Remember that one day when you could wake up without an alarm? When you would get your favorite bowl of cereal and sit between the hours of 8 and 12? This is a blog dedicated to the greatest time of our childhood: Saturday mornings. The television programs you watched, the memories attached to them, and maybe introducing you to something you didn't realize existed. Updated every weekend.
FUN HOUSE / FOX’S FUN HOUSE (Syndication, FOX,
September 5, 1988-April 13, 1991) Stone Television/Stone
Stanley Productions, Lorimar-Telepictures (season 1), Lorimar Television
(season 2-3)
Nickelodeon struck gold when it debuted its
kid-centric game show Double
Dare in 1986. Double Dare would pit two teams of two kids
against each other by having them win money answering trivia questions. If they
didn’t know an answer, or thought the other team didn’t, they could pass it
over with a “dare” for double the money. But it could be “double dared” back
for four times the money, in which case that dared team either had to answer or
take a “physical challenge”. These physical challenges often featured
deceptively simple and incredibly messy tasks; like building an ice cream
sundae on their partner’s head, popping goop-filled balloons with a needle
headpiece, plucking cherries out of gelatin with their mouths, etc. Success won
them the money; failure gave it to the opposing team. The team with the most
money then went on to an even messier obstacle course for a chance to win up to
8 prizes within a minute.
A contestant making soup on top of her partner's head on Double Dare.
In the
world of entertainment, a success breeds imitators trying to duplicate that
success. One such attempt came in the form of Fun House, created by
veteran game show producer Bob
Synes. Tasked by Lorimar-Telepictures
with coming up with a kid’s show for syndication, Synes presented executive
producer Scott Stone with a
drawing of carnival midway games leading to a funhouse at the end. Stone scaled
down Synes’ ambitions a bit and suggested focusing on just the funhouse aspect
of it. Lorimar fronted the money to construct a massive set designed by Phyllis Hofberg, Rick Bluhm, Bill Harris and Anthony Sabatino (for which
they won an Emmy), and produce
a pilot to sell the series.
The teams and their respective cheerleaders taking their places at the podium.
The teams sitting in the "Slop Machine", where they got showered in either slime or candy.
Unlike Double Dare, Fun
House placed a greater focus on their “stunts”, which would then segue into
a single related toss-up question asked at a colorful podium equipped with
buzzers. Three timed stunts were played each episode; either with one player at
a time (alternating for each solo challenge) or both teammates together. Stunts
could involve using their faces to lift up a pie to find a “win” symbol on the
bottom of the tin; bobbing for bagels in chocolate milk; assembling a mixed-up
image on giant blocks; batting slimy softballs into the audience; pulling “hair
extensions” off a giant model’s head to place on their own while being covered
in goop; using their teeth to remove gum from under rows of seats; turning
their partner into the world’s largest sandwich; using a giant slingshot to
fire water balloons at pictures of the announcer; and more. Synes would come up
with a title for the stunt first, and then the crew, overseen by producer Stephen Brown, had to create a
stunt to go along with that name. The type of stunts featured were usually
related to the overall theme of that week’s batch of episodes in keeping with
Stone’s philosophy of everything telling a story. The winning team—or both, in
the case of a tie—won 25 points. Answering the question correctly earned them
an additional 25 points.
Piloting submarines in the Grand Prix Race.
The fourth and final round was The
Grand Prix Race. The teams had to race two laps on a track that circled the
studio; switching lanes on the second lap. There were two types of races: one
utilizing a vehicle of some kind that was ridden by one teammate and moved by
the other, switching between laps, and the other was a footrace with each
teammate running a lap. The races all featured a different theme with
associated challenges that had to be accomplished. For instance, a toy-themed
race saw the contestants riding/pulling little red wagons while picking up
various toys placed on the track. Additionally, the teams could snag white and
blue tokens from stations around the track for 10 and 25 extra points, respectively.
