Remember that one day when you could wake up without an alarm? When you would get your favorite bowl of cereal and sit between the hours of 8 and 12? This is a blog dedicated to the greatest time of our childhood: Saturday mornings. The television programs you watched, the memories attached to them, and maybe introducing you to something you didn't realize existed. Updated every weekend.
We'll be posting news, updates, trivia and whatever else we can think of, and a lot more frequently than we update here. So come on over and follow us at @SatMForever.
Troma Entertainment had
built itself up on a reputation for crass, crude, gory, and gratuitous low-brow
entertainment. What better place to find fodder for Saturday morning
television?
Troma's logo.
While working as the pre-production supervisor
for Rocky, Troma
Entertainment co-founder Lloyd Kaufman got
the idea to create a horror film set at a health club. However, it would be a
few years before he got to see those plans to fruition. Kaufman had initially
formed a production company with Oliver Stone,
but it fell apart shortly after Stone went his own way and his 1973 film, Schwartz:
The Brave Detective, bombed
horribly. Kaufman then partnered with Michael Herz to
form Troma and produced a softball-themed sex comedy in 1979 called Squeeze Play.
Lloyd Kaufman amongst memorabilia from his empire.
When that movie became an unexpected hit, Troma was
brought on to produce the time travel film The Final
Countdownin
1980. While it performed well and was also a success, the stresses
of working on a massive film led Troma to decide they would rather keep to the
joy of simple low-budget fare and produced two more teen sex comedies. As the
80s rolled on, the teen sex comedy genre began to become saturated, leaving
Troma to find a new niche to exploit. After reading an article that said horror
films were no longer popular, Kaufman decided to resurrect his old idea and
make his own horror film.
Toxie in all his hideous glory.
Rather than straight-up horror, Troma decided to make
it a horror comedy that was partially a satire on superheroes and contained all
the signatures Troma’s films would become known for. The resulting film
was The Toxic Avenger, which
was set in the fictional Tromaville, New Jersey: the toxic waste dumping
capitol of the world and subsequent setting for all of Troma’s future films.
Melvin Junko (sometimes Ferd, played by Mark
Torgl) was the mop boy at the local health club where some
of the regulars decided to torture him. Their ultimate prank ends up with
Melvin in a tutu kissing a sheep, and in his humiliation he ran out a window
and fell into a vat of toxic waste. That waste turned him into the monstrous
and nigh-indestructible Toxic Avenger, aka Toxie (Mitch
Cohen, voiced by Kenneth Kessler), who set out to
get his bloody revenge and unleash justice on those that would prey on the
weak. The film was written by Joe Ritter
and directed by Herz and Kaufman (as Samuel Weil).
Theatrical poster.
The Toxic Avenger was
released in 1984 and was completely ignored. It wasn’t until the following year
when it was a long-running midnight movie at the Bleecker
Street Cinema in New York City that it developed a solid cult
following, and soon found regular broadcasts on cable. It became the film that
introduced the world to Troma and their leanings into satire, gore, parody and
nudity, as well as their tendency to save money by reusing props, actors and
even footage from other films. Troma revisited Toxie in 1989 for a sequel that,
after running extremely long, was chopped up into two sequels: The Toxic Avenger,
Part IIand Part III: The Last
Temptation of Toxie. John Altamura was initially cast
as Toxie until he became disruptive on set and was replaced by Ron Fazio for the remaining
scenes. The second film was written by Gay Partington Terry, with
Kaufman and Herz credited for the third. Neither was a box office success when
they were released in February and November; pulling in $793,000 and $364,000,
respectively. A fourth, Citizen
Toxie, would be released in 2000 and a reboot would receive a
limited release in 2023 before gaining wider distribution in 2025.
In 1990, Kaufman sought to expand Troma’s audience
base into the juveniles by bringing Toxie to the mainstream; namely, Saturday
morning network television. Troma partnered with Murakami-Wolf-Swenson,
who had brought another adult-oriented mutant-hero franchise to animation with
their adaptation of Teenage
Mutant Ninja Turtles(the
original comics, while not as brutal as the Avenger films,
were decidedly more violent than the eventual cartoon version). Of
course, the series would have to be almost entirely scrubbed of Troma’s
signatures in order to be appropriate for young audiences. Also, to
fulfill FCC requirements
for children’s programming, the show took on a pro-ecological message.
The Crusaders: Dr. Bender, Fender, Toxie, No-Zone and Major Disaster.
