Remember that one day when you could wake up without an alarm? When you would get your favorite bowl of cereal and sit between the hours of 8 and 12? This is a blog dedicated to the greatest time of our childhood: Saturday mornings. The television programs you watched, the memories attached to them, and maybe introducing you to something you didn't realize existed. Updated every weekend.
FUN HOUSE / FOX’S FUN HOUSE (Syndication, FOX,
September 5, 1988-April 13, 1991) Stone Television/Stone
Stanley Productions, Lorimar-Telepictures (season 1), Lorimar Television
(season 2-3)
Nickelodeon struck gold when it debuted its
kid-centric game show Double
Dare in 1986. Double Dare would pit two teams of two kids
against each other by having them win money answering trivia questions. If they
didn’t know an answer, or thought the other team didn’t, they could pass it
over with a “dare” for double the money. But it could be “double dared” back
for four times the money, in which case that dared team either had to answer or
take a “physical challenge”. These physical challenges often featured
deceptively simple and incredibly messy tasks; like building an ice cream
sundae on their partner’s head, popping goop-filled balloons with a needle
headpiece, plucking cherries out of gelatin with their mouths, etc. Success won
them the money; failure gave it to the opposing team. The team with the most
money then went on to an even messier obstacle course for a chance to win up to
8 prizes within a minute.
A contestant making soup on top of her partner's head on Double Dare.
In the
world of entertainment, a success breeds imitators trying to duplicate that
success. One such attempt came in the form of Fun House, created by
veteran game show producer Bob
Synes. Tasked by Lorimar-Telepictures
with coming up with a kid’s show for syndication, Synes presented executive
producer Scott Stone with a
drawing of carnival midway games leading to a funhouse at the end. Stone scaled
down Synes’ ambitions a bit and suggested focusing on just the funhouse aspect
of it. Lorimar fronted the money to construct a massive set designed by Phyllis Hofberg, Rick Bluhm, Bill Harris and Anthony Sabatino (for which
they won an Emmy), and produce
a pilot to sell the series.
The teams and their respective cheerleaders taking their places at the podium.
The teams sitting in the "Slop Machine", where they got showered in either slime or candy.
Unlike Double Dare, Fun
House placed a greater focus on their “stunts”, which would then segue into
a single related toss-up question asked at a colorful podium equipped with
buzzers. Three timed stunts were played each episode; either with one player at
a time (alternating for each solo challenge) or both teammates together. Stunts
could involve using their faces to lift up a pie to find a “win” symbol on the
bottom of the tin; bobbing for bagels in chocolate milk; assembling a mixed-up
image on giant blocks; batting slimy softballs into the audience; pulling “hair
extensions” off a giant model’s head to place on their own while being covered
in goop; using their teeth to remove gum from under rows of seats; turning
their partner into the world’s largest sandwich; using a giant slingshot to
fire water balloons at pictures of the announcer; and more. Synes would come up
with a title for the stunt first, and then the crew, overseen by producer Stephen Brown, had to create a
stunt to go along with that name. The type of stunts featured were usually
related to the overall theme of that week’s batch of episodes in keeping with
Stone’s philosophy of everything telling a story. The winning team—or both, in
the case of a tie—won 25 points. Answering the question correctly earned them
an additional 25 points.
Piloting submarines in the Grand Prix Race.
The fourth and final round was The
Grand Prix Race. The teams had to race two laps on a track that circled the
studio; switching lanes on the second lap. There were two types of races: one
utilizing a vehicle of some kind that was ridden by one teammate and moved by
the other, switching between laps, and the other was a footrace with each
teammate running a lap. The races all featured a different theme with
associated challenges that had to be accomplished. For instance, a toy-themed
race saw the contestants riding/pulling little red wagons while picking up
various toys placed on the track. Additionally, the teams could snag white and
blue tokens from stations around the track for 10 and 25 extra points, respectively.
During the second season, a Token Bank was added on the second lap that
contained a pre-packaged bundle of tokens worth up to 200 points. The winning
team earned 25 points, but the ultimate winner was determined after the
acquired tokens were tallied by being dropped into slots at the podium. The
team with the most points went on to The Fun House obstacle course, while the
losing team left with consolation prizes. Ties were broken with a toss-up
question.
One of the many configurations of the Fun House obstacle course.