During the second season, a Token Bank was added on the second lap that
contained a pre-packaged bundle of tokens worth up to 200 points. The winning
team earned 25 points, but the ultimate winner was determined after the
acquired tokens were tallied by being dropped into slots at the podium. The
team with the most points went on to The Fun House obstacle course, while the
losing team left with consolation prizes. Ties were broken with a toss-up
question.
One of the many configurations of the Fun House obstacle course.
The titular
Fun House stood roughly 3-stories tall and featured several interchangeable
“rooms” of varying themes and obstacles. They could include toppling Styrofoam
skyscrapers; punching out thinly covered holes in a board; an “ice mountain”
climb; crawling through a tunnel full of balloons or one that’s spinning;
digging through school lockers; traversing a ball pit; etc. Each room contained
16 oversized price tags either plainly visible or hidden somewhere: 6 red
representing different prizes revealed before the course was run, and 10 green
ones representing cash amounts ranging from $50 to $300. The contestants had 2
minutes to collect as many tags as possible; grabbing three at a time before
switching with their partner. This continued until all tags were collected or
time ran out. Additionally, one tag was designated as the “Power Prize” that if
collected won them a bonus vacation along with everything else they picked up. For
the second season, the Fun House became larger and featured more intricate
elements like a swimming pool and shooting water.
Host J.D. Roth kicking off the show while John "Tiny" Hurley covers himself in mud.
Fun
House debuted in syndication on September 5, 1988. J.D. Roth served as host
for the entire run; becoming the youngest game show host in history at just 19.
Aiding Roth on the playfield were identical twin cheerleaders. They escorted
the teams to the podium, introduced them, and provided support to them based on
what color uniform the teams were assigned: Jackie (Jacqueline Forrest) for the
gold team and Sammi (Samantha Forrest) for the red. For the pilot, veteran
announcer Brain Cummings was utilized. Cummings had previously announced the
first season of the 1984-86
syndicated version of Let’s Make a Deal,
which Synes produced. John “Tiny” Hurley took over those duties once the series
went into production. Along with announcing, Hurley would appear on camera in
wacky costumes, participate in skits, or sometimes in various stunts. Other
differences in the pilot included playing for cash instead of points; four
stunts played instead of three; The Grand Prix awarding $50 for winning and
featuring a third red token worth $10 while blue was worth $50; contestants
only being allowed two prize tags at a time in the Fun House, with as many cash
tags as they wanted; a “Button Banger” in the Fun House awarding a random cash
bonus up to $2000 when hit; and the prize tags being scanned at the podium to
reveal the Power Prize, which awarded the contestants every prize in the
Fun House. Unlike the $2,000-$3,000 Double Dare or fellow Nickelodeon
game show Finders
Keepers—which filmed in the same complex as Fun House—paid out
in cash in prizes, Fun House offered contestants a potential prize
payout in excess of $10,000. Score Productions
composed the series’ music along with Matt Ender and Jonathan Firstenberg. Props
from the show were used in another Lorimar-Telepictures production, Perfect Strangers,
for the episode “Games People Play”. Series stars Mark Linn-Baker and Bronson Pinchot also filmed a promo for Fun
House as their characters Larry Appleton and Balki Bartokomous.
Over in the United Kingdom, ITV debuted their own version of Fun House
produced by Scottish Television. It
featured host Pat Sharp,
twin cheerleaders Melanie
and Martina
Grant, and announcer Gary King.
Played in much the same way as the original with minor gameplay and naming
differences, it actually outlasted its parent program to run a full 11 seasons,
ending in 1999. Their own adult-themed spin-off was planned and a pilot
produced, but it never went to series.
Playing hockey with pies.
Unfortunately, Fun House was
beginning to lose steam as sloppy game shows were wearing out their welcome.
They were finding difficulty remaining in syndication, despite their best
efforts. Enter: FOX. FOX was about to launch
its new kid-focused effort, Fox Kids Network,
and the show they wanted to acquire for it was…Double Dare. Previously, FOX
was pivotal in the success of Double Dare; having distributed it and
aired it regularly on affiliated stations, and even airing a version of the
show, Family Double
Dare, on their own network on Saturday nights. After attempting to
bring the show over to their new line up, FOX ended its direct affiliation with
the series over “creative differences” and abruptly
cancelled Family shortly before they were set to begin filming a new
season. Regular Double Dare continued on, however, and was still shown
on FOX affiliates, and Family was eventually revived by Nickelodeon two
years later. Looking for a replacement that could be just as popular, FOX
turned to Double Dare’s closest competitor: Fun House.
