Remember that one day when you could wake up without an alarm? When you would get your favorite bowl of cereal and sit between the hours of 8 and 12? This is a blog dedicated to the greatest time of our childhood: Saturday mornings. The television programs you watched, the memories attached to them, and maybe introducing you to something you didn't realize existed. Updated every weekend.
Muhammad
Ali is considered one of the most important sports figures of the 20th
Century, as well as the greatest heavyweight boxer of all time. Born Cassius
Marcellus Clay Jr. until changing his name after converting to Islam in the 1960s, Ali took
up boxing at the age of 12 after being encouraged by Louisville police officer and boxing coach
Joe E. Martin and inspired
by seeing amateur boxers on a local televised program called Tomorrow’s
Champions.
Ali standing over Sonny Liston.
Ali made
his amateur boxing debut in 1954, winning against Ronnie
O’Keefe by split decision. He went on to win six Kentucky
Golden Gloves titles, two national Golden
Gloves titles, an Amateur Athletic Union
national title, and the light heavyweight gold medal in the 1960 Summer Olympics.
Ali’s amateur recorded ended up being 100 wins with 5 losses. He then went
professional in 1960, taking on the likes of Sonny Liston, Floyd Patterson,
Joe Frazier, George Foreman, Chuck Wepner (whose bout
with Ali inspired the creation of the Rocky franchise), Ron Lyle and Joe Bugner. In the early
years of his professional career, Ali adopted the personality of a self-described
“big-mouth and bragger”; engaging in trash-talk with free-style rhyme schemes
and spoken word poetry that often made him regarded as influential in the world
of hip hop music through his quick, confident and smooth deliveries. This was
inspired and encouraged by professional wrestler “Gorgeous George” Wagner
as a means to bring in more people to bouts who either wanted to see him win or
really lose. Of course, they got a lot more of the former with a career
record of 56 wins and 5 losses. His fights were some of the world’s
most-watched television broadcasts, frequently setting viewership records.
Speaking about his draft refusal alongside Dr. Martin Luther King, Jr.
He became
an icon for the counterculture movement of the 1960s when he refused
to be drafted into the Vietnam
War because of his religious beliefs and personal ethical opposition. Guilty
of draft evasion, he was stripped of his boxing titles and denied a boxing
license in every state. As a result, he didn’t fight from 1967-70 until he was
finally able to get the decision appealed and overturned in 1971. In the
meantime, Ali was touring colleges speaking out against the war and advocating
African-American pride and racial justice (he had grown up during the period of
segregation).
He also participated in a fictional boxing match with retired champion Rocky Marciano,
which had them sparring for about 75 one-minute rounds with several potential
outcomes; with the winner chosen by a computer. Edited together and released to
theaters in 1970 as The
Super Fight, the American version had Ali losing the fight in a knockout
while Marciano lost in the European version to cuts.
Then there
was Ali the actor. He would appear—mostly as himself—in shows like Vega$, Diff’rent Strokes(whose
title was inspired by one of Ali’s sayings), and Touched by an Angel,made a cameo in the 1962 film Requiem for a Heavyweight,
appeared in the 1972 documentary Black Rodeo,and
played himself in the 1977 film The Greatest, which
was adapted from his autobiography. Actual character roles included the titular
lead of the short-lived 1969 Broadway musical Buck Whiteand
former slave and Civil
War soldier Gideon Jackson in the 1978 film Freedom Road. Somewhere
in between all that, it was decided to try and take advantage of Ali’s
popularity with children and create an animated series centered around him.
The animated version of Ali.
Created by Fred Calvert, Kimie Calvert, Janis Diamond and John Paxton and produced through
Calvert’s Farmhouse
Films, I Am the Greatest!: The Adventures of Muhammad Ali followed
Ali (voiced by himself) on his trips around the world as he participated in
fights and exhibitions. Along the way, adventure would seem to find him in the
form of saboteurs, poachers, thieves and other forms of trouble that would
plague the locals of wherever he was visiting. Ali, being the man he was,
couldn’t just sit idly by when there was a possibility he could help. Despite
the violent nature of Ali’s well-known occupation, being on Saturday morning meant
the resolutions to the programs leaned more into non-violent solutions.
Situations and mysteries were solved through Ali’s worldly knowledge and with
words, and moments of physicality were generally relegated to minor grappling.
Ali's "entourage": Bad News, Damon, Frank and Nicky.