The titular
Fun House stood roughly 3-stories tall and featured several interchangeable
“rooms” of varying themes and obstacles. They could include toppling Styrofoam
skyscrapers; punching out thinly covered holes in a board; an “ice mountain”
climb; crawling through a tunnel full of balloons or one that’s spinning;
digging through school lockers; traversing a ball pit; etc. Each room contained
16 oversized price tags either plainly visible or hidden somewhere: 6 red
representing different prizes revealed before the course was run, and 10 green
ones representing cash amounts ranging from $50 to $300. The contestants had 2
minutes to collect as many tags as possible; grabbing three at a time before
switching with their partner. This continued until all tags were collected or
time ran out. Additionally, one tag was designated as the “Power Prize” that if
collected won them a bonus vacation along with everything else they picked up. For
the second season, the Fun House became larger and featured more intricate
elements like a swimming pool and shooting water.
Host J.D. Roth kicking off the show while John "Tiny" Hurley covers himself in mud.
Fun
House debuted in syndication on September 5, 1988. J.D. Roth served as host
for the entire run; becoming the youngest game show host in history at just 19.
Aiding Roth on the playfield were identical twin cheerleaders. They escorted
the teams to the podium, introduced them, and provided support to them based on
what color uniform the teams were assigned: Jackie (Jacqueline Forrest) for the
gold team and Sammi (Samantha Forrest) for the red. For the pilot, veteran
announcer Brain Cummings was utilized. Cummings had previously announced the
first season of the 1984-86
syndicated version of Let’s Make a Deal,
which Synes produced. John “Tiny” Hurley took over those duties once the series
went into production. Along with announcing, Hurley would appear on camera in
wacky costumes, participate in skits, or sometimes in various stunts. Other
differences in the pilot included playing for cash instead of points; four
stunts played instead of three; The Grand Prix awarding $50 for winning and
featuring a third red token worth $10 while blue was worth $50; contestants
only being allowed two prize tags at a time in the Fun House, with as many cash
tags as they wanted; a “Button Banger” in the Fun House awarding a random cash
bonus up to $2000 when hit; and the prize tags being scanned at the podium to
reveal the Power Prize, which awarded the contestants every prize in the
Fun House. Unlike the $2,000-$3,000 Double Dare or fellow Nickelodeon
game show Finders
Keepers—which filmed in the same complex as Fun House—paid out
in cash in prizes, Fun House offered contestants a potential prize
payout in excess of $10,000. Score Productions
composed the series’ music along with Matt Ender and Jonathan Firstenberg. Props
from the show were used in another Lorimar-Telepictures production, Perfect Strangers,
for the episode “Games People Play”. Series stars Mark Linn-Baker and Bronson Pinchot also filmed a promo for Fun
House as their characters Larry Appleton and Balki Bartokomous.
Over in the United Kingdom, ITV debuted their own version of Fun House
produced by Scottish Television. It
featured host Pat Sharp,
twin cheerleaders Melanie
and Martina
Grant, and announcer Gary King.
Played in much the same way as the original with minor gameplay and naming
differences, it actually outlasted its parent program to run a full 11 seasons,
ending in 1999. Their own adult-themed spin-off was planned and a pilot
produced, but it never went to series.
Playing hockey with pies.
Unfortunately, Fun House was
beginning to lose steam as sloppy game shows were wearing out their welcome.
They were finding difficulty remaining in syndication, despite their best
efforts. Enter: FOX. FOX was about to launch
its new kid-focused effort, Fox Kids Network,
and the show they wanted to acquire for it was…Double Dare. Previously, FOX
was pivotal in the success of Double Dare; having distributed it and
aired it regularly on affiliated stations, and even airing a version of the
show, Family Double
Dare, on their own network on Saturday nights. After attempting to
bring the show over to their new line up, FOX ended its direct affiliation with
the series over “creative differences” and abruptly
cancelled Family shortly before they were set to begin filming a new
season. Regular Double Dare continued on, however, and was still shown
on FOX affiliates, and Family was eventually revived by Nickelodeon two
years later. Looking for a replacement that could be just as popular, FOX
turned to Double Dare’s closest competitor: Fun House.
M.C. Mike rapping his intro.
Renamed FOX’s Fun House for
its third season, it joined the inaugural Fox Kids Saturday morning line-up on
September 8, 1990. It also became the first weekday Fox Kids show, filling in
for the delayed Peter Pan and the Pirates by airing a special week’s
worth of programs featuring some of the earlier-mentioned celebrity guests.
While essentially the same show, several changes were made. Hurley was replaced
by Michael Chambers, a.k.a M.C. Mike, best known as “Boogaloo Shrimp” from the Breakin’ films.
He opened each episode by showing off his rapping skills before the title
sequence. While Jackie and Sammi still escorted players to the podium,
introductions were now handled by Mike. Carrying over from College Mad House,
the player that answered a question correctly got to slap a pie into the face
of their opponent. The entire set also shed its carnival-like aesthetic in
favor of more urban flair; with distorted cartoon skyscrapers and riveted pipe
theming.