Toxie (Rodger Bumpass) had a similar origin as he did
in the films, except he didn’t go on a murderous vengeance spree on those who
wronged him and future foes. The mop that he used to clean the health club
where he worked was also changed by the toxic waste to be a super-powered,
semi-sentient being (aptly named Mop). Further differences included Toxie was
given a team of similarly mutated freaks. Amongst them was No-Zone (Paul
Eiding), a test pilot that crashed into a silo of radioactive pepper giving him
powerful sneezing powers; Major Disaster (Ed Gilber), a soldier that fell into
a radioactive swamp and gained the power to control plants; Junkyard (Gregg
Berger), a homeless man merged with a junkyard dog after he took shelter in a
toxic waste-covered dog kennel that was struck by lightning; and Headbanger, a
fusion of mad scientist Dr. Bender (Hal Rayle) an surfer-like singing telegram
boy Fender (John Mariano) that became fused when Fender accidentally knocked
them into Dr. Bender’s invention. Together, they became the Toxic Crusaders. They
were often aided by Toxie’s tone-deaf girlfriend, Yvonne (originally a blind girl
named Sara/Claire, voiced by Kath Soucie), and his mother (Susan Silo). Toxie
was also given a pet in the form of Blobbie; a little blob of goo that came to
the toxic waste dump that served as the primary base for the Crusaders.
Dr. Killemofff and Mayor Max Grody.
Their foes were the Smogulans; aliens from the planet
Smogula who wanted to pollute the Earth in order to make it habitable for their
people and conquer it. The primary ruler of the planet was Czar Zosta (Patric
Zimmerman), whose forces on Earth were led by Dr. Killemoff (Bumpass). Psycho
(Michael J. Pollard) was an obese bio-mechanical being that worked for
Killemoff and had the uncanny ability to predict the future—specifically, the
failure of Killemoff’s plans that often went unheeded. Hazmat-suited minions
known as Radiation Rangers served as Killemoff’s foot soldiers and cannon
fodder. Bonehead (Hal Rayle) was the lead health club bully (replacing Bozo—yes,
that was his name—from the first movie) that led to Toxie’s creation and who was
changed into a monster when Toxie threw him into a barrel of acid rain.
Bonehead joined forces with Killemoff, but wasn’t much of an asset as he was
brainless and incompetent. Also working with the Smogulans was the corrupt
mayor of Tromaville, Max Grody (based on the mayor from the first movie, voiced
by Chuck McCann). George Goodchild
and Carlos
Huannte handled the character designs.
Dr. Killemoff, Bonhead and Psycho.
Toxic Crusaders (so
named because Avengers was deemed too violent sounding)
premiered in syndication on March 1st, 1991. Even though they
couldn’t go to the lengths of brutal, dark, gross-out humor that the films it
was based on did, the series had its fair share of adult-oriented jokes, toilet
humor, and often broke the fourth wall by being self-referential. The series
was written by a combination of MWS and Troma alum, including Jack
Mendelsohn, Carole Bruce Mendelsohn, D.J.
MacHale, Ned Candle. Walt
Kubiak, Jeffrey W. Sass and Andrew
Wolk, along with Chuck Lorre and
Herz. Lorre, who had written the Turtles theme, co-wrote this
series’ theme with Dennis C. Brown.
Brown and Larry Brown handled
the rest of the series’ music. Although the Avenger films were
popular enough to inspire enough networks to put decent orders for the series,
they weren’t sufficient enough to guarantee a second season. The show ended
after its 13-episode run.
“The
Making of Toxie” (3/1/91) – Melvin Junko becomes Toxie and fights the forces of
Dr. Killemoff with the aid of No-Zone and Major Disaster.
“This
Spud’s for You” (3/8/91) – Killemoff plans to put his chemicals in the food of
a local restaurant while Dr. Bender and Fender end up mutated and merged into
Headbanger.
“Club
Fred” (3/15/91) – Killemoff and his Radiation Rangers clear out a retirement
community to make room for an alien arrival.
“Tree
Trouble” (3/22/91) – Killemoff plans to push “Smog on a Can” while Major
Disaster falls in love and begins having trouble with his powers.
“Pollution
Solution” (3/29/91) – Killemoff sends the Radiation Rangers to invade the Toxic
Dump to prepare for a Smogulan invasion.
“A
Sight for Sore Eyes” (4/6/91) – Mayor Grody moves the Crusaders to his
penthouse in order to clear the dump for Czar Zosta.
“Mr.
Earth: Superhero” (4/13/91) – A new superhero joins the Crusaders against
Killemoff, but ends up causing more harm than good.
“Toxie
Ties the Knot” (4/20/91) – Zosta’s daughter arrives in Tromaville and falls in
love with Toxie.
“Invasion
of the Biddy Snatchers” (4/27/91) – Zosta replaces Killemoff with General GarBage,
who plans to replace senior citizens with evil clones.
