Remember that one day when you could wake up without an alarm? When you would get your favorite bowl of cereal and sit between the hours of 8 and 12? This is a blog dedicated to the greatest time of our childhood: Saturday mornings. The television programs you watched, the memories attached to them, and maybe introducing you to something you didn't realize existed. Updated every weekend.
He voiced Wishing Well in an episode of The Wuzzles; Slime, Selwyn
Quarrel, Cousin McDougall, Wizard Anton, and additional voices in The Smurfs
(1981);Chubs in Teen Wolf: The Animated Series; Ogres, Gad and
Zook in Disney’s Adventures of the Gummi Bears; McKraven, Webster the
Rabbit and additional voices in Garfield and Friends; Mr. Cross Ghost, a
Medic Guardian and Voices in The Twisted Tales of Felix the Cat; Willie
the Giant in Disney’s House of Mouse; and played various characters in
various episodes of ABC Weekend Specials, for which also wrote, produced
and provided music for an episode.
It wasn’t until the late 60s that Saturday mornings were beginning to get into full swing. Content with airing primetime reruns and a few new shows here and there, that all changed in 1966 when CBS revitalized its schedule with an action-heavy slant. When CBS showed massive success, the other networks followed and Saturday morning suddenly became good business. So, how would the networks advertise to their targeted audiences to tune in every week? Simple: advertise in comic books! For almost every Saturday schedule for decades, there was an artfully designed cartoon representing the networks’ schedules in every major publication. They even made sure to cover their bases with ads in TV Guideand newspapers so that parents would be aware shows for their kids would be on.
The
Wuzzles was one of the first two series to be produced by the newly-formed Walt Disney
Television Animation, the other being Adventures
of the Gummi Bears. However, the series was already in production by
the time Michael Eisner was named
the CEO of The Walt Disney Company and
envisioned the company’s return to television. Disney had made an arrangement with
Hasbro to produce a cartoon that would
center around characters they could market and sell as toys. The premise of the
characters would be the fusion of two different animals into cute hybrids.
While
Hasbro had greater control over the looks of the characters and their concepts,
with Disney’s Jymn Magon and Gary Krisel trying to reconcile
their wants with the realities of animation, Disney was left fully in charge of
coming up with the overall story and personalities. The initial pitch concocted
by comedy writer Lenny Ripps
featured a zoologist and explorer, Marlin P. Wuzzle, having discovered the
island of hybrids and naming them “Wuzzles” and the island “Wuzzle Island”
after himself. A tornado struck the island, sending many of the creatures
around the world and each episode would be partly dedicated to Wuzzle
retrieving them, while the other half would be dedicated to the remaining Wuzzles
trying to keep King Croc from taking over the island.
Rhinokey, Hoppopotamus, Butterbear, Eleroo, Bumblelion and Moosel.
Ultimately,
it was decided to simplify the story to focus on just the Wuzzles and their
world, with Mark Evanier being handed
the reigns to develop the series. The show focused on the daily lives of the Wuzzles
on the Isle of Wuz where almost everything was combined, such as the fruit appleberries.
Butterbear (a bear/butterfly, Kathleen Helppie-Shipley) was the protagonist of Ripps’
original pitch—as well as originally a male. The one thing that remained intact
through her constant revisions was her penchant for gardening. The sports-loving
Bumblelion (bumblebee/lion, Brian Cummings) had a crush on Butterbear and
tended to rush head-first into situations. Eleroo (elephant/kangaroo, Henry
Gibson) was Bumblelion’s best friend who tended to be a bit of a klutz and
constantly forgot what he stored in his pouch. Moosel (moose/seal, Bill Scott
in a nod to his well-known role of Bullwinkle
J. Moose) was the youngest and possessed a wild imagination. Hoppopotamus
(rabbit/hippopotamus, Jo Anne Worley) could be a bit of a diva, but also very
sweet. When the situation called for it, her size and strength made her the
toughest of the group. She also had a crush on Bumblelion. Rhinokey (rhinoceros/monkey,
Alan Oppenheimer) was a fun-loving prankster who took any opportunity to pull
jokes on his friends and be obnoxious. Although they all had wings, only a few
of them could actually fly.
Crocosaur with Brat and Flizard.
