Remember that one day when you could wake up without an alarm? When you would get your favorite bowl of cereal and sit between the hours of 8 and 12? This is a blog dedicated to the greatest time of our childhood: Saturday mornings. The television programs you watched, the memories attached to them, and maybe introducing you to something you didn't realize existed. Updated every weekend.
CB Bears
was a Hanna-Barbera
anthology series featuring six different segments: Blast-Off Buzzard;
Heyyy, It’s the King!; Posse Impossible; Shake, Rattle & Roll;
Undercover Elephant; and the titular CB Bears. Each one was
directly inspired by other shows and movies popular at the time.
The CB Bears and the Perfume Wagon.
CB Bears
was a spoof of the hit series Charlie’s Angels and
infused with elements of the CB radio
culture that had gained popularity during the decade. Three bears—Hustle
(Daws Butler impersonating Phil Silvers), Boogie (Chuck McCann), and Bump
(Henry Corden)—were detectives that disguised themselves as trash collectors.
They received their missions from the unseen sultry-voiced Charlie (Susan
Davis) through the CB radio in their beat-up garbage truck, the Perfume Wagon.
While it may not have seemed like much, their truck was loaded with plenty of
devices that could be called upon in a pinch. Each of the bears’ names were
taken from a popular
disco dance, and their character models were reminiscent of the crew from
the earlier Help! …It’s the Hair Bear Bunch!; from which Butler recycled
the same voice for Hustle that he used there. Early promotional art for the
series had Charlie’s face seen on a TV
screen before they decided to make her only a vocal presence like its
inspiration.
Blast-Off Buzzard and Crazylegs.
Blast-Off
Buzzard was Hanna-Barbera’s answer to Warner
Bros.’ Wile
E. Coyote and Road Runner series. Blast-Off Buzzard (vocal effects by
Butler), who wore an aviator hat with goggles and a scarf, wanted nothing more
than to catch Crazylegs, a speedy football helmet-wearing snake, in a desert
setting. Blast-Off used a variety of schemes and devices in his attempt to nab
the pesky snake, but was always thwarted by his plans backfiring or Crazylegs
just outsmarting him. Crazylegs was originally pitched as being a rabbit, but NBC rejected the idea. Artist Jerry Eisneberg offered the
solution of making him a snake, which the network approved.
King, Big H, Skids, Clyde, Sheena and Zelda.
Heyyy,
It’s the King! was inspired by Happy
Days; the title taking a cue from star Henry Winkler’s catchphrase as
Arthur “The Fonz” Fonzarelli. King (Lennie Weinrib) was the cool leather-jacket
wearing lion leader of his motley crew that included Big H (Sheldon Allman), a
hippo that was always hungry; Clyde (Don Messick), a dopey gorilla with questionable
athletic ability and a large ego; Yuka-Yuka (Weinrib), a hyena who was a
practical joker; Skids (Marvin Kaplan), a crocodile that drove a jalopy and
wore a bucket on his head; and cheerleaders Sheena (Ginny McSwain), a puma, and
Zelda (Susan Silo), an ostrich. Most stories centered King’s schemes at
acquiring money and fame and his friends’ attempts to help. Originally the
segment was meant to be set in the jungle with their usual hang out, a malt
shop, being the only building, but was changed to them living in the city. While
the series featured a 1950s aesthetic reminiscent of its inspiration, it still
very much took place in the modern 1970s.
The Posse Impossible: the Sheriff, Stick, Blubber and Big Duke.
Posse
Impossible stemmed from an idea first explored in the final episode of Hong
Kong Phooey. The Sheriff of Saddlesore (William Woodson) set out to
protect the west with his posse of bungling cowboys: Stick (Daws Butler, using
a hillbilly voice), Big Duke (also Butler, impersonating John Wayne who was
known as “The Duke”), and Blubber (Chuck McCann). They pursued the most
notorious outlaws in the territory and managed to bring them in by out-bumbling
them.
Shake (yellow), Rattle (purple) and Roll (blue) rocking out with ghost mouse and their poltercat.