Joining Ali
on his adventures were his niece and nephew, Nicky (Patrice Carmichael) and
Damon (Casey Carmichael), and their dog, Bad News. Additionally, Ali’s
real-life public relations agent and hype man, Frank Bannister, came along for
the ride also voicing himself. While the kids were always deep into the adventures,
Frank was more of a reluctant participant. He was focused on making sure Ali
met his obligations and set up the next one, and was exasperated trying to keep
up when he would run off on an escapade.
Despite Ali’s larger-than-life
presence and popularity, the show failed to generate significant ratings and
was cancelled after a single season of 13 episodes. Reruns would air on El Rey Network, who aired
them in a marathon following the death
of Ali in 2016. To date, the series
ahs never seen an official home media release; although bootlegs are floating
around the internet. The El Rey airings have been preserved as part of the Internet Archive.
EPISODE GUIDE: “The Great Alligator” (9/10/77) – A pair of thieves use
alligator attacks to terrorize a local swamp village. “The Air Fair Affair” (9/17/77) – A pair of dirty pilots
sabotage their competition in an air race. “The Littlest Runner” (9/24/77) – Ali and the kids try to
get a runaway to stop living in the woods and return home. “Ali’s African Adventure” (10/1/77) – While on an African
safari, Ali gets involved in trying to help stop a poaching operation. “Superstar” (10/8/77) – Ali’s sci-fi movie shoot is
disrupted by the crew’s boat exploding and the giant alien robot seemingly developing
a mind of its own. “The Haunted Park” (10/15/77) – Ali is participating in the
grand opening of a haunted park in London where people seem to disappear from
the roller coaster after it passes through a tunnel. “Caught in the Wild” (10/22/77) – A plane malfunction leaves
Ali and his crew stranded in the wilds of the Yukon. “Volcano Island” (10/29/77) – A storm leaves Ali and his
crew stranded on an island with a crazy hermit and an active volcano about to blow. “Oasis of the Moon” (11/5/77) – Ali and his crew investigate
the disappearance of an oasis with an archaeologist in Egypt. “The Great Bluegrass Mountain Race” (11/12/77) – Ali
proposes a race between a locomotive and a truck for a shipping contract. “The Werewolf of Devil’s Creek” (11/19/77) – Ali investigates
the report of a werewolf scaring people away from a mine in a small town. “Sissy’s Climb” (11/26/77) – A need for a mountain rescue
allows an exchange student to show women can be just as capable as men on
treacherous peaks. “Terror in the Deep” (12/3/77) – A sea monster disrupts a
scientific experiment of moving food production to the bottom of the sea.
THE
ABC SATURDAY SUPERSTAR MOVIE / THE NEW SATURDAY SUPERSTAR MOVIE
(ABC, September 9, 1972-November 17, 1973)
Various
MAIN CAST:
Various
With movie studios still viewing
television networks as a threat to their business, they often charged high fees
for the broadcasting of their films. The networks decided to experiment with
producing films specifically for television as a way to significantly lower
expenses. NBC
was the first, creating the weekly World
Premiere Movie in 1966. ABC,
who was running last place in the ratings, came up with their own in 1969
called the ABC Movie of the Week.
That, combined with Monday Night Football, significantly
improved ABC’s ratings and raised it up as competition for the other networks.
Ad for the first episode of Saturday Superstar.
In 1972, ABC brought the concept to
Saturday mornings as The ABC Saturday
Superstar Movie. It was the first
Saturday morning anthology series presented inmuch the same way
as the regular Movie of the Week.,
Saturday Superstar would feature one-hour predominantly animated (although
some contained live-action) specials by the various animation studios at the
time. The selection of specials were typically pilots for shows the studios
wanted to do and used Saturday Superstar as
a proving ground; although some of them were sequels of previously established
properties or just a showcase for a one-off production.
Dr. Smith, Robon and Link from Hanna-Barbera's Lost in Space.
Hanna-Barbera’s
only successful pilot offering was “Yogi’s Ark Lark”, which would become the
slightly reworked Yogi’s Gang. For one of their failed pilots, they once
again partnered with Screen
Gems
to make “Tabitha and Adam and the Clown Family”, which centered on the
adventures of the now-teenaged children from the sitcom Bewitched(which
they made the animated opening titles for); who both naturally inherited
their mother’s supernatural powers. The other was a reboot of Lost in Space,
which
only featured the returning characters of Dr. Smith (Jonathan Harris),
this time an actual passenger on the Jupiter 2, and the robot (now named
Robon, voiced by Don
Messick). The new characters included Space Academy graduate
Craig Robinson (Michael
Bell);
his little brother, Link (Vincent
Van Patten); and geologist Diana Carmichael (Sherry Alberoni).