The all-new Fun House.
The Fun House itself was also
redesigned to emulate a slice of a city block. Starting at the top rather than
the bottom, Roth began the run by turning a large valve to activate the
“Whitewater Slide” that let one of the players splash down into a waiting pool
and officially start the clock counting down. From there, they could go into
the “Hardhat Hallway”, which looked like a scrapyard or garbage-filled empty
lot; the “Zippity Zoo Dah”, a zoo full of various stuffed animals, a performer
in a creature suit, and bendable cage bars; the “Funky Slop Sewer”, resembling
a slimy sewer pipe with fake rats and steamy sewage comprised of green balls in
water; the “Recycling Zone”, where pulling a lever dumped trash on the player
as well as a prize tag; “Bob’s Mad Mall”, which featured dummies holding
shopping bags on rotating doors, one of which held the prize tag; the “Kockeyed
Kitchen”, an upside-down kitchen whose cabinets held the tag (and was typically
filmed upside-down to make it seem like the player was walking on the ceiling);
“Flushing Meadows”, a bathroom-like area with three giant colored toilets that
sprayed water up when opened; “Fast Food Fight”, a diner area where the
opposing team got to impede the winning team by pelting them with food items; and
returning from the original Fun House was the rotating “Tubular Tunnel”.
Although cash tags were still in plain sight, the prize tags were now hidden
within each area. A large slimy alarm clock called the Crazy Glop Clock was
added that gave the team an additional 15 seconds in the Fun House when found.
Celebrity guest Kellie S. Williams receiving a pie to the face for a wrong answer.
Behind the scenes,
Lorimar-Telepictures was acquired by Warner
Bros. Lorimar-Telepictures served as the distributor during the first
season as well as the co-producer, but was replaced by Warner Bros. Domestic Television
Distribution for the remainder. This, along with Tiny
Toon Adventures, would begin Warner Bros.’ association with Fox Kids
that would prove mutually beneficial for both the studio’s burgeoning animation
efforts and the block’s legitimacy as a major player in broadcasting. British Knights was replaced as the
primary sponsor by LA
Gear, and everyone on stage wore the sponsoring company’s shoes. Synes,
sadly, died in 1990. Stone replaced him with David
G. Stanley and renamed his production company, Stone Productions, as Stone
Stanley Productions (now Stone & Company
Entertainment). Each episode of the third season was dedicated to Synes.
A trade ad celebrating Fun House's Emmy win.
FOX’s Fun House only lasted
a short time on the network, airing 22 episodes before it was replaced on the
schedule by the short-lived Swamp
Thing animated series in 1991. Despite being nominated for four
additional Emmys, winning one other, and winning a Young Artist Award,
the show disappeared from the airwaves….in the United States. The British
version has aired reruns and even got a special one-time
revival in 2015 as a promotional gimmick by Fayre & Square pubs and associated Wacky Warehouse play areas. The
American version only eventually resurfaced in videos of various quality on YouTube, including the pilot as a feature
entry of legendary game show host Wink
Martindale’s Wink’s Vault series. Roth would go on to acting and hosting
a few more game shows before moving into producing them—including Moolah
Beach, which would air during the final year of Fox Kids (meaning Roth both
opened and closed the block). Stone Stanly Productions continued
producing game shows, including Fun House spiritual successors Legends of the Hidden
Temple, geared towards kids, and Shop ‘til you Drop,
geared towards adults. Both featured stunt-heavy gameplay in an elaborate
setting: a Mayan temple for Legends, and a 2-story mall for Shop.
The latter also reused some of Fun House’s music. In 2022, YouTube channel Hosts at Home hosted a Fun House reunion
with Roth, Sharp, Stone, and Brown to discuss and reminisce about the show.
The Fun House NES game box.
In 1988, Pressman Toy Corp. published a board game version
of Fun House. A travel game was
made by Tiger
Electronics the following year as part of their Klix
Pocket Travel Games series, as well as their customary LCD handheld game.
Hi-Tech Expressions
produced a video game in 1989 for the Commodore 64 and MS-Dos, and in 1990 for the NES. No version fully
captured the show, but the computer versions were closer than the NES’ as they
featured some semblance of the stunts while the NES involved just throwing
balls at targets and avoiding obstacles in a top-down view. The board game, and
eventually the video games, were given out as consolation prizes on the show.
Exercising on the Fun House set.
The oddest
tie-in merchandise had to have been the workout videos. Stone had been on a
flight with Julie LaFond,
who ran the Jane Fonda exercise empire.