M.C. Mike rapping his intro.
Renamed FOX’s Fun House for
its third season, it joined the inaugural Fox Kids Saturday morning line-up on
September 8, 1990. It also became the first weekday Fox Kids show, filling in
for the delayed Peter Pan and the Pirates by airing a special week’s
worth of programs featuring some of the earlier-mentioned celebrity guests.
While essentially the same show, several changes were made. Hurley was replaced
by Michael Chambers, a.k.a M.C. Mike, best known as “Boogaloo Shrimp” from the Breakin’ films.
He opened each episode by showing off his rapping skills before the title
sequence. While Jackie and Sammi still escorted players to the podium,
introductions were now handled by Mike. Carrying over from College Mad House,
the player that answered a question correctly got to slap a pie into the face
of their opponent. The entire set also shed its carnival-like aesthetic in
favor of more urban flair; with distorted cartoon skyscrapers and riveted pipe
theming.
The all-new Fun House.
The Fun House itself was also
redesigned to emulate a slice of a city block. Starting at the top rather than
the bottom, Roth began the run by turning a large valve to activate the
“Whitewater Slide” that let one of the players splash down into a waiting pool
and officially start the clock counting down. From there, they could go into
the “Hardhat Hallway”, which looked like a scrapyard or garbage-filled empty
lot; the “Zippity Zoo Dah”, a zoo full of various stuffed animals, a performer
in a creature suit, and bendable cage bars; the “Funky Slop Sewer”, resembling
a slimy sewer pipe with fake rats and steamy sewage comprised of green balls in
water; the “Recycling Zone”, where pulling a lever dumped trash on the player
as well as a prize tag; “Bob’s Mad Mall”, which featured dummies holding
shopping bags on rotating doors, one of which held the prize tag; the “Kockeyed
Kitchen”, an upside-down kitchen whose cabinets held the tag (and was typically
filmed upside-down to make it seem like the player was walking on the ceiling);
“Flushing Meadows”, a bathroom-like area with three giant colored toilets that
sprayed water up when opened; “Fast Food Fight”, a diner area where the
opposing team got to impede the winning team by pelting them with food items; and
returning from the original Fun House was the rotating “Tubular Tunnel”.
Although cash tags were still in plain sight, the prize tags were now hidden
within each area. A large slimy alarm clock called the Crazy Glop Clock was
added that gave the team an additional 15 seconds in the Fun House when found.
Celebrity guest Kellie S. Williams receiving a pie to the face for a wrong answer.
Behind the scenes,
Lorimar-Telepictures was acquired by Warner
Bros. Lorimar-Telepictures served as the distributor during the first
season as well as the co-producer, but was replaced by Warner Bros. Domestic Television
Distribution for the remainder. This, along with Tiny
Toon Adventures, would begin Warner Bros.’ association with Fox Kids
that would prove mutually beneficial for both the studio’s burgeoning animation
efforts and the block’s legitimacy as a major player in broadcasting. British Knights was replaced as the
primary sponsor by LA
Gear, and everyone on stage wore the sponsoring company’s shoes. Synes,
sadly, died in 1990. Stone replaced him with David
G. Stanley and renamed his production company, Stone Productions, as Stone
Stanley Productions (now Stone & Company
Entertainment). Each episode of the third season was dedicated to Synes.
A trade ad celebrating Fun House's Emmy win.
