October 30, 2019
October 26, 2019
Television airings of the classic Universal Monsters movies had given the franchise a renewed popularity in the 1960s. Having grown up with those films, Filmation producer Lou Scheimer decided to create a humorous homage to them.
|Welcome to Horrible Hall.|
Scheimer tasked Rowan and Martin’s Laugh-In writers Jack Mendelsohn and Jim Mulligan with developing the series. They ultimately settled on the scenario of a group of monsters living together in a castle and performing in a band. Initially, the castle, named Horrible Hall, was meant to be an inn that would be frequented by various guest monsters and ghouls resulting in the title Monster Inn; emphasizing both the setting and serving as a parody of the Laugh-In title, of which the show would take heavy influence from in all its incarnations. There would also be a villain named Sydney Sneaking-Slyly trying to get to a treasure buried beneath the castle. Once that aspect was dropped, the name “The Kookie Spookies” was adopted for much of the show’s early production until they were forced to change it as it sounded too close to Hasbro’s short-lived “Kooky Spooky” toyline. Ultimately, the group and the show became “The Groovie Goolies” (the unique spelling designed to avoid any claims of copyright infringement from other companies; although the traditional “ghoul” did appear from time to time).
|Frankie, Drac and Wolfie play for Bella, Orville, Hagatha, Hauntleory, Icky, Goo, Ratso and Batso.|
The Goolies were comprised of Drac (Larry Storch), a pastiche of Dracula, the short-tempered leader who played the pipe organ; Frankie (Howard Morris, doing a loose impersonation of Boris Karloff), based on Frankenstein’s monster, who was the easygoing head of the Muscleleum Gymnasium and played either bone xylophones or drums (later misinformation would call Frankie the son of Drac and Hagatha); and Wolfie (also Morris), based on the wolfman, who spoke in a mix of beatnik, surfer and hippie slang and played a lyre-like instrument. Other residents of Horrible Hall included Hagatha (Storch & Morris), a plump witch that served as the chef and had a sentient broom named Broomhilda; Bella La Ghostly (a play on Bela Lugosi, voiced by Jane Webb), the vampiric switchboard operator; Dr. Jekyll and Hyde (Morris), the resident doctor with a human and a monstrous head (a play on the dual nature of the original monster); Mummy (Morris, impersonating W.C. Fields), the resident newscaster with a penchant for first aid that often became unraveled; Boneapart (Larry D. Mann), a skittish skeleton in a Napoleon hat (a nod to his namesake) that often fell apart; Ghoulihand (Storch), a giant talking glove; Batso and Ratso (initially Storch, but later Dallas McKennon), two imps who often stole treats and played mean practical jokes that often backfired on them; Hauntleroy (Morris), Hagatha’s nephew who was selfish and two-faced; and Icky (Storch) and Goo (McKennon), two gargoyle-like creatures that were the resident pets along with Rover (Mann), Frankie’s pet dinosaur, and Fido, Wolfie’s pet piranha. Of course, other familiar trappings from the genre made appearances such as ghosts, man-eating plants and sentient furniture.
|Sabrina being bored by Drac.|
Sabrina and the Groovie Goolies debuted on CBS on September 12, 1970. The hour-long program featured two 15-minute Sabrina segments and a 30-minute block of Goolies, with both sets of characters crossing over into each other’s shows and the Goolies said to be Sabrina’s cousins. The show was picked up by Head of Children’s Programming Fred Silverman who was looking for a compliment to their successful Scooby-Doo, Where Are You! Since both shows featured witches, it was decided to package Goolies together with Filmation’s other offering: Sabrina the Teenage Witch, a spin-off of their popular The Archie Show.
|Ratso and Batso trading barbs during Weird Window Time.|
The series was written by Mendelsohn and Mulligan with Bob Ogle, Chuck Menville, Len Janson, Jim Ryan and Bill Danch. As said, the show took strong inspiration from Laugh-In and featured a similar structure of quick skits and jokes. “Weird Windows Time” was a direct spoof of Laugh-In’s Joke Wall, where the Goolies would pop out of various places and trade jokes. Each Goolie had a special segment: Dracula’s Schoolhouse, where Drac taught mad science; Hagatha’s Bedtime Stories, where she read a popular fairy tale to Frankie and the other residents all acted out the roles; Home Movies, which had the character’s watching videos from their pasts; The Mummy’s Wrap-Up, where Mummy would deliver news stories about other monsters; and Wolfie’s Theater, which was similar to Hagatha’s stories but with a stage performance set-up. Often, the characters would deliver educational tips about various subjects to the audience. A recurring gag saw Frankie being struck by lightning and then remarking “I needed that!”, as well as possessing the dual identity of inept superhero Super Ghoul.