A conversation about fitness in kids led to a collaboration between Fonda and
the show. Fonda came to the set to introduce Roth, who then led the exercise
routines. Two videos ended up being made for the Fun House Fitness
series: The
Swamp Stomp for kids 3-7, and The
Fun House Funk for kids 7+. They were re-released together onto
DVD in 2005 as part of the Jane Fonda Collection compilation series.
For the history of Dennis the Menace, check out the post here.
Hank
Ketcham was inspired by the antics of his son, Dennis, to
create the comic strip Dennis the Menace.
The strip followed young Dennis as he inadvertently caused chaos for the
adults in his life through his well-meaning intentions. The strip became
immensely popular, and it wasn’t long before Hollywood came calling.
Dennis with his parents (front) and the Wilsons (back).
The first adaptation of the strip
was a sitcom for CBS,
who were looking to replace Leave it to Beaverafter
losing it to ABC,
produced by Dariell Productions and Screen Gems.
Like the strip, Dennis (Jay
North) was a well-intentioned mischievous boy whose antics
often came at the expense of his long-suffering neighbor, George Wilson (Joseph
Kearns). Dennis, at first, was more directly responsible for
the trouble he caused, but that was toned down at the network’s request to
avoid imitable behavior among younger members of their viewing audience. Herbert
Anderson and Gloria
Henry portrayed Dennis’ parents Henry and Alice, and Sylvia
Field played George’s wife, Martha. Missing was the
Mitchells’ dog, Ruff, who was replaced by the Wilsons’ dog, Fremont. Other
characters included Dennis’ best friend Tommy Anderson (Billy
Booth); Margaret Wade (Jeannie
Russell, cast at North’s suggestion), who had a crush on
Dennis though he found her annoying; Sergeant Harold Mooney (George
Cisar), a local policeman that took great pleasuring in
ruining Mr. Wilson’s day; Otis Quigley (Willard
Waterman), the local grocer; Miss Esther Cathcart (Mary
Wickes), a spinster that threw herself at every man she
could; and Grandma Mitchell (Kathleen
Mulqueen), Henry’s mother who stayed with them briefly while
Alice was away taking care of her father (a cover for Henry being on maternity
leave). Ron
Howard portrayed another of Dennis’ friends, Stewart, for
six episodes before he was cast to star in The Andy Griffith Show.
The replacement Wilsons.
Dennis
the Menace began on October 4, 1959 and ran for a total of four seasons.
North would also reprise the role for appearances on The Donna Reed Show, The Red Skelton Hour,
and in the film Pepe.
After the filming of the 100th episode, Kearns died
suddenly of a cerebral hemorrhage. For the remainder of the third season,
George was said to be out east settling an estate, and his brother, John (Gale
Gordon), was staying in his house as a guest. John,
interestingly enough, bore a stronger resemblance in appearance and personality
to the Mr. Wilson of the comic strip than George did. For the final season, the
original Wilsons were written out as having moved away, with John buying their
house with his wife, Eloise (Sara
Seegar). At the end of the season, CBS ultimately decided to
cancel the show as North, approaching 12-years-old, was getting too old to
believably be involved in the antics of the character. The show entered reruns on
NBC Saturday mornings
later that year before going into syndicated reruns in 1965. In the 1980s, it
began to make the rounds on various cable networks including Nickelodeon,
TV Land
and Antenna TV,
and on the streaming service Hulu.
Hank Ketcham's autobiography featuring him drawing his greatest creation, Dennis.
Hank Ketcham grew
up with a fascination for cartoons; beginning with the comic strips in
newspapers and extending to theatrical shorts. Wanting to draw professionally,
he headed for Los Angeles in
1938 and attempted to join Walt Disney Studios.
Denied, former classmate and animator Vernon Witt got him a job as an
animator for Walter
Lantz Productions. After 14 months, he was finally able to get a job with
Disney and worked on such notable projects as Pinocchio, Fantasia, Bambi, The Adventures of Ichabod
and Mr. Toad and shorts starring Donald Duck. During World War II, Ketcham
was drafted and became a photographic specialist in the U.S. Navy Reserve tasked with
creating sales and training materials for the War Bond program. He created
the character Seaman Hook,
which became the subject of four cartoons (one made by Lantz). With spare time
in the evenings for cartooning, he began a camp newspaper strip called Half Hitch,
which followed a short, lecherous sailor and his friends in pantomime
single-panel gags. The strip ran in The Saturday Evening Post
from 1943-45.
The first strip.