Shake,
Rattle & Roll, titled after the 1954 hit penned by Jesse Stone (as
Charles Calhoun) and first
recorded by Big Joe
Turner, was set in the rundown Haunted Inn managed by three ghosts: Shake
(Paul Winchell), Rattle (Weinrib), and Roll (Joe E. Ross). Along with the
hijinks that followed dealing with their clientele of supernatural entities and
creatures, they often had to deal with a pesky Ghost Mouse (with the aid of
their Poltercat), a ghost exterminator named Sidney Merciless (Alan Oppenheimer), and hotel
inspectors.
Undercover Elephant and Loudmouse picking out his next disguise.
Undercover
Elephant starred the mystery-solving titular character (Butler) and his
sidekick, Loudmouse (Bob Hastings). Working for Central Control, they would
receive their instructions from the Chief (Michael Bell) via exploding messages
(ala Mission:
Impossible) that Undercover would fail to avoid. Another recurring gag
was that Undercover regarded himself as a master of disguise, but his disguises
tended to give him away (usually blamed by him on their being of the mail-order
variety) as did Loudmouse, living up to the term that inspired his name: “loud
mouth”.
The series
only lasted a single season of 13 episodes. Reruns of the CB Bears
segment would be included on its own in the package program Go Go
Globetrotters (which replaced it on the schedule) and with Undercover
as part of the 1980s episodes of Captain
Kangaroo. Undercover would also serve as one of the filler
segments for the Disney
Channel run of Jump,
Rattle and Roll. When the series entered syndicated reruns, it was
halved into two distinctive programs: CB Bears included the titular
segment with Blast-Off and Posse, and Heyyy, It’s the King
included that segment with Shake and Undercover. These half-hour
versions would air on Cartoon Network
and Boomerang in the
1990s and early 2000s before disappearing from the airwaves entirely.
Only Posse received a
complete release onto VHS
in 1988, while three Shake, Rattle and Roll episodes were included on
the 1990 compilation tape Scooby-Doo
& Friends: Mostly Ghostly; both from Hanna-Barbera
Home Video. The rest remained largely forgotten until fan uploads began
making their way to the internet in 2022. However, Warner Archive
did include King on a
poll deciding their next releases in 2012 (obviously it didn’t win).
“The Missing Mansion Mystery / Buzzard, You’re a Turkey /
The Blue Kangaroo / Big Duke and Li’l Lil / Guess What’s Coming to Dinner / The
Sneaky Sheik” (9/10/77) – The Bears discover a lost mansion in the middle of an
alligator-infested lagoon. / Blast-Off tries multiple schemes to catch
Crazylegs. / King and his friends must protect a Blue Kangaroo being pursued by
a hunter. / Duke’s fancy footwork helps save dance hall girl Li’l Lil. / Shake
and Rattle come across a baby creature that keeps growing whenever it eats. /
Undercover and Loudmouse go after a jewel thief posing as a sheik.
“The Doomsday Mine / Hard Headed Hard Hat / The First King
on Mars / Trouble at Ghostarado / The Ghostly Ghoul is a Ghastly Guest / Baron
Von Rippemoff” (9/17/77) – The Bears head out to Arizona to investigate strange
lights and people changing color from a deserted mine. / Blast-Off invites
Crazylegs to work on a construction site as a ploy to trap him. / King and his
friends’ plan to get to Mars lands them on the set of a Martian movie. / The
Posse goes after a thief that’s turning Mother Lode’s silverware into silver to
sell. / The trio try to remove a guest that keeps scaring off the others from
the inn. / Undercover and Loudmouse are sent to North Africa to retrieve a
stolen experimental aircraft.
“Follow that Mountain / Hearts and Flowers, Buzzards and
Snakes / The Riverbed 5000 / The Not So Great Train Robbery / There’s No Pest
Like a Singing Guest / The Moanin’ Lisa” (9/24/77) – Investigating vanishing
mountains leads the Bears to being chased underground by giant gophers. /
Blast-Off builds a female robot snake to lure in Crazylegs. / King and his
friends enter a race to win prize money and a kiss from actress Raquel Wrench.