They took off on a routine mission from Earth to Saturn and ended up thrown
wildly off course by a sudden meteor shower. Hanna-Barbera also released a
follow-up to The Banana Splits Adventure Hour with “The Banana Splits in
Hocus Pocus Park”, an animated entry in the Gidgetbook/film/television
franchise with “Gidget Makes the Wrong Connection”, an interpretation of the
legend of Robin
Hood
with animals in “The Adventures of Robin Hoodnik” (a year before Disney’s),
and a sequel to the novel Oliver
Twistwith “Oliver and the
Artful Dodger” (which happened to be the series’ only two-part episode).
Animation cel featuring The Groovie Goolies and some of the Looney Tunes.
Filmation
found a bit more success with their pilots, as both of their offerings led into
a show. “The Brady Kids on Mysterious Island” was later broken up into the
first two episodes of The
Brady Kids, as was “Lassie and the
Spirit of Thunder Mountain” for Lassie’s
Rescue Rangers. “Daffy Duck and Porky Pig
Meet the Groovie Goolies” presented a rare instance in which Warner Bros.
loaned out their characters for use by another studio (normally, those studios
would be making the cartoons for Warner Bros., who at this time didn’t
have their own animation department). The special was a follow-up to The
Groovie Goolieswhich had
Filmation’s characters interact with most of the Looney
Tunes (save Bugs Bunny
and Speedy
Gonzales). This was the only time the legendary Mel Blanc
worked on a Filmation project; which he not only hated doing but came to regret
doing as an error in the sound mixing ended up making most of his characters
sound off.
Herman Munster driving around his son Eddie's band.
Fred
Calvert Productions attempted to translate two sitcoms into
animated shows. The first was the 20th
Century Fox Television production The Nanny and the
Professor; a sitcom featuring a magical British
nanny (Juliet
Mills) inspired by Mary
Poppins. She took care of a family comprised of
college professor Harold Everett (Richard Long),
his sons Harold (David
Doremus) and Bently (Trent Lehman),
and daughter Prudence (Kim
Richards). Calvert made two specials based on the show, “Nanny
and the Professor” and “Nanny and the Professor and the Phantom of the Circus”,
with the cast all reprising their roles. The second series was Universal
Television’s The Munsters;
the
sitcom about a family based on the classic Universal
Monsters who were blissfully ignorant of their differences compared
to other people. The special, “The Mini-Munsters”, only saw Al Lewis
reprise his role of Grandpa from the original series. Neither show was picked
up. Calvert would have better luck on NBC with Emergency +4, an animated
spin-off of the medical drama, Emergency!
Marlo Thomas in animated form.
Rankin/Bass Productions
took the opportunity to introduce an animated prequel to their 1967 stop-motion
film, Mad
Monster Party. “Mad, Mad, Mad Monsters”
followed Baron Henry von Frankenstein (Bob McFadden)
creating a bride (Rhoda
Mann)
for his monster (Allen
Swift), but his assistant, Igor (Swift), got jealous and
wanted the bride for himself. While the special was praised for its visuals,
the story was found lacking by critics. Rankin/Bass also made a special
centering around baseball legend Willie
Mays
in “Willie Mays and the Say-Hey Kid”. It was basically about a guardian angel
named Casey (after Casey
Stengel, voiced by Paul Frees)
tasking Mays with looking after an orphan in exchange for help winning the
National League Pennant. An odd one was their take on “The Red Baron”, which
recast the infamous WWI
fighter pilot as a heroic anthropomorphic dog (Swift) who sets out to rescue
the “kidnapped” princess of Pretzelstein (Mann) from a rival kingdom. Their
final offering for the series was a spin-off to the Marlo Thomas-led
sitcom, That
Girl. “That Girl in Wonderland”
saw the show’s characters in the stories of Alice in Wonderland,
Goldilocks
and the Three Bears, The
Wizard of Ozand Cinderella.
Only
Thomas reprised her role of Anne Marie.
Promo image for "Luv-cast U.S.A."