FOX’s Fun House only lasted
a short time on the network, airing 22 episodes before it was replaced on the
schedule by the short-lived Swamp
Thing animated series in 1991. Despite being nominated for four
additional Emmys, winning one other, and winning a Young Artist Award,
the show disappeared from the airwaves….in the United States. The British
version has aired reruns and even got a special one-time
revival in 2015 as a promotional gimmick by Fayre & Square pubs and associated Wacky Warehouse play areas. The
American version only eventually resurfaced in videos of various quality on YouTube, including the pilot as a feature
entry of legendary game show host Wink
Martindale’s Wink’s Vault series. Roth would go on to acting and hosting
a few more game shows before moving into producing them—including Moolah
Beach, which would air during the final year of Fox Kids (meaning Roth both
opened and closed the block). Stone Stanly Productions continued
producing game shows, including Fun House spiritual successors Legends of the Hidden
Temple, geared towards kids, and Shop ‘til you Drop,
geared towards adults. Both featured stunt-heavy gameplay in an elaborate
setting: a Mayan temple for Legends, and a 2-story mall for Shop.
The latter also reused some of Fun House’s music. In 2022, YouTube channel Hosts at Home hosted a Fun House reunion
with Roth, Sharp, Stone, and Brown to discuss and reminisce about the show.
The Fun House NES game box.
In 1988, Pressman Toy Corp. published a board game version
of Fun House. A travel game was
made by Tiger
Electronics the following year as part of their Klix
Pocket Travel Games series, as well as their customary LCD handheld game.
Hi-Tech Expressions
produced a video game in 1989 for the Commodore 64 and MS-Dos, and in 1990 for the NES. No version fully
captured the show, but the computer versions were closer than the NES’ as they
featured some semblance of the stunts while the NES involved just throwing
balls at targets and avoiding obstacles in a top-down view. The board game, and
eventually the video games, were given out as consolation prizes on the show.
Exercising on the Fun House set.
The oddest
tie-in merchandise had to have been the workout videos. Stone had been on a
flight with Julie LaFond,
who ran the Jane Fonda exercise empire.
A conversation about fitness in kids led to a collaboration between Fonda and
the show. Fonda came to the set to introduce Roth, who then led the exercise
routines. Two videos ended up being made for the Fun House Fitness
series: The
Swamp Stomp for kids 3-7, and The
Fun House Funk for kids 7+. They were re-released together onto
DVD in 2005 as part of the Jane Fonda Collection compilation series.
Created by Paul Fusco and Tom Patchett, ALF Tales was a spin-off of ALF:
The Animated Series, which in turn was a spin-off of the
live-action/puppet sitcom ALF. ALF had
become a major success for NBC, and it was
only natural for the network to want to try and expand upon that success;
particularly with their ever-increasing younger audience. And if one ALF
animated show was good, two would have to be even better.
Promotional poster for the series depicting some of the tales.
As with its predecessor, the series was set on Melmac and followed ALF,
aka Gordon Shumway (Fusco) as he and his friends put on productions of fairy
tales and other public domain stories. For whom and why beyond entertaining the
real-life audience at home was never revealed. Gordon and his girlfriend,
Rhonda (Tabitha St. Germain), were typically the stars of the productions.
Other roles would be filled out by Gordon’s family, father Bob (Thick Wilson),
mother Flo (Peggy Mahon), sister Augie (Germain), and brother Curtis (Noam
Zylberman & Michael Fantini); his friends, Rick Fusterman (Fusco), Skip
(Rob Cowan); Melmacian citizens like fortune-smeller Madame Pokipsi (Deborah Theaker) and waitress
Stella (Ellen-Ray Hennessy); and even his enemies, Larson Petty (Wilson) and
Sloop (Dan Hennessey). Cowan would also play a new character modeled after
himself named Roger Cowan, a TV executive who tried to impart notes on the
productions. The entire cast was carried over from The Animated Series
with the exception of Fantini, who was briefly replaced by Zylberman for the
first season.
ALF, Skip and Rick as the Three Little Pigs.
As stated, those productions were
parodies of various fairy tales and legends. They were often set in different
eras and locations, featured various Melmacian elements native to the franchise,
served as spoofs of various genres, films and television shows and featured
numerous pop culture references. The episode “Cinderella”, for example, not
only did their rendition of Cinderella,
but was also presented like an Elvis
Presley film as the prince was replaced by a rock star looking for love.