/ The Posse go after Tiny Tex and the Toe Dance Kid for robbing the same train
47 times. / The trio must figure out how to get rid of the Phantom of the Opera
as his singing is disturbing the other guests. / Undercover and Loudmouse must
retrieve a famous painting from a notorious art thief.
“Valley of No Return / The Egg & Aye Aye Aye / Surf’s Up
/ The Alabama Brahma Bull / Shake, the Lion-Hearted / Pain in the Brain”
(10/1/77) – The Bears investigate what’s driving animals out of a valley. /
Blast-Off must protect an egg he found from Crazylegs. / Big H uses Skids’
customized surfboard to enter a competition at the beach. / The Posse attempt
to arrest a couple of bull thieves—if Big Ben Cartwheel’s other bull
will let them. / Rattle and Roll create a potion to cure Shake of his fear, but
it ends up turning him into a fearless bully. / Undercover and Loudmouse must
protect a scientist from being abducted by his rival.
“The Fright Farm / Testing 1-2-3 / King and His Jokers / The
Crunch Bunch Crashout / The Real Cool Ghoul / The Great Hospital Hassle”
(10/8/77) – The Bears track an old man who’s been stealing animals from the zoo
to populate his huge ark. / / King and his friends form their own band to
compete with Cool Cat’s after they’ve stolen the attention of all the girls in
town. / The Posse set after capturing a gang of escaped stagecoach robbers. / A
heatwave sends the Abominable Snow Ghost to the inn and he threatens to freeze
out all of the other guests. / Undercover disguises himself as a patient to
capture a thief robbing wealthy patients at a hospital.
“Drackenstein’s Revenge / Ho, Ho, Ho, It’s the Buzzard’s
Birthday / Hot Gold Fever / One of Our Rivers is Missing / Spooking is
Hazardous to Your Health / Latin Losers” (10/15/77) – While investigating why a
town is fast asleep, the Bears discover its valuables are all missing. / It may
be Blast-Off’s birthday, but he wants to give Crazylegs the surprise. / King
and his friends’ camping trip becomes a treasure hunt when they find a map. / The
Posse investigates Saddlesore’s water shortage. / An inspector threatens to
shut down the inn if the trio don’t bring it up to code. / Undercover must
rescue a famous detective after he’s kidnapped.
“Water, Water…Nowhere / Wheelin’ and Reelin’ / The Carnival
Caper / Sneakiest Rustler in the West / Spooking the Spooks / Dr. Doom’s Gloom”
(10/22/77) – The Bears try to save the world’s water supply from an ex-sea
captain seeking to turn it all into sand with his device. / / King and his
friends must free Yuka Yuka’s cousin Elmo from imprisonment at a carnival. / The
Posse tries to catch an elusive cow rustler. / Sidney employs a robot to get
rid of all the ghosts at the inn. / Undercover and Loudmouth must stop Dr.
Doom’s evil plans.
“Wild, Wild Wilderness / Buzzard, Clean Up Your Act / The
Unhappy Heavy Hippo / Bad Medicine / From Scream to Screen / Chicken Flickin’
Capon Caper” (10/29/77) – Charlie warns the Bears to be on the lookout for
strange creatures as Boogie is taken by a giant vine. / / Needing to lose
weight, Big H is put on a diet and rigorous exercise program. / Crooks secretly
rob the town under the guise of selling medicine. / The trio try to scare off
the movie crew attempting to film at their inn. /
“Island of Terror / Backyard Buzzards / King for Prez / Busting
Boomerino / Gloom and Doom-De-Doom / Undercover Around the World” (11/5/77) –
The Bears must deal with a giant octopus to get to a sinking island. / / King
runs for student body president against an unscrupulous rival. / The Posse
guards the bank to try and keep it from being robbed 20 years in a row when the
circus comes to town. / Shake and Roll attempt to cheer up Rattle with a picnic
and cruise that ends up being constantly interrupted. / Undercover’s disguises
constantly failing causes him and Loudmouse to have to chase spies around the
world.