Depatie-Freleng
Enterprises’ only offering for the series was “Luv-cast U.S.A.” It was a
mini-anthology, loosely based on Love, American
Style. The special was centered around a radio station, where DJ Ranton
Rave (actual DJ “Sweet” Dick
Whittington) would receive calls from people with various romantic
problems, and their answers would be seen in a series of vignettes. All the
while, the DJ would play rock and roll classics music. The special landed Depatie-Freleng
an opportunity to do further work on ABC’s other anthology series, The ABC Afterschool Specials.
The comedy comic strip characters board for their free cruise.
The ABC Saturday Superstar Movie debuted
on ABC on September 9, 1972. It returned the following year as The New
Saturday Superstar Movie for a brief 3-episode second season. After that,
ABC decided to abandon the experiment with the 1974 season; however, that
hiatus didn’t last too long. In 1977 they brought back the anthology concept
with ABC Weekend Special, this time with a more focused message of
encouraging children to read.
Some of the foreign VHS covers for "Daffy Duck and Porky Pig Meet the Groovie Goolies".
“Daffy Duck and Porky Pig Meet the Groovie
Goolies” has seen numerous VHS releases under various titles, predominantly in
the United Kingdom and Germany by Select Video between 1983-86 with its
live-action segment removed. It also saw rebroadcasts on Sky One, Cartoon Network
as part of Mr. Spim’s Cartoon Theater and USA Network before they
stopped airing cartoons. A restored two-part version of the film began making
the rounds in Germany in 2002 and aired as late as 2013.
EPISODE GUIDE:
Season 1:
“The
Brady Kids on Mysterious Island” (9/9/72) – A balloon race lands the Brady kids
on a mysterious island where they meet and befriend some special animals.
“Yogi’s
Ark Lark” (9/16/72) – Yogi and his animal friends gather on an ark on a mission
to find a place to live that’s devoid of pollution and the destruction caused by mankind.
“Mad,
Mad, Mad Monsters” (9/23/72) – Baron Henry von Frankenstein creates a bride for
his monster, but his assistant Igor becomes jealous and wants the Bride for himself.
“Nanny
and the Professor” (9/30/72) – Nanny and the Everetts get caught up in a
mystery involving a microdot.
“Popeye
Meets the Man Who Hated Laughter” (10/7/72) – Prof. Morbid Grimsby plans to
cinch this year’s prestigious “Meanie” award by eliminating all laughter from
the world.
“Willie
Mays and the Say-Hey Kid” (10/14/72) – An angel promises to help Willie Mays
win the Pennant if he looks after an orphaned girl.
“Oliver
and the Artful Dodger: Part 1 & 2” (10/21/72, 10/28/72) – Mr. Brownlow adopts
Oliver, but upon his death his will goes missing and his sinister nephew tries
to take his fortune.
“The
Adventures of Robin Hoodnik” (11/4/72) – A retelling of the legend of Robin
Hood starring a cast of anthropomorphic animals.
“Lassie
and the Spirit of Thunder Mountain” (11/11/72) – Lassie tries to figure out
who’s scaring the Native American people away from Thunder Mountain.
“Gidget
Makes the Wrong Connection (a.k.a. The Odd Squad)” (11/18/72) – Teenager Gidget
and her friends run into gold smugglers.
“The
Banana Splits in Hocus Pocus Park” (11/25/72) – The Banana Splits give a little
girl a tour of an amusement park, only to have her kidnapped by a witch.
“Tabitha
and Adam and the Clown Family” (12/2/72) – Tabitha and Adam Stevens use their magical
powers to try and save a circus.
“The
Red Baron” (12/9/72) – The Red Baron and his fellow dogs do battle with the
sinister army of cats.
“Daffy
Duck and Porky Pig Meet the Groovie Goolies” (12/16/72) – The Groovie Goolies
help the Looney Tunes solve a mystery.
“Luvcast
U.S.A.” (1/6/73) – A wacky deejay plays some romantic hits while various
characters engage in romance-themed escapades.
“That
Girl in Wonderland” (1/13/73) – Ann Marie imagines herself in a variety of
fairy tales.
Season 2:
“Lost
in Space” (9/8/73) – A meteor field sends the Jupiter II far off course.
“The
Mini-Munsters” (10/27/73) – When Grandpa fixes Eddie’s car so that it runs on
music, gangster who took over the fuel company want his invention destroyed at
any cost.
“Nanny
and the Professor and the Phantom of the Circus” (11/17/73) – Nanny and the
Everetts end up involved in a mystery about a traveling circus.