“The
Snail Must Go Through” (5/6/91) – New superhero Snail Man helps the Crusaders
fend off the latest pollution attack while also preparing for Yvonne’s concert.
“Nab
That Toxie Cab” (5/6/91) – The Crusaders start their own cab company and Yvonne
grows jealous when Toxie falls in love with his cab.
“Still
Crazy After All These Shears” (5/13/91) – Mayor Grody’s tree-planting campaign
actually involved alien seeds that grow into a Weed Monster.
“That’s
No Villain, That’s My Mom!” (5/20/91) – Toxie’s mom ends up switching minds
with Killemoff while the Crusaders deal with his convention for hideous
creatures.
Thomas was an actor who appeared in an episode of Batman: The Animated Series as a guard, Aaahh!!! Real Monsters as Disembodied Voice, and Barry Anger in Teacher's Pet, and starred in Hercules: The Animated Series as Ares. He also provided a voice for an episode of Goof Troop.
Jerry Lewis was an actor, comedian, singer, producer, director, writer and humanitarian best known for his partnership with Dean Martin and being the long-serving chairman of the Muscular Dystrophy Association. While Lewis has been parodied and homaged in many productions, his sole Saturday contribution was the creation of Will the Real Jerry Lewis Please Sit Down?, which utilized his name and likeness and where he made uncredited contributions to the series' scripts.
In 1942, Terrytoons
writer Izzy
Klein became fascinated by the Fleischer StudiosSuperman
theatrical shorts and decided to
create a parody starring an insignificant animal with similar powers. He
proposed “Super Fly” at a Terrytoons story conference, but boss Paul Terry nixed the idea.
Instead, he wanted to the idea to feature his
go-to animal: a mouse.
Super Mouse and his original damsel, Mitzi.
“Super Mouse” made his debut in
theaters on October 16, 1942 in The Mouse of Tomorrow(a
play on a nickname often attributed to Superman, “the man of
tomorrow”) released by 20th
Century Fox. In it, the city of
Mouseville was under constant siege by cats until one mouse went to a
supermarket, bathed in super soap and ate super celery and cheese that gave
him the powers to fight back and save the populace. Among the standard powers
of flight, super strength and invulnerability, he was also shown to have x-ray
vision, psychokinesis, time-manipulation abilities and could even use the red
contrail he left when he flew as a band of solid, flexible matter.
Poster showing the new name over the original colors.
Super Mouse (Roy Halee, Sr., Tom
Morrison & Allen Swift at various points in the series) appeared in six
subsequent shorts between 1942 and 1943 when Terry learned of the existence of
another Supermouse
appearing in the pages of Nedor Publishing Co.’s
comic, Coo Coo Comics,
who made his debut just before the first short was released. Not wanting to
promote another company’s creation, Terry renamed his character “Mighty Mouse”
and later altered the color of his uniform from blue and red to yellow and red.
The newly christened Mighty Mouse made his debut in 1944’s The Wreck of the
Hesperus. The original shorts were later altered to reflect the new
name.
Mighty Mouse's new supporting characters.
Although Mighty Mouse never reached the
heights of popularity as other theatrical cartoon stars, he became Terrytoons’
most popular character; often appearing on promotional material for other Terrytoon
projects and in Terrytoon Comics, published
by Timely Comics (precursor to Marvel). In
1945, Terrytoons decided to change the format of the series. Until that point,
Mighty Mouse would only appear in the last third of his shorts for a
last-minute rescue. It was decided to give him a new rival in old Terrytoon
villain Oil Can Harry (Morrison), remade a cat that always had evil intentions
towards Mighty Mouse’s new main squeeze, Pearl Pureheart. Their adventures were
done completely in mock opera beginning with Mighty Mouse and
the Pirates, similar to how they were presented in Harry’s original
theatrical outings in the Fanny Zilch series.
1947’s A Fight to the Finishbegan
the plot device of starting each short off with Mighty Mouse and Pearl in peril
as if a continuation from a previous chapter’s cliffhanger ending. It was
during this period that Mighty Mouse’s catchphrase “Here I come to save the
day!” debuted.
By the 1950s, theatrical shorts began to
fall out of fashion due to the loss of audiences in favor of the growing medium of
television and the popular and financially beneficial low-budget, stylized,
limited animation techniques presented there. In 1955, Terry retired and sold his studio to CBS; however, Fox retained the theatrical distribution
rights. CBS decided to take the existing Mighty
Mouse library and broadcast them on television. On December 10, 1955, they
launched Mighty Mouse Playhouse, which
was comprised entirely of the 80 theatrical shorts produced during Terrytoons’
run. The only new content were commercial bumpers and Colgate commercials with
Morrrison reprising his role, as well as a half-hour 1961 cartoon made in
cooperation with UNICEF. The show’s theme
was the theatrical theme written by Marshall Barer and
composed by Philip Scheib, was
originally credited to The Terrytooners
with Mitch Miller and orchestra,
but in later years it was revealed it was actually done by a group called The
Sandpipers (not to be confused with the more well-known band of
the same name).