“Go North, Young Bears / Spy in the Sky / Snowbound Safari /
Roger the Dodger / Polt R Geist / Irate Pirates” (11/12/77) – The Bears head to
the North Pole to investigate mysterious floods. / / King and his friends go
hunting for Bigfoot in order to cash in on the reward for him. / The Posse must
re-apprehend a sneaky bandit. / The trio eagerly await a hotel critic to rate
their inn, but he ends up being frightened by its inhabitants. / Undercover
seeks to challenge himself by capturing a gang of pirates.
“The Invasion of the Blobs / First Class Buzzard / Great
Billionaire Chase Case / Riverboat Sam the Gambling Man / Too Many Kooks / Perilous
Pigskin” (11/19/77) – The Bears investigate giant monsters swallowing up the
town of Fool’s Gold. / / King decides to get an interview with the world’s most
reclusive eccentric millionaire. / The Posse goes after a cheating riverboat
gambler. / The trio hire a temporary cook to deal with the ravenous appetites
of the Abominable Monsters Association. / Undercover and Loudmouse must
apprehend Microfilm Freddie.
“Disaster from the Skies / Freezin’ and Sneezin’ / Boat
Fever / The Invisible Kid / A Scary Face from Outer Space / Swami Whammy”
(11/26/77) – The Bears investigate the source of mysterious destructive rays
threatening a city. / / King and his friends try to raise money to buy a boat.
/ The Posse attempts to capture an invisible bandit. / Aliens come to Earth
looking for humans to abduct and end up landing at the inn as it hosts a
costume ball. / Undercover and Loudmouse must stop Swami Salami from
hypnotizing people into his slaves.
“Disappearing Satellites / Cousin Snakey is a Groove / Go
for It, King / Calamity John / Health Spa Spooks / The Disappearing Duchess”
(12/3/77) – The Bears follow a spacecraft below a lake to discover a giant
underground space station. / / King attempts to set a new world record. / The
Posse must arrest a bandit that causes bad luck wherever he goes. / The trio
hire a physical education teacher to try and bring new life to their inn. / Undercover
and Loudmouse head to London to protect the Duchess from an evil scheme.
It's September, so that means new television season! These are the Saturday Morning schedules that debuted today in 1982 (ABC's actually debuted the following week).
Keeshan-Miller
Enterprises, Robert Keeshan Associates, CBS Television Network
MAIN CAST:
Bob
Keeshan – Captain Kangaroo, Mr. Pennywhistle, Mr. Doodle, Wally, Town Clown
Hugh “Lumpy”
Brannum – Mr. Green Jeans, the New Old Folk Singer, Percy, Uncle Backwards,
Mr. McGregor, Mr. Bainter the Painter
Cosmo
Allegretti – Mr. Bunny Rabbit, Mr. Moose, Dennis the Apprentice, Willy,
Miss Frog, Mr. Whispers, Dancing Bear, Grandfather Clock, Uncle Ralph, TV Fred
Conceived by star Bob Keeshan based on the “warm relationship between
grandparents and children”, Captain Kangaroo became the longest-running
national network children’s show (and the longest-running overall until it was
passed by Sesame Street in 1999, where many people who worked on Kangaroo
went to work following its conclusion).
The Captain.
Keeshan, along with long-time friend and director Jack Miller, had taken notice
of the success of The
Uncle Al Show—a local children’s show out of Cincinnati, Ohio—and
approached the network they were currently working for, ABC, with the idea to produce one of their own.
However, the network had previously attempted and failed at doing so before and
passed on the idea. Pitching it again a year later, they were given the weekend
to have the show ready for a pilot on Monday morning. Working with the
station’s crew, they created a set and a costume, Keeshan dyed his hair gray
after being unable to get a wig done, and used music from the station’s library
to come up with Tinker’s
Workshop. Debuting on November 15, 1954, the series centered on
kindly toymaker Tinker (Keeshan) in his toyshop somewhere in a Swiss village,
where he would use kids’ love of toys and play to impart important values,
skills and other lessons to their audience in between reruns of old theatrical
shorts.
