
Paul Lynde finds himself caught between two witches.
Although further adventures of
Pufnstuf and his friends had come to an end, the characters still continued to
make appearances in other Krofft productions and beyond. Pufnstuf and
Witchiepoo guest-starred in an episode of Lidsville (on which Hayes was
a regular as another character), then Pufnstuf on his own in The Lost
Island, Witchiepoo with Orson, Seymour and Stupid in Horror Hotel, and
on her own in The Bay City Rollers Meet the Saturday Superstars preview
special and The Bay City Rollers Show. The Kroffts also loaned out Witchiepoo
to The Paul Lynde
Halloween Specialwhere she appeared as the sister of the Wicked Witch
of the West (Margaret Hamilton),
and Pufnstuf to an episode of CHiPsfor a cameo appearance (with Weinrib
reprising the voice). The characters appeared in a number of stage show tours,
most notably H.R.
Pufnstuf & The Brady Kids Live at the Hollywood Bowlin 1973 and
the Ice Capades.
In 1971, an elaborate puppet show was run at Six Flags Over Mid-America (now Six Flags St. Louis) at The Sid and Marty Krofft
Puppet Theater while costumed performers as Pufnstuf, Cling and Clang
walked the park.
One merchandising partner, however,
attempted to cut the Kroffts out of the picture entirely. The ad agency of Needham,
Harper and Steers (now DDB Worldwide)
approached the Kroffts in 1970 about creating characters they could use in
their upcoming McDonald’s advertising
campaign. After meeting with the Kroffts and getting a bit of information about
how they created their suits and puppets, they were told that the McDonald’s
deal fell through. In reality, Needham already had the account and took what they
learned to create the McDonaldland
ad campaign utilizing some former Krofft employees. The sets and costumes,
particularly that of Mayor
McCheese (performed by Billy
Curtis, voiced by Howard
Morris impersonating Ed Wynn), bore a strong resemblance to Pufnstuf. Weinrib
was also retained to voice one of the characters: the large purple monster
named Grimace. Because
of McDonaldland, merchandising deals with Pufnstuf fell to the wayside and
their characters were replaced in the Ice Capades by the McDonaldland ones. The
Kroffts sued McDonald’s in 1973 for infringement and lost profits, ending up
winning a judgement of $50,000. On appeal in 1977 and with the changes brought
about by the Copyright
Act of 1976, the court found in their favor again and they were awarded
more than $1 million. McDonald’s was also ordered to stop airing commercials
featuring some of the characters. McDonaldland itself, however, continued on
until 2003 when they abandoned the campaign and all of the characters (except
their mascot, Ronald
McDonald) outside of special uses.
“The
Magic Path” (9/6/69) – Jimmy and Pufnstuf infiltrate Witchiepoo’s castle to
rescue Judy Frog and get directions to the Magic Path that could lead Jimmy
home.
“The
Wheely Bird” (9/13/69) – Jimmy and Pufnstuf use a bird-shaped “Trojan Horse” to
get inside Witchiepoo’s castle and rescue Freddy.
“Show
Biz Witch” (9/20/69) – Jimmy and Pufnstuff hold a talent show to raise money
for Jimmy to buy a pogo stick that could bounce him home.
“The
Mechanical Boy” (9/27/69) – Witchiepoo catches Jimmy stealing her boat and
turns him into a mechanical boy that will do her bidding.
“The
Box Kite Caper” (10/4/69) – A kite-flying contest inspires Jimmy and Freddy to
try and get off the island using a giant box kite.
“The
Golden Key” (10/11/69) – Jimmy is given a map to a key that will open a door
back home, but he has to choose between his escape and rescuing Pufnstuf from
Witchiepoo.
“The
Birthday Party” (10/18/69) – Witchiepoon crashes Jimmy’s birthday party,
dousing the attendees with laughing gas so that she can make off with Freddy.
“The
Horse with the Golden Throat” (10/25/69) – Dr. Blinkey has to rescue Freddy
after he’s accidentally swallowed by Polka-Dotted Horse.
“The
Stand In” (11/1/69) – A plan forms to get Witchiepoo into Shirley’s movie so
that Jimmy can steal her Vroom-Broom and escape the island.
“You
Can’t Have Your Cake” (11/8/69) – Judy Frog has to use her new dance step to
rescue Jimmy and Freddy when they fall into Witchiepoo’s cake trap.
“Dinner
for Two, Please, Orson” (11/15/69) – Jimmy hopes to use a time machine to
prevent his arrival, but it ends up aging him into the man of Witchiepoo’s
dreams.
“Flute,
Book and Candle” (11/22/69) – Jimmy, Pufnstuf and Dr. Blinky go through one of
Witchiepoo’s books to find a way to change Freddy back from a mushroom.
“Tooth
for a Tooth” (11/29/69) – Witchiepoo disguises herself as a little girl to get
Dr. Blinky to look at a bad tooth and he sprays her with an anti-witch potion.
“The
Visiting Witch” (12/6/69) – Witchiepoo captures Pufnstuf as a gift for Boss
Witch, but when she ends up delayed Jimmy takes her place to free him.
“The
Almost Election of Mayor Witchiepoo” (12/13/69) – Witchiepoo enters the mayoral
race against Pufnstuf, and naturally she cheats to win.
“Whaddaya
Mean the Horse Gets the Girl?” (12/20/69) – Shirley makes a movie to raise
money for the anti-witch fund which prompts Witchiepoo to demand that her life
story be made.
“Jimmy
Who?” (12/27/69) – Dr. Blinky and Witchiepoo try to remind Jimmy of who he is
when he gets amnesia from a blow to the head.
Film:
“Pufnstuf”
(6/15/70) – Witchiepoo lures Jimmy to Living Island to steal his magical flute
and win Witch of the Year when the Witches’ Council visits for their
convention.