“Rumpelstiltskin” played out like a detective noir as private eye Sam Shovel
(ALF), a play on Sam Spade,
needed to uncover Rumpelstiltskin’s
(Sloop) name to get a miller’s daughter (Rhonda) out of a bad deal. “The Three
Little Pigs” was bookended by scenes reminiscent of Rod Serling’s intros and outros
for The Twilight Zone.
The crocodile in the “Peter Pan” episode was portrayed as a caricature of the
titular character from “Crocodile”
Dundee. “Snow White and the Seven Dwarfs” was presented as an episode
of Unsolved Mysteries
with ALF playing a parody of Robert
Stack.
Rock star ALF searching for the owner of a glass slipper.
The Animated Series was cancelled after its second season and its
reruns were split from Tales to allow its brief second season to air
independently. Tales’ intro showcased Gordon directing an off-camera
symphony as his outfit and background changed to the various settings featured
in the respective tales, while the Hour intro just used The Animated
Series’ with the new title. Unfortunately, it was also cancelled after two
seasons as new leadership was moving into NBC with no investment in the ALF
franchise. All versions of ALF left the network by the fall of 1990. The
animated ALF made one additional appearance in the drug-prevention special Cartoon All-Stars to the Rescue, which was broadcast across all the
major networks on April 21, 1990 and starred a collection of Saturday morning
characters.
EPISODE GUIDE: Season 1: “Robin Hood” (9/10/88) – Robin Hood and his
jazz band must rescue Maid Marian from Nottingham castle while opposing the
Sheriff’s unjust taxes. “Sleeping Beauty” (9/17/88) – Prince Gordon
gets a cursed papercut that causes him to fall asleep, and it’s up to princess
Rhonda to defeat the witch that cast it with three wizards. “Cinderella” (9/24/88) – Cinderella’s fairy
godmother helps her attend a rock star’s concert where he plans to find his
bride and wows him with a spectacular duet. “The Legend of Sleepy Hollow” (10/1/88) - While
investigating the Headless Horseman for a story, reporter Ichabod Crane discovers
that there are in fact several Horsemen. “Jack and the Beanstalk” (10/8/88) – Jack Bates
trades the family cow for magic beans to save their struggling motel and the
resulting beanstalk leads to a giant with a hen that lays golden eggs. “The Aladdin Brothers and Their Lamp”
(10/15/88) – Ziggy and Roy Aladdin end up in trouble when their genie sends
them to Sheboygan and they encounter the princess. “Rapunzel” (10/29/88) – The Wicked Witch
controls all media in the country and ends up imprisoning Rapunzel and her
family when they lose her rigged quiz show. “Rumpelstiltskin” (11/12/88) – A miller’s
daughter comes to P.I. Sam Shovel to find out the name of a dwarf and get her
out of a bad deal made with him. “The Princess and the Pea” (11/19/88) – Aspiring
stand-up comic Prince Gordy wants to marry a waitress that’s really a princess,
but the Queen says she must pace the mattress test first. “John Henry” (12/3/88) – Master chef John
Henry fights automation when he competes against a mechanical food processor to
see who can make the best meals. “The Three Little Pigs” (12/10/88) – B.B.