Keeshan as the Tinker.
CBS was on the constant lookout for
innovative approaches to children’s television programming at this time. In the
summer of 1955, they approached Keeshan and Miller about coming up with a
similar show to Tinker for them. They decided to try and create a better
format with a kindly old tour guide and captain of the guard of a children’s
museum called “The Treasure House.” Keeshan got out of his contract with ABC
and the network bought out the rights to Tinker, leaving Keeshan and
Miller free to develop the new show for CBS. The result was Captain
Kangarro.
Mr. Green Jeans and Dancing Bear prepare a cake for the Captain.
Captain Kangaroo debuted on CBS on October 3, 1955. Keeshan
played the title character The Captain, who was given the nickname “kangaroo”
due to the large pockets on his trademark jacket (originally blue, but later
red). Initially, CBS wanted Al Lewis to host,
but he wouldn’t be released from his contractual obligations to host The
Uncle Al Show. The show didn’t have
a strict format; the only constant was that the entirety of the action took
place in or around The Captain’s house, known initially as The Treasure House
and later The Captain’s Place. However, there were recurring segments and bits,
such as “Reading Stories” sessions where The Captain would read a book to his
audience, The Magic Drawing Board where he would interact with animated
characters, and a running gag of his getting ping pong balls dumped on him. For
the show’s introduction, The Captain would enter the House/Place and hang his
keys on the hook, which would then cause the theme song to stop playing.
However, sometimes The Captain would miss the hook or drop the keys, and the
song would continue playing until they were finally hung. The Captain would end
each the show encouraging parents to spend some time with their children, first
directly to them and later more subtlety via a song listing activities to do
outside instead of watching television. The first show of each month was also
when The Captain would wish a happy birthday to every kid who celebrated that
month.
The Captain with Mr. Green Jeans, Dancing Bear, Mr. Moose and Mr. Bunny.
The Captain would interact with a
variety of characters. On the human side was farmer Mr. Green Jeans (Hugh
“Lumpy” Brannum), the mute Town Clown (also Keeshan) and Sam Levine as The
Banana Man. There were animals like the silent Dancing Bear, living appliances
like the rhyming Grandfather Clock, and puppets like Mr. Bunny and Mr. Moose (all
Cosmo Allegretti, who was the primary puppeteer for the show). Levine had purchased
the props and gimmicks from musical comedian Adolf Proper’s estate and
resurrected The Banana
Man for the show. His gimmicks included communication through sounds and
instruments, quick costume changes, and pulling an impossible number of props
from his coat pockets. He played the role until his death in 1974.
The Captain and Mr. Green Jeans with Mr. Baxter, Debbie and Dennis the Apprentice.
As the show went on, more cast and characters came and left. In 1965,
Bill McCutcheon and Jane Connell joined as friends Mr. and Mrs. Homan. Stage
manager James E. Wall talked his way into the audition to play Mr. Baxter in
1968, turning Captain Kangaroo into one of the first integrated
children’s shows on television. Debbie Weems appeared as Debbie and provided
the voice for the puppet character Baby Duck. A decade later, John Burstein
joined as Slim Goodbody, who wore a suit displaying the parts of the human body
and offered tips on nutrition and exercise (in compliance with the U.S. Department
of Health, Education and Welfare’s push for more educational content on
television). Puppeteer Kevin Clash would not only control the puppet character
Artie, but would appear as himself in many sketches. Carolyn Mignini was the
last new cast member added, playing Kathy and a variety of other female roles.
In 1978, local Pittsburg children’s show Picture Pages was
integrated into Captain Kangaroo. Created by Julius
Oleinick in 1974, the show interacted with its audience via puzzle booklets
given away at local supermarkets. The Captain would conduct a series of lessons
on basic arithmetic, geometry and drawing on his magic drawing board. In 1980,
Bill Cosby was brought on to take over the segment and drew with the aid of his
character-topped magic marker named Mortimer Ichabod Marker, or M.I. for short.