The Mighty Heroes: Diaper Man, Cuckoo Man, Strong Man, Rope Man and Tornado Man.
The show ran for an impressive 11
seasons pulling in respectable ratings. However, as the 1960s rolled on,
networks began producing more and more new content for Saturday mornings that
began to overshadow and edge out the increasingly dated animation presented in
the low-budget Terrytoons shorts. CBS decided to compliment the show with a new
feature and eventually settled on Ralph Bakshi’s The Mighty Heroes.
The
Mighty Heroes was a play on the growing superhero
genre, particularly the successful premiere of the live-action Batman
earlier in the year, with the most goofy and impractical heroes imaginable
protecting the city of Goodhaven. The team was comprised of Strong Man, a farm
boy-turned-big city mechanic with super strength; Tornado Man, a weather forecaster
who could create tornadoes by spinning very fast; Diaper Man, a fully articulate
baby that led the team and could use his bottle as a bludgeon weapon or to fire
high-pressure streams of liquid (all Herschel Bernardi); Rope Man, a British
sailor that could turn into an unlimited length of rope (and often got tangled
into knots); and Cuckoo Man, a bird-shop owner with avian powers that changed
into costume by jumping up into a cuckoo clock and popping out its little door
(both Lionel G. Wilson). All of the heroes could fly, but a running gag had the
rest of the team emitting jet sounds while Cuckoo Man would always lag behind
with jalopy sounds.
Only 20 episodes of The Mighty Heroes were produced before Bakshi left Terrytoons. The
show alternated between showing two Heroes
episodes around a Mighty Mouse short,
and breaking up a singular episode to bookend two shorts. The series was also
renamed Mighty Mouse and the Mighty
Heroes. Unfortunately, the show went up against DePatie-Freleng’s
similar, and more popular, series, The
Super 6, and little was done to ease the declining ratings. CBS removed the
show from the schedule the following season and allowed it to enter syndicated
reruns; both together and with the two different shows separated (Mighty Mouse ran considerably longer
than the Heroes). The Heroes did get a brief second life as
the first ten episodes were released as theatrical shorts by Fox between 1969
and 1970. They made one additional appearance with Mighty Mouse in an episode
of the Bakshi-produced Mighty Mouse: The
New Adventures.
“The
Plastic Blaster” – The Raven uses the Plastic Blaster to terrorize Goodhaven.
“The
Frog” – The Frog plans to flood Goodhaven with water from the swamp.
“The
Junker” – The Junker’s robot dogs eat anything metal, and he sets them loose on
Goodhaven.
“The
Shrinker” – The Shrinker shrinks the Goodhaven bank in order to steal it.
“The
Ghost Monster” – The Heroes face the Ghost Monster that terrorizes the city
every century.
“The
Stretcher” – The Stretcher’s robots steal everything made of rubber in town.
“The
Monsterizer” – The Monsterizer uses his machine to change the Mayor and Police
Chief into monsters.
“The
Drifter” – The Drifter uses his anti-gravity gun to lift Goodhaven up and hold
it for ranom.
“The
Shocker” – The Shocker attempts to steal Goodhaven’s power supply.
“The
Enlarger” – The Enlarger calls out the Heroes by unleashing giant bugs on the
city.
“The
Toy Man” – The Toy Man’s toys come to life at night and rob their owners blind.
“The
Dusters” – The Shrinker’s new sidekicks sprinkle dust that makes the citizens
fall asleep or laugh hysterically.
“The
Big Freeze” – A mad scientist uses his genius to freeze all the citizens of
Goodhaven.
“The
Timekeeper” – NO SYNOPSIS AVAILABLE.
“The
Scarecrow” – A lightning bolt brings a scarecrow to life and he’s determined to
spread fear throughout Goodhaven.
“The
Time Eraser” – NO SYNOPSIS AVAILABLE.
“The
Return of the Monsterizer”
“The
Paper Monster” – NO SYNOPSIS AVAILABLE.
“The
Raven” – NO SYNOPSIS AVAILABLE.
“The
Bigger Digger” – The Frog return and uses his Bigger Digger to cut away pieces
of land in order to replace it with swamp water. Original post 2017. Updated in 2020.