Wolf is tasked with getting the Three Little Pigs’ land for the oil deposits
beneath it. “Alice in Wonderland” (12/17/88) – When a
humanoid rabbit steals his birthday present for Rhonda, Gordon follows her down
an elevator shaft into Wonderland. “Peter Pan” (1/7/89) – Peter Pan brings
Wendy and her brothers to Never-Never Land where stand-up pirate Captain Hook
views him as a rival and plots against him. Season 2: “Hansel & Gretel” (9/16/89) – Hansel and
Gretel end up at Camp Eat-a-Kid where Hansel is fattened up by a wicked witch
and Gretel is imprisoned with two Chimpunky prisoners. “The Wizard of Oz” (9/23/89) – A tornado
brings 1930s Gordon to the 1960s where landing on a witch gets him stuck with
magical ruby high-top sneakers that only the Wizard of Oz can remove. “The Elves and the Shoemaker” (9/30/89) –
Elves are tasked with helping failed shoemaker Donald Tramp, but the success
and riches turns him into a miserly dictator of a CEO. “The Emperor’s New Clothes” (10/14/89) – The
finicky Emperor is presented with the most unique of fashion: invisible
Schmatex. “Goldilocks & the Three Bears”
(10/28/89) – When Rhonda gets a better house-sitting offer, she tasks Gordon
with watching Mayor Bear’s place and he turns it into an amusement park. “Little Red Riding Hood” (11/11/89) – Red has
a package for scientist Granny, but little does he know that the Wolf had
gotten there first and used her own shrinking device to shrink and eat her. “Snow White and the Seven Dwarfs” (12/2/89) –
Robert Stuck is on the case of missing champion skier Snow White after she was
last seen in the company of a thug for hire. “King Midas” (12/9/89) – Oklahoma Jones is
in search of King Midas, but the evil Professor Bouquet steals his map with the
intent of finding the king first.
Move over, Muppets—the 80s belonged to a
new puppet.
Airing on NBC, ALF was
a sitcom following the adventures of Gordon Shumway (Paul Fusco) from the
planet Melmac after he crash-landed on Earth following a nuclear explosion on
his planet. He was taken in by the Tanner family (not the ones from San Francisco),
who protected him from the Alien Task Force while he repaired his ship.
Nicknamed Alien Life Form by the family patriarch, Willie (Max Wright), ALF would spend the
next four seasons enthralling America and becoming a media darling.
Paul Fusco with ALF.
A communications
major, Fusco worked his way through college by doing magic, puppetry and
ventriloquism. He managed to strike a deal with cable network Showtime for a series of
specials out of which the ALF character was born. Fusco would use him at
parties to entertain family and friends, and even tried him out at a comedy
club in New Haven, Connecticut. He
formed Alien Productions
with Tom Patchett and they
secured representation with Jim
Henson’s manager, Bernie
Brillstein. Brillstein was hesitant to take Fusco on, considering Henson to
be the best puppeteer in the business, but was won over by ALF and his
merchandising possibilities. Similarly, ALF won over the NBC executives when
they pitched the series; with Fusco pulling him out during their meeting when
they started to lose interest. The series would make its debut on September 22,
1986, filmed on a stage with trap doors and trenches to allow the puppeteers to
operate ALF in each scene (which his live-action co-stars hated with a
passion as there was always a danger of falling into one).
Promotional ad for NBC's Saturday line-up.
ALF was popular with
children—it was then-NBC President Brandon
Tartikoff’s young daughter who convinced him to keep ALF going
beyond the pilot—and they started to become a big portion of the show’s
audience. As a result, the
content of the show was gradually altered to reflect their new viewers. For
instance, ALF was only seen drinking alcohol during the first season, and
certain imitable antics—like using electric appliances in the bathtub—were
either altered for future broadcasts or toned down in future episodes. Recognizing
an opportunity, NBC ordered an animated spin-off of the show for inclusion in
their Saturday morning line-up.
The planet Melmac.
Developed by Fusco
and Patchett, ALF: The Animated Series served
as a prequel to the regular ALF series.
The show followed the adventures of Gordon (“ALF” was never used in the show
beyond the title) on the planet Melmac, having freshly graduated high school at
the ripe young age of 193. The animated series helped Fusco with his desire to
perpetuate the illusion that ALF was an actual being rather than a puppet as
the cartoon’s full body could be seen on screen all the time. However, unlike
the sitcom, ALF was always adorned in a Hawaiian shirt. The series made full
use of its alien setting to generate humor from surrealistic activities being
treated as ordinary, such as getting mayonnaise from mines; the names of
locations, such as Gordon’s hometown being East Velcro; or from pop culture
satire, like an entire episode dedicated to parodying the James Bond franchise. Even the episode names
themselves were parodies of movie and song titles, as well as popular sayings. The
cartoon also poked fun at itself by featuring a show within a show where an
Earthling crashes on planet Melmac and stays with a family of Melmacians.