When Captain Kangaroo ended, the segment was adopted as part of Nickelodeon’s Pinwheeluntil
that series was cancelled in 1989.
Along with the live-action routines, there were a number of cartoon
shorts shown throughout the program. While two were created specifically for Captain
Kangaroo, the majority of them were imported from other countries. They
included:
Tom Terrific, running from 1957-59 and rerun for years after. Created by Gene Deitch under the CBS-owned
Terrytoons studio, the
series focused on a boy hero who lived in a treehouse and could transform
himself into anything via his magic “thinking cap”. Along with his lazy
sidekick, Mighty Manfred the Wonder Dog, he battled the evil forces of Crabby
Appleton, Mr. Instant the Instant Thing King, Captain Kidney Bean, Sweet Tooth
Sam the Candy Bandit and Isotope Feeney the Meany. The show was done in a
simple style reminiscent of children’s drawings, and every character was voiced
by Lionel Wilson. 26
episodes were produced and were aired in five parts across each episode of a
given week. For the Saturday broadcast, the episodes were edited into a
two-part adventure with all of the daily cliffhangers and recaps removed.
Alternating with Tom Terrific every other week was The
Adventures of Lariat Sam. Created by notable game show announcer Gene Wood, the cartoon was a
western comedy centering on sheriff Sam, who protected the tiny town of Bent
Saddle with his poetry-reading horse, Tippytoes. Their primary foe was the
outlaw Badlands Meeney and his stooge, J. Skulking Bushwack. Sam often defeated
them, as the title implied, by using his lasso and manipulating it in various
physics-defying ways. Dayton
Allen provided all the character voices, and Wood sang the theme song
himself. Like Tom Terrific, the series was animated by Terrytoons.
The Most Important Person was a mixed animated and
live-action series of 60 shorts produced by Sutherland
Learning Associates. They helped translate everyday things in the life of
children so that they could be better understood and allow them to develop a
strong sense of self-awareness and self-importance. A spin-off series, The Kingdom of Could Be
You, explored various occupations and gave children an idea of
what they could become when they grew up. Both series were made possible by a
grant from the U.S. Department of Education,
Office of Child Development, and were later syndicated individually or as part
of other children’s programs.
Produced for the BBC between 1971 and
1974, Crystal Tipps and Alistair followed the adventures of a young girl
and her dog in a fanciful world.The 5-minute shorts were created by Hilary Hayton and Graham McCallum, who drew the
artwork using felt markers and an airbrush. The series was produced and
animated by Q3
of London, which was formed by former BBC executive Michael Grafton-Robinson
specifically for these shorts and another series, Fingerbobs, instead of
expanding the BBC’s Children’s Department of Graphics Unit into a full-blown
animation studio. The shorts were silent except for the music accompaniment by Paul Reade. However, when aired
on Captain Kangaroo, Allegretti added voice-over narration in his Mr.
Moose voice.
The Wombles was a stop-motion British cartoon made from 1973-75 by FilmFair Productions. It was
based on a series of children’s
novels created by Elisabeth
Beresford about fictional pointy-nosed, furry creatures that lived in
burrows and helped the environment by collecting and creatively recycling
trash. Two seasons of 30 five-minute episodes were produced, with Bernard Cribbins supplying all of the
voices and Barry Leith
crafting all the sets and models.
Simon in the Land of Chalk Drawings was another British animated series from 1974
created by Edward McLachlan
and produced by FilmFair. Young
Simon had a magic chalkboard on which things he drew came to life in the Land
of Chalk Drawings that Simon could enter by climbing over a fence near his
home. The 5-minute episodes dealt with the unintended consequences Simon’s
drawings had over the Land. Originally narrated by Cribbins, Keeshan dubbed
over it with a new narration when it aired on his show.