Serving as
the main antagonist was Crocosaur (crocodile/dinosaur, Oppenheimer). He was lazy,
vile, ignorant, bad-tempered and an all-around bully that did anything to get
what he wanted. And what he wanted was usually whatever the other Wuzzles got—but
without putting in the same effort to get it. His chief sidekick was Brat
(boar/dragon, Scott), who only communicated via various sounds Crocosaur
understood and was generally incompetent. Crocosaur’s other sidekick, Flizard
(frog/lizard, Cummings), was more agreeable of the trio and tolerant of the Wuzzles
and was often charged with repairing rifts that developed between Crocosaur and
Brat.
Showing some love.
The Wuzzles
debuted on CBS on September 14, 1985.
Along with Evanier, the series was written by Ken Koonce, Bob Rosenfarb, David Weimers and Ted Perry. Because Disney Animation
wasn’t fully operational yet and they hadn’t done television animation for some
time, some of the production work and animation was farmed out to Murakami-Wolf-Swenson so that could
secure Fred Wolf as a producer
and director while getting some valuable guidance from him. Likewise, MWS farmed out the animation work to
TMS Entertainment. The series’
theme was performed by Stephen
Geyer while Thomas Chase
and Steve Rucker composed
the rest of the music. Satirist Stan Freberg served as the show’s narrator who
often broke the fourth wall.
Brat attack.
Evanier made casting suggestions to
Disney that were largely followed up on, except for one. Evanier wanted Daws Butler to voice Rhinokey,
feeling he would be the best fit. However, his association with Hanna-Barbera kept
Disney from even considering pursuing him. Evanier’s instincts were ultimately
proven right when Oppenheimer tested poorly in the role. However, audience dissatisfaction
was the least of the show’s problems. When it debuted, it was scheduled up
against Gummi Bears on NBC which
surpassed it in the ratings. Also, Bill Scott ended up dying of a heart attack
that November, leaving several roles vacant. Since Wuzzles came before
Eisner’s time and wasn’t entirely a Disney production, it was decided to refocus
their efforts on Gummi Bears (where Scott’s roles were recast)and
future Disney Animation programs.
The Isle of Wuz.
Wuzzles moved over to ABC for a season of reruns at a different
timeslot so as not to be competing against Gummi Bears again. It would
eventually make its way over to The Disney Channel
and Toon Disney. Overseas,
since it and Gummi Bears aired on the same network, it performed
significantly better. In part, that was because the first episode as a theatrical
featurette alongside a re-release of Bambiin the United
Kingdom and Peter
Panin Germany. Along with that, Wuzzles has only seen home
video releases outside of the United States in three-episode
collections typically themed towards a specific character. The Wuzzles toyline
lasted a bit longer than the show and ended up featuring a few characters that were
never adapted. A large amount of companion
merchandise was also produced, including books, card games, action figures,
clocks, radios and more.
“Bulls of a Feather” (9/14/85) – The gang tries to convince
Eleroo to return the baby brahma bullfinch she adopts while Crocosaur plans to
use it to get rich.
“Hooray for Hollywuz” (9/21/85) – Hoppopotamus pursues her
dreams of becoming a star.
“In the Money” (9/28/85) – Bumblelion’s newfound wealth puts
a strain on his friendships.
“Crock Around the Clock” (10/5/85) – When Crocosaur’s house
is destroyed by a storm, he moves in with Butterbear and tricks her out of all
her food.
“Moosel’s Monster” (10/12/85) – Moosel’s imagination goes
wild to the point he believes a friendly monster is just in his head.
“Klutz on the Clutch” (10/19/85) – Rhinokey’s crazy driving
gets him banned from the upcoming race.
“Bumblelion and the Terrified Forest” (10/26/85) –
Bumblelion and Hoppopotamus head into the Terrified Forest to rescue Butterbear
from an evil witch.
“Eleroo’s Wishday” (11/2/85) – Eleroo uses the wishing well
to grant him the ability to fly.
“Ghostrustlers” (11/9/85) – The Wuzzles avoid a plague by
moving to a ghost town that’s actually inhabited by ghosts.
“A Pest for a Pet” (11/16/85) – The gang gets revenge on
Rhinokey for all his pranks, causing him to leave Wuz.
“The Main Course” (11/23/85) – The gang escapes pirats by
sailing to an island where Hoppopotamus is mistaken for a god and set to be
sacrificed to a volcano.
“Class Dismissed” (11/30/85) – The gang tries to class themselves
up to get invited to a ball while Crocosaur bets Butterbear he can turn Brat
into a sophisticated Wuzzle.
“What’s Up, Stox?” (12/7/85) – Wealthy Tycoon gives the gang
a money tree that Crocosaur plans to steal for himself.