|The Mummies and the Puppies.|
Each episode also featured two musical numbers; one performed by the Goolies, and another by a guest band. Those bands included The Bare Bones Band, comprised of three skeletons; The Mummies and the Puppies (a play on The Mamas and the Papas), comprised of a family of mummies and dogs; The Rolling Headstones (a play on The Rolling Stones), made up of three living tombstones; and The Spirits of ’76, which had three ghosts wearing the tricorne hats common during the 18th Century. Other groups conceived of during pre-production but not used were The Japanese Beatles, The Rolling Rocks, The Door Jammers and The Snapping Turtles. The songs were written by and arranged by Richard Delvy (as Linda Martin), Ed Fournier (as Sherry Gayden) and Dick Monda. Fournier and Monda also provided vocals with Bob Markland, Chris Sciarrotta and Dave Mani. The series’ background music was composed by Ray Ellis (as Jeff Michael), with additional music and sound effects provided by Horita-Mahana Corp. and Jan Moore. The titles of the songs would go on to provide episode titles for home media releases, as the original episodes went untitled and were only classified by their production numbers.
|Some random tomfoolery.|
Sabrina and the Groovie Goolies was the highest-rated children’s program in 1970. In 1971, CBS split up the two shows. Sabrina was removed from the Goolies intro and replaced with clips from “The Monster Trio” song number, and was omitted by changes to the theme song’s lyrics. They also moved the show to Sunday mornings and paired it with Tom and Jerry. After a single season there, CBS cancelled Goolies. However, the characters continued to appear in Sabrina. In 1972, they appeared on rival network ABC in Daffy Duck and Porky Pig Meet the Groovie Goolies, which aired as part of The ABC Saturday Superstar Movie. ABC would later broadcast reruns of Goolies in 1975. The characters made two final new appearances in episodes of The New Archie and Sabrina Hour, and Frankie was featured in the show’s closing credits. Despite its short run, Goolies was broadcast globally and translated into many languages. The show was so popular in France that the characters were included on a float in France’s 1986 Carnaval de Cholet.
|The Groovie Goolies rocking out.|
As with The Archie Show and The Hardy Boys, Filmation heavily pushed the musical aspect of the series. An album of 10 songs was released by RCA Victor Records in 1970; 8 of them had been featured on the show with “Save Your Good Lovin’ For Me” going on to be the only single, while “We Go So Good Together” and “Spend Some Time Together” were exclusive to the album. Featured on the cover was Monda, Fournier and songwriter Jeffrey Thomas in costume as Drac, Wolfie and Frankie, respectively; roles they would later reprise for the live-action segment of Daffy Duck and Porky Pig Meet the Groovie Goolies, although Thomas and Fournier switched roles (home releases of the special would omit the live segments). Neither release sold particularly well, although a revised version of “Chick-a-Boom (Don’t Ya Jes’ Love It)” by Monda under the alias Daddy Dewdrop reached at #9 on the Billboard singles chart. A live version of the Goolies briefly toured in 1971 lip-synching to the series’ songs. Their make-up was provided by Wes and Robert Dawn.
|A spider provides a tennis net for the Goolies and Mummy.|
The French version received its own album in 1983 by Magical Ring Records under the translated title “Les Croque Monstres”. Only the theme song was carried over and translated; the rest of the songs were new monster-themed ones and covers of other hit songs. To promote the album, a band dressed up as the Goolies (including Mummy) performed the theme song. The album would be reissued in 2013 by Balthazar Music with a slightly different track order. In 1992, Bonton released a pair of albums titled Bubusou in Czechoslovakia featuring all 33 of the show’s songs translated by Jiří Josek.