Ludwig was another British import about a magical egg-shaped gemstone that
lived in a forest and often came to the rescue of the animals that dwelled
there. Ludwig possessed facets that could open up to reveal arms, legs, or
various gadgets whenever he needed them. A human birdwatcher (Jon Glover) constantly watched
Ludwig and served as the viewer’s point of view and narrator. The 25 five-minute
episodes were produced by Mirek
and Peter Lang,
who wrote them with Jane Tann and
also animated them. The music was arranged and played by Reade and was
comprised of the works of Ludwig van
Beethoven, for whom the central character was named. The series would begin
an end with a small section of Beethoven’s “Symphony No. 1”.
Coming from Australia in 1974 was The Toothbrush Family, which
centered on a group of anthropomorphic toiletry items conceived by Marcia Hatfield as a way to get
kids to focus on their hygiene when her son refused to brush his teeth. The
main characters were father Tom, mother Tess, kids Tina and Toby, and Gramps,
along with toothpaste Flash Fluoride, electric toothbrush Hot Rod Harry,
hairbrush Bert Brush, Cecily Comb, Nev Nailbrush, Susie Sponge, Shaggy Dog,
Callie Conditioner and Sally Shampoo, who all came to life at night in the
light of the moon. Hatfield wrote the episodes with Al Guest and Jean Mathieson providing the
screenplays, which were then produced by Rainbow Animation. Len Carlson and Billie Mae Richards provided
all of the character voices. A revival was made in 1998 focusing on some new
characters.
The Red and the Blue was another stop-motion series, this time
hailing from Italy’s Misseri Studios
and created by Francesco Misseri.
It centered on two Claymation shapeshifting characters—one red, one blue—on a
white plane in which they interacted. They often try to outdo each other by
assuming various forms that would one-up the other. For instance, if Blue
became a boat, Red would become an island.
Another Rainbow Animation production from Canada, The Undersea
Adventures of Captain Nemo was a reimagining of the Jules Verne book Twenty Thousand Leagues Under the
Seaby Guest and Mathieson. The show followed ocean researcher
Captain Mark Nemo (Carlson) and his kid assistants, Christine and Robbie (both Richards),
as they went on adventures in their nuclear-powered submarine, the Nautilus.
The 5-minute episodes attempted to teach children about oceanography and
marine biology.
CB Bears and Undercover Elephant coloring book.
During the 1980s, two segments from the Hanna-Barbera series CB
Bears would be integrated into Captain Kangaroo’s line-up. The
titular CB Bears segment followed a trio of crime-solving bears posing
as garbage men in a pastiche of Charlie’s Angels. Undercover Elephant
was a send-up of the spy genre where the titular elephant (Daws Butler) received exploding assignments
from his Chief (Michael Bell)
and used poor disguises during his missions (largely because, well, he was an elephant).
The Captain chatting with Grandfather Clock.
Captain Kangaroo was initially broadcast live daily on weekday
mornings. For the first four years, it was performed twice a day for the
Eastern and Central time zones, and recorded on kinescope for the Western as
Keeshan refused to perform three times a day. Eventually, it would be scheduled
for the same time in all time zones. It was also given a 6th
Saturday morning broadcast until 1968; replaced briefly in the 1964-65 season
by Keeshan’s other short-lived show, Mr. Mayor. The Mayor character was
Kangaroo in everything but name and look. It was a gambit by Keeshan to show he
was willing
to abandon The Captain if he couldn’t acquire the full rights from the
unwanted partner he was saddled with due to The Captain’s evolution out of the
Tinker character from their previous series. The gambit paid off, and the Mayor
was retired for The Captain full time.
