Hank Ketcham's autobiography featuring him drawing his greatest creation, Dennis. |
Hank Ketcham grew
up with a fascination for cartoons; beginning with the comic strips in
newspapers and extending to theatrical shorts. Wanting to draw professionally,
he headed for Los Angeles in
1938 and attempted to join Walt Disney Studios.
Denied, former classmate and animator Vernon Witt got him a job as an
animator for Walter
Lantz Productions. After 14 months, he was finally able to get a job with
Disney and worked on such notable projects as Pinocchio, Fantasia, Bambi, The Adventures of Ichabod
and Mr. Toad and shorts starring Donald Duck. During World War II, Ketcham
was drafted and became a photographic specialist in the U.S. Navy Reserve tasked with
creating sales and training materials for the War Bond program. He created
the character Seaman Hook,
which became the subject of four cartoons (one made by Lantz). With spare time
in the evenings for cartooning, he began a camp newspaper strip called Half Hitch,
which followed a short, lecherous sailor and his friends in pantomime
single-panel gags. The strip ran in The Saturday Evening Post
from 1943-45.
After the
war, Ketcham settled in Carmel,
California with his family and worked as a freelance cartoonist. He first
attempted to create a newspaper strip called Little Joe, which would
have been a multi-panel gag strip about a mischievous little boy. It ultimately
ended up being rejected. He revisited the idea, however, when his first wife,
Alice, burst into his studio declaring “Your son is a menace!” after he trashed
his bedroom instead of taking a nap. He hastily whipped up 12 cartoons based on
his son and Dennis the Menace was born. Ketcham submitted his new strip
to New York-based Post-Hall Syndicate (later Publishers-Hall
Syndicate) and they accepted. The strip made its debut on March 12, 1951,
coincidentally the very same day that a similar yet unrelated strip debuted in
the United Kingdom, also called Dennis
the Menace (however, the UK Dennis was more of a vicious prankster). While
Ketcham drew the daily strip through his entire run, he did employ gag ghost
writers including Bob Harmon, Al Batt, Norman Maurer, Jerry Bendsen, Carson Demmans, Steve Dickenson,
Bob Saylor and Dana Snow. A
full-color Sunday strip debuted that January by request of his editors, done by
artist Al Wiseman
and writer Fred Toole. The strip initially appeared in only 16 newspapers, but
by 1953 that had grown to 193 in the United States and 52 internationally and
seen by over 30 million readers.
Dennis
lived in a middle-class suburb of Wichita,
Kansas (which earned Ketcham the title of honorary Mayor of Wichita) with
his father, aeronautical engineer Henry, stay-at-home mother, Alice, and dog,
Ruff. Ketcham used his family’s names in the strip, giving them the surname
Mitchell, and modeled the parents on his wife and himself. Dennis was full of
youthful energy and enthusiasm and had a good heart—it’s just that he tended to
cause more trouble than he realized with his antics. The frequent victim these
antics was their next-door neighbor, cranky and cantankerous retired mail
carrier George Wilson, whom he considered his adult best friend. George was
driven crazy by Dennis often, although he was secretly fond of the boy. His
wife, Martha, was more openly fond of Dennis and was often oblivious to the
suffering her husband sometime endured.
Dennis had
friends his own age as well. Tommy Anderson was his best friend until he
stopped appearing in the strip. Joey McDonald was Dennis’ timid, loyal, younger
friend who was often an accomplice in Dennis’ schemes. Margaret Wade was a
glasses-wearing redhead who had a self-important demeanor and was certain
she would marry Dennis when they were old enough; much to Dennis’ chagrin. Gina
Gillotti was a fiercely independent tomboy with whom Dennis is unaware he had a
crush on; he just knew he enjoyed her company more than Margaret’s. Jackson was
Ketcham’s attempt at introducing a Black character to the cast in the 1960s;
however, because his design verged on racial caricature, the character was not received
well and resulted in protests in several cities before he eventually
disappeared from the strip.
Because the strip was inspired by
Dennis Ketcham, it remained largely grounded and focused on slightly
embellished slice of life stories. The only real deviation was during the
country’s bicentennial
where the Dennis characters were depicted as living in New England in the days leading up to
the American
Revolution. Ketcham eventually retired from the strip in 1994, with
his former assistants Marcus Hamilton
and Ron Ferdinand
taking over its production. They were eventually joined by Scott Ketcham, his son
by his third wife. Ketcham, while exploring other creative endeavors like
painting, remained a consultant on the strip until his death in 2001.
The strip
won Ketcham a Reuben Award
in 1953. That year, Dennis made the transition into supplemental
original comic books and collections published by Standard Comics/Pines
Comics, Halden-Fawcett,
CBS Consumer Publishing and Marvel Comics through the 1980s. A special
Bible-focused comic series was commissioned by World Books Inc. (now HarperCollins) in 1977. Ketcham and
sculptor Arch Garner
designed The Dennis
the Menace Playground that opened in 1956 in El Estero Park
in Monterey, California. In 1958,
Ketcham established Dennis Play Products, Inc. to distribute toys based on the
strip. Dennis was used in advertising
campaigns for A&W Restaurants
in the 1960s, and then
for Dairy Queen from 1971-2001.
But, most notably, Dennis made the transition to television and later film
beginning in 1959 that would lead him to Saturday mornings…
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