Groovie Goolies saw numerous releases onto home media. On VHS in the United States, Embassy Home Entertainment released Haunted Hijinks in 1985 and United American Video released Double Feature in 1989 and Live from Horrible Hall in 1990. In the United Kingdom, Select Video released Groovie Ghouls in 1985 that would be re-released by Kids Kollection in 1990, and Intervision Video included three episodes in both volumes of Filmation’s Children’s Cartoon Festival: Groovie Goolies in 1988. In Germany, Select Video released Geisterstunde in Horrible Hall in 1986, Die Lustige Monster Show: Im Horrorschlob & Das Gruselkabinett in 1990. Argentina and France had one release each with Mis Adorables Monstuitos from Buena Onda Home Video in 1986 and Les Croque Monstres by Sunbird Junior in 1989. On DVD, in the United States BCI/Eclipse released The Saturday “Mourning” Collection in 2006 which contained the whole series, then split it up between the two The Frightfully Funny Collection releases in 2008. Universal Pictures Home Entertainment would release a best-of collection in 2012 called simply Groovie Goolies. In 2009, Savor Ediciones Emon released the complete series in Spain as Mis Queridos Monstruos, and Australia would get their own release in 2016 from Universal Pictures.
|Bella helping in the kitchen.|
Goolies received its fair share of merchandising as well. During the show’s run, there was a coloring book and a magic slate produced by Whitman, puzzles depicting scenes from the show made by Fairchild, a collection of figurines by Chemtoy Corporation, candy with prizes, and a series of costumes by Ben Cooper, Inc. The theme song, re-recorded by the Toadies, was included on the 1995 tribute album Saturday Morning: Cartoons’ Greatest Hits from MCA Records. In 2010, Monstarz released limited edition maquettes of Drac, Frankie and Wolife. In 2017, Hot Toy Cars partnered with LB Customz to make two limited edition die-cast cars featuring graphics of the Goolies in the form of a VW Drag Bus and a Dairy Delivery truck.
|Drac taking the skelevator.|
In 1977, Filmation produced the package program The Groovie Goolies and Friends comprised of their properties that had too few episodes to syndicate individually. Goolies reruns were rotated with The New Adventures of Waldo Kitty, Lassie’s Rescue Rangers, The New Adventures of Gilligan, My Favorite Martians, M-U-S-H., Fraidy Cat and Wacky and Packy. While each show retained their original end credits, Filmation created a new intro for the package and animated new bumper segments where the Goolies would interact with the characters from the other shows.
|Drac and Bella moonlighting with Prime Evil on GhostBusters.|
Over the years, Filmation planned several revivals of the show in various forms that never saw fruition. The idea of a feature film was floated in 1978, and in 1984 Filmation came up with the concept of Fright Camp which would star the children of the original Goolies attending a summer camp. They also toyed around with The Goolies, which would have featured the characters as toddlers as part of the growing babyfication craze started by Jim Henson’s Muppet Babies. Ultimately, Goolies would live on in Filmation’s GhostBusters cartoon via recycled elements, including the Skelevator (an elevator made of bone), a skeleton character who fell apart, and the appearance of Drac and Bella’s character models and animations as new characters.
October 19, 2019
Bunnicula is a children’s book series created by Deborah and James Howe. The titular character was a rabbit found by the Monroe family—father Robert, mother Ann, and brothers Peter and Toby--in a theater during a screening of Dracula; leading to Ann coming up with his cute name. Bunnicula was an unusual rabbit; not only could he get out of his cage without using the door or open the refrigerator on his own, but he had fangs instead of the usual buck teeth which he used to suck the juices out of vegetables, leaving a white husk behind.
|The first Bunnicula showing Bunnicula and Harold.|
Although Bunnicula is the title character, the series is actually told from the perspective of the Monroe’s dog, Harold, and follows his adventures as he unravels the mystery of the family’s strange new pet and their eventual friendship. In fact, the story attributed the writing of the actual books to Harold. He also had to put up with the paranoid antics of Chester, the family’s cat, who held onto the unwavering belief that Bunnicula was truly a vampire and would turn carnivorous one day and must be destroyed. However, Chester eventually decided to befriend Bunnicula and protect him from his own nature. Although often implied and hinted at, it was never explicitly stated if Bunnicula was actually a vampire or supernatural in nature.
|The 40th anniversary edition.|
The first book in the series, Bunnicula: A Rabbit-Tale of Mystery, was published by Atheneum Books in 1979; several months after the passing of Deborah. James continued writing the series for six more entries, during which time he introduced two spin-off titles: Tales from the House of Bunnicula, which were told from the perspective of the Monroe’s second dog, Howie, introduced in the main series, and Bunnicula and Friends: Ready to Read, a series of picture books targeted for younger readers. The last Bunnicula book was published in 2007.
|The VHS cover to the Ruby-Spears version.|
There have been two animated adaptations of the franchise. The first came in 1982, courtesy of Ruby-Spears Productions, as an installment of ABC Weekend Specials. The second was a full-fledged television series by Warner Bros. Animation. Although both were different in their presentations, the one thing they had in common was that they decided to fully embrace Bunnicula’s vampiric nature and make it front and center. However, the show strayed even farther from the original books than the special.