When many shows began broadcasting
in color, CBS wouldn’t adopt a color format for Captain Kangaroo until
late 1966. Throughout the show’s run, it was nominated for several Emmy Awards, winning three. It also won two Peabody Awards and a Young Artist Award. Although
extremely popular, Captain Kangaroo’s ratings rarely eclipsed its
network competition’s. In 1981, CBS moved the show early to 7:00 AM and cut it
down to 30 minutes, retitling it Wake Up with The Captain, to make more
room for the expanded CBS Morning News. In 1982, it was moved further
back to 6:30 AM when very few people would be awake to see it. It was restored
to an hour format that year, but remained in poor time slots in various time
zones. Many CBS affiliates had also stopped carrying the show and declined a
rerun package for Sunday mornings. When CBS decided to cut the show back down
to a half hour again in 1984, Keeshan angrily decided to let the show end when
his contract with the network expired. However, Keeshan would return to the
network the following year to host CBS
Storybreak, which was essentially inspired by his “Reading
Stories” segment. A fond farewell to The Captain was given with the primetime
special Captain Kangaroo and His Friends that same year.
The original Captain Kangaroo theme song, “Puffin’ Billy” (about
a steam locomotive), was used from 1955 until 1974. Written by Edward G. White
and recorded by the Melodi
Light Orchestra, it was from the Chappell
Recorded Music Library; a British stock music production library. Mary Rodgers wrote lyrics for
the song in 1957, making it the official Captain Kangaroo theme. In
1974, Robert L. Brush
composed the new theme, “Good Morning, Captain”. Originally, it featured
elements of “Puffin’ Billy”, resulting in White receiving credit on the song,
but copyright issues caused the song to be rerecorded in 1979 with those
elements removed. When the show was retitled, a new theme called “Wake Up” was
used until the title, format and second theme were reinstated. Lynn Ahrens wrote a final
theme, “Here Comes Captain Kangaroo”, which would be used from 1982-84 and
subsequent reruns.
On September 1, 1986, Captain Kangaroo returned in reruns on PBS with funding from public television stations,
School
Zone Publishing Company, and the John D.
Catherine T. MacArthur Foundation. New segments were filmed and inserted
into the reruns, which ran until 1993. In 1997, Saban
Entertainment produced a short-lived reboot called The All New Captain
Kangaroo, with John
McDonough as The Captain. Keeshan declined an invitation to appear as “The
Admiral.” It ran for only one syndicated season, but produced a spin-off called
Mister Moose’s Fun
Timewhich was at the center of a programming block called Captain Kangaroo’s
Treasure Housethat ran from 1997-2000. In 2011, professional
clown Pat Cashin acquired The
Captain Kangaroo trademark and began portraying The Captain. Cashin died in
2016, leaving the rights to his estate. In 2018, actor Mark Wahlberg announced his (as
yet unrealized) desire to
bring back The Captain as a scientist so that his own children would
develop an interest in science, technology and engineering.
One of The Captain's albums.
Keeshan’s estate owns the rights to all of Captain Kangaroo’s
footage, and they have yet to put the show on DVD or make it available for
streaming. There have been a number of VHS
collections containing various episodes and related bits from the show’s
run. A wide assortment of merchandise was released throughout the show’s
29-year career. These included coloring
and activity
books, story
books, a card
game featuring Mr. Green Jeans, frame
tray puzzles, a mix
and match pet building set, lunch
boxes, various handheld
games and more. A number of albums
recorded by the cast and featuring the music of the show were produced; partly
as an attempt to introduce children to various types of music. Captain Kangaroo
and friends were featured in three
issues of Dell Comics’
Four-Color Comicsbetween 1956 and 1958. Beginning in 1957, Pines Comics published
a 6-issue series
based on Tom Terrific, who also appeared in a Wonder
Book.
Keeshan's memoirs.
Keeshan spent the remainder of his life in the service of children as an
author and a speaker. He founded Corporate
Family Solutions with Tennessee Governor Lamar
Alexander to provide day-care programs to businesses. In 1993, he
participated in the congressional
hearings against video game violence. In 1995, he published his memoirs,
titled Good
Morning, Captain, through Fairview Press. He also
considered a revival of The Captain as an answer to increasingly violent
cartoons on TV, but was unable to obtain permission from ICM, who held the rights to The Captain
at the time. Ultimately, Keeshan died in 2004 before getting to bring The
Captain back one last time.