After the
war, Ketcham settled in Carmel,
California with his family and worked as a freelance cartoonist. He first
attempted to create a newspaper strip called Little Joe, which would
have been a multi-panel gag strip about a mischievous little boy. It ultimately
ended up being rejected. He revisited the idea, however, when his first wife,
Alice, burst into his studio declaring “Your son is a menace!” after he trashed
his bedroom instead of taking a nap. He hastily whipped up 12 cartoons based on
his son and Dennis the Menace was born. Ketcham submitted his new strip
to New York-based Post-Hall Syndicate (later Publishers-Hall
Syndicate) and they accepted. The strip made its debut on March 12, 1951,
coincidentally the very same day that a similar yet unrelated strip debuted in
the United Kingdom, also called Dennis
the Menace (however, the UK Dennis was more of a vicious prankster). While
Ketcham drew the daily strip through his entire run, he did employ gag ghost
writers including Bob Harmon, Al Batt, Norman Maurer, Jerry Bendsen, Carson Demmans, Steve Dickenson,
Bob Saylor and Dana Snow. A
full-color Sunday strip debuted that January by request of his editors, done by
artist Al Wiseman
and writer Fred Toole. The strip initially appeared in only 16 newspapers, but
by 1953 that had grown to 193 in the United States and 52 internationally and
seen by over 30 million readers.
The Mitchells: Dennis, Alice and Henry.
Dennis
lived in a middle-class suburb of Wichita,
Kansas (which earned Ketcham the title of honorary Mayor of Wichita) with
his father, aeronautical engineer Henry, stay-at-home mother, Alice, and dog,
Ruff. Ketcham used his family’s names in the strip, giving them the surname
Mitchell, and modeled the parents on his wife and himself. Dennis was full of
youthful energy and enthusiasm and had a good heart—it’s just that he tended to
cause more trouble than he realized with his antics. The frequent victim these
antics was their next-door neighbor, cranky and cantankerous retired mail
carrier George Wilson, whom he considered his adult best friend. George was
driven crazy by Dennis often, although he was secretly fond of the boy. His
wife, Martha, was more openly fond of Dennis and was often oblivious to the
suffering her husband sometime endured.
Mock-up of a strip featuring Dennis and Mr. Wilson.
Dennis had
friends his own age as well. Tommy Anderson was his best friend until he
stopped appearing in the strip. Joey McDonald was Dennis’ timid, loyal, younger
friend who was often an accomplice in Dennis’ schemes. Margaret Wade was a
glasses-wearing redhead who had a self-important demeanor and was certain
she would marry Dennis when they were old enough; much to Dennis’ chagrin. Gina
Gillotti was a fiercely independent tomboy with whom Dennis is unaware he had a
crush on; he just knew he enjoyed her company more than Margaret’s. Jackson was
Ketcham’s attempt at introducing a Black character to the cast in the 1960s;
however, because his design verged on racial caricature, the character was not received
well and resulted in protests in several cities before he eventually
disappeared from the strip.
Dennis delivering a burn to Margaret.
Because the strip was inspired by
Dennis Ketcham, it remained largely grounded and focused on slightly
embellished slice of life stories. The only real deviation was during the
country’s bicentennial
where the Dennis characters were depicted as living in New England in the days leading up to
the American
Revolution.Ketcham eventually retired from the strip in 1994, with
his former assistants Marcus Hamilton
and Ron Ferdinand
taking over its production. They were eventually joined by Scott Ketcham, his son
by his third wife. Ketcham, while exploring other creative endeavors like
painting, remained a consultant on the strip until his death in 2001.
Dennis imparting his wisdom on girls to Tommy.
The strip
won Ketcham a Reuben Award
in 1953. That year, Dennis made the transition into supplemental
original comic books and collections published by Standard Comics/Pines
Comics, Halden-Fawcett,
CBS Consumer Publishing and Marvel Comics through the 1980s. A special
Bible-focused comic series was commissioned by World Books Inc. (now HarperCollins) in 1977. Ketcham and
sculptor Arch Garner
designed The Dennis
the Menace Playground that opened in 1956 in El Estero Park
in Monterey, California. In 1958,
Ketcham established Dennis Play Products, Inc. to distribute toys based on the
strip. Dennis was used in advertising
campaigns for A&W Restaurants
in the 1960s, and then
for Dairy Queen from 1971-2001.
But, most notably, Dennis made the transition to television and later film
beginning in 1959 that would lead him to Saturday mornings…
Best known as the original Dennis the Menace, he voiced Prince Turhan in
the Arabian Knights segment of The Banana Splits Adventure Hour;
Terry Dexter in Here Comes the Grump; and teenaged Bamm-Bamm Rubble in The
Pebbles and Bamm-Bamm Show and The Flintstone Comedy Hour (1972).