The Shumways: Bob, Gordon, Flo, Neep, Augie, Curtis and Harry.
“Phantom Pilot”
(9/26/87) – Gordon gets some unlikely help in defending Melmac from Larson
Petty
“Hair Today,
Bald Tomorrow” (10/3/87) – After Harry uses Gordon’s hair for his nest, Gordon
goes for a baldness cure only to accidentally insult Madame Pokipsi and receive
a baldness curse.
“Two for the
Brig” (10/10/87) – Gordon and Sargent Staff accidentally mistake their ship for
a cruise liner and end up in jail.
“Gordon Ships
Out” (10/24/87) – Gordon, Rick and Skip chip in for a sailing yacht and end up
stranded on an island thanks to a termite.
“Birdman of
Melmac” (10/31/87) – When Harry is declared an extinct species, it becomes a
royal pain for the Shumway family.
“Pismo and the
Orbit Gyro” (11/7/87) – The Orbit Gyro’s regular maintenance leads the robot in
charge of it to having a few screws loose.
“20,000 Years
in Driving School” (11/14/87) – Gordon must re-attend driving school in order
to get his license back after losing it in an accident.
“Pride of the
Shumways” (11/21/87) – Gordon is offered a chance for the major leagues in
Bouilliabaseball, but Curtis suspects something is amiss.
“Captain
Bobaroo” (12/5/87) – When Bob gets hit on the head, he believes he’s a
children’s TV show host.
“Neep at the
Races” (12/12/87) – Gordon enters Neep in a race, but bikers want a cut of his
winnings.
“Salad Wars”
(12/19/87) – Gordon’s family vacation is interrupted by someone’s desire to
have a salad seed monopoly.
“Tough Shrimp
Don’t Dance” (1/2/88) – Gordon helps rescue an alien race of shrimp from Larson
Petty.
“Home Away from
Home” (1/16/88) – When his parents are away, Gordon loses their house to a
sleazy real estate agent.
Season 2:
“Flodust
Memories” (9/10/88) – Flo is entered into and wins a Mom of the Millennium
contest, but her celebrity status goes to her head.
“Family Feud”
(9/17/88) – The Fustermans declare war on the Shumways after losing to them on
a game show.
“Clams Never
Sang for my Father” (9/24/88) – Bob and Frank Fusterman face each other in the
traditional Mayonnaise Lodge rite of passage clam-wrestling contest.
“A Mid-Goomer
Night’s Dream” (10/1/88) – Larson Petty accidentally abducts Bob wearing a
Goomer suit, leaving Gordon and Augie to find the real one and save their dad.
“The Bone
Losers” (10/8/88) – Gordon finds dinosaur bones in his yard which makes a
celebrity paleontologist jealous enough to want to steal them away.
“Thank Gordon
for Little Girls” (10/15/88) – Gordon invents a new device that Augie and her
scout troop end up taking credit for.
“Hooray for
Mellywood” (10/29/88) – Gordon’s life is about to be turned into a
movie--maybe.
“The Spy from
East Velcro” (11/12/88) – When an evil spy mistakes Gordon for agent James
Bonzo, Gordon ends up captured by the villain.
“He Ain’t
Seafood, He’s My Brother” (11/19/88) – Renegade Muklukians kidnap Cutis in a
plot to claim their planet’s throne, and Fescue comes to Gordon for help in
stopping them.
“Looking for
Love in All the Wrong Places” (12/3/88) – Gordon tries to help a friend get a
girl, but she ends up falling for him instead.
“The Slugs of
Wrath” (12/10/88) – During a mayonnaise shortage, the Shumways move to a farm
to try their hands at raising slugs.
“Housesitting
for Pokipsi” (12/17/88) – Gordon and his friends housesit for Madame Pokipsi
and Gordon gets into trouble using her crystal ball.
“Skipper’s Got
a Brand New Dad” (1/7/89) – Larson Petty needs to find a son in order to claim
an inheritance while Gordon and Rick try to find Skip’s birth parents.