|Promo image featuring Mina, Bunnicula, Harold and Chester.|
Bunnicula followed all-new characters Mina Monroe (named for Mina Harker, voiced by Kari Wahlgren) and her father, Arthur (named for Arthur Holmwood, voiced by Chris Kattan), as they moved into a New Orleans apartment complex left to them by Mina’s Aunt Marie, called the Orlock Apartments. With them were their two pets (whose physical appearances differed from their descriptions in the books): the dim-witted but loyal dog Harold (Brian Kimmet), and the intelligent and easily frightened cat Chester (Sean Astin). A third pet entered the mix when Mina used the key Marie left her to open a door in the cellar, freeing Bunnicula (mostly unintelligibly voiced by Kattan).
|Bunnicula feasting on some carrots.|
Unlike in the books, Bunnicula was once the pet of Count Dracula. Like a typical vampire, he tended to avoid sunlight, slept in a coffin, and his ears could turn into bat wings that allowed him to fly. He maintained his habit of sucking the juice from vegetables via his fangs; however, different vegetables interacted with his supernatural physiology and granted him different abilities such as carrots giving him enhanced vision, garlic turning him into a skeleton, eggplants turning him into a huge and hideous monster, rotten yams making him invisible, rutabagas giving him telekinesis, and more.
|Mina with best friends Marsha and Becky.|
Other characters included Marsha (Monie Mon), Mina’s shy and unlucky best friend who contrasted Mina’s outgoing nature and often witnessed the supernatural happenings around Mina’s home; Becky (Kate Higgins), Mina’s other best friend who had a sarcastic personality; Scott Dingleman (Scott Menville), Mina’s crush who shared many of her interests; Madame Polidori (Grey Griffin), the owner of a shop that contained many supernatural objects and who doesn’t like children or pets; Lugosi (named for Dracula actor Bela Lugosi, voiced by Richard Steven Horvitz), a deformed and insane guinea pig obsessed with serving Bunnicula to the point he becomes an antagonist; Patches the Weredude (Eric Bauza), a stray cat cursed by another weredude that allowed him to assume human form in the moonlight; and Fluffy (Sumalee Montano), a Doberman Pinscher that hunted vampires (a parody of Buffy the Vampire Slayer).
|Bunnicula falls for a veg monster.|
After airing a preview in January, Bunnicula officially debuted on February 6, 2016 airing simultaneously on Cartoon Network and Boomerang. It was developed by Jessica Borutski, who also served as a writer, character designer and producer. The 11-minute episodes typically involved Chester and Harold getting into weird adventures with Bunnicula as they encountered various supernatural problems that Bunnicula ultimately ended up solving. Mina was oblivious to the goings on around the Orlock apartment complex and the escapades her pets got into (a running gag had her wishing she could experience something supernatural). The series was written by Maxwell Atoms, Robert F. Hughes, Matthew Whitlock, Karl Hadrika, Josie Campbell, Ian Wasseluk, Darrick Bachman, Erin Kavanagh (who also storyboarded), Lane Raichert, Edward Rivera, Ben Joseph, Matt Sullivan, H. Caldwell Tanner, Brandon Kruse, Steve Clemmons, Kyle Stafford, Jordan Gershowitz, John Bailey Owen, Jesse Porter, Bryan Condon, Merrill Hagan, Dick Grunert, Carlos Ramos, Dave Polsky, Ethan Nicolle, Nick Reczynski (who also served as an editor) and Brady Klosterman. Drew Neumann composed the music for five episodes, but it was Paul E. Francis who composed the remainder as well as the series’ theme. Snipple Animation Studios and Toon City Animation handled the series’ animation duties, while Jamie Gallant animated the intro which would conclude with Bunnicula scaring off the offending entities in different ways. James Howe served as a consulting producer.
|Bunnicula the skeleton.|
Bunnicula ran for three seasons on an erratic schedule. After the first eight episodes, the series went on a hiatus that lasted a year. Five new episodes aired on Boomerang in a graveyard timeslot before moving to the Boomerang streaming service. It would close out 2017 back on the Boomerang network. The second season would air between the two networks, but mostly on the streaming service, while the third would air just on Boomerang before becoming available on the streaming service the following year. There was some question as to whether or not the show would get a 4th season, but an Instagram post from Borutski commemorating the final voice-recording session confirmed that it would end after the third season.