Remember that one day when you could wake up without an alarm? When you would get your favorite bowl of cereal and sit between the hours of 8 and 12? This is a blog dedicated to the greatest time of our childhood: Saturday mornings. The television programs you watched, the memories attached to them, and maybe introducing you to something you didn't realize existed. Updated every weekend.
For the history of The Flintstones, check out the post here.
As part of Fred Silverman’s
efforts to revitalize the last-place NBC, he
decided to bring back some old favorites. One of them was the return to the
classic Stone Age sitcom, The
Flintstones.
Fred and Barney out for a round of golf.
The New Fred and Barney Show was a direct continuation of the 1960s series.
Pebbles (Jean Vander Pyl) and Bamm-Bamm (Don Messick) were reverted to their
toddler forms, after having been depicted as teenagers in The
Pebbles and Bamm-Bamm Show, although newer characters like the
Rubbles’ pet hopparoo, Hoppy
(outside of the intro), and the powerful alien visitor The
Great Gazoo were nowhere to be found. Instead of dealing purely with the
slice of life stuff that was the foundation of sitcoms, Fred and Barney often
started off in seemingly mundane situations while ending up in increasingly
fantastical ones. For instance, Fred (Henry Corden) and Barney (Mel Blanc) head
out for an evening of bowling only to end up in the house of an evil witch. Frank
Frankenstone and Count
Rockula (both John Stephenson) were based on Frankenstein’s
monster and Count
Dracula, respectively, replacing The Gruesomes
as the Flintstones’ spooky neighbors. Original
comparisons to The
Honeymoonerswere also further reinforced with episodes of Fred
and Barney that shared similar plots; such as Fred gaining an inheritance
from a rich person he was nice to and it ending up being a bird (“Ralph
Kramden, Inc.”), or finding a suitcase full of money and having to deal with
the crooks who want it back (“Funny Money”).
Betty and Wilma ready for a night on the town.
The New Fred and Barney Show debuted mid-season on NBC on February 3, 1979. The
series’ theme was a reworking of the original written by producer Joe Barbera and composed by Hoyt Curtin, emphasizing the
newness of the series and the return to classic Flintstones. Notably, it
was the first time Corden would voice Fred for a regular series as original
actor Alan Reed had died in
1977 (Corden previously provided Fred’s singing voice in place of Reed). The
series was written by Doug Booth,
Andy Heyward, Len Janson, Glenn Leopold, Chuck Menville, Bob Ogle, Ray Parker, Dave Stone and
Chip Yaras,
with Larz Bourne serving as
story editor.
Fred and Barney ran for two short seasons for a total of 17
episodes. For the second season, Fred and Barney was combined with one
of Hanna-Barbera’s
latest offerings, The
Thing (loosely based on the Marvel
Comics character), in the package program Fred and Barney Meet the
Thing. Despite the misleading title, the two sets of characters never
interacted outside of the package’s intro and commercial bumpers. Beginning on
December 8th, the package was expanded to 90 minutes to include The
New Shmooand was retitled Fred and Barney Meet the Shmoo. The
package show continued on in reruns through 1980, when it was replaced by The
Flintstone Comedy Show. Different versions of Frankenstone, his
family and Count Rockula would appear in two prime-time Flintstones specials:
The Flintstones Meet
Rockula and Frankenstoneand The Flintstones’ New
Neighbors. The series has been made available to stream on Amazon
Prime, and returned to television in 2024 as part of The Flintstones
Family Sunday programming block on retro animation network MeTV Toons.
EPISODE GUIDE:
Season 1:
“Sand-Witch” (2/3/79) – Car trouble leads Fred and Barney to
seek a telephone in a house that belongs to a man-eating witch.
“Haunted Inheritance” (2/10/79) – Because he was kind to an
aristocrat disguised as a quarry worker, Fred gets entered into a competition
for an inheritance.
“Roughin’ It” (2/17/79) – Feeling modern living is making life
easy and boring, Fred tries to go back to old-fashioned caveman living.
“C.B. Buddies” (2/24/79) – Fred and Barney cause trouble
when they overpower their new CB radios.
“Bedrock Rocks” (3/3/79) – Fred tries to hook the Slates up
with members of a rock band Mrs. Slate wants to see on her birthday, but
failing that he and Barney impersonate them.
“Blood Brothers” (3/10/79) – Fred and Barney worry when their new neighbor Count Rockula seeks to
repay their kindness by making them his “blood brothers”.
“Barney’s Chickens” (3/17/79) – Barney ends up accidentally
hypnotizing a bunch of people into believing they’re chickens.
“The Butler Did It…and Did It Better” (3/24/79) – Fred is
happy with his new robot butler, until the robot proves to be better than him
at everything.
“It’s Not Their Bag” (3/31/79) – Fred and Barney find a bag
of stolen money while playing golf and must evade the crooks looking for it.
“Barney’s Luck” (4/7/79) – Fred tries to prove that a coin
Barney found isn’t responsible for his string of extraordinary good luck.
Season 2:
“Stone Age Werewolf” (9/8/79) – Fred and Barney head out in
search of a werewolf, but a storm forces them to take shelter in the cabin of a
friendly old man.
“Fred & Barney Meet the Frankenstones” (9/15/79) –
Needing a break, Fred and Barney head to a spa they discover is run by Frank
Frankenstone.
“Physical Fitness Fred” (9/22/79) – Jealous of his wife’s fawning over a celebrity, Fred decides to get fit
to turn her head.
“Moonlighters” (9/29/79) – Fred and Barney try to compensate
for rising prices by taking various part-time jobs.
“Fred Goes to the Houndasaurs” (10/6/79) – Wilma adopts a
new Houndasaur that causes trouble for both Fred and Dino.
“The Bad Luck Genie” (10/13/79) – Fred finds a genie while
fishing whose wish-granting ends up causing more trouble than they’re worth.
“Dinosaur Country Safari” (10/20/79) – Fred and Barney take
their wives on a safari which ends up with their landing in a pterodactyl’s
nest.
For a history of The Flintstones franchise, check out the post here.
They grow up so fast.
The characters of Pebbles and Bamm-Bamm.
With The
Flintstonesdoing well in syndicated reruns—particularly on Saturdays—CBS executive Fred Silverman approached Hanna-Barbera in 1970 about doing a revival. However, he wanted to
make it a teen-oriented and musical series to try and duplicate the successes
of Filmation’s Archieseries and their
own Josie
and the Pussycats. Joe Ruby and Ken
Spears were assigned the task of making the
modern Stone Age family even more modern. They radically aged the children of
their principle characters to teenagers, and gave them a gang of friends that
could play together as a band whenever the story required it. The result was The
Pebbles and Bamm-Bamm Show.
Pebbles, Bamm-Bamm and their gang cruising around Bedrock.
The
Pebbles and Bamm-Bamm Show debuted on CBS on September 11, 1971. It focused
on the wacky misadventures of teenaged Pebbles Flintstone (Sally Struthers),
her neighbor and boyfriend Bamm-Bamm Rubble (Jay North), and their friends:
Moonrock Crater (Lenny Weinrib), a genius inventor; Penny Pillar (Mitzi
McCall), an overweight girl obsessed with being thin; and Wiggy Rockstone (Gay
Hartwig), a girl who lived by the daily horoscopes. Often, they would find
themselves in sticky situations made even stickier by Pebbles’ schemes to get
them out of trouble, which often backfired (a callback to the schemes of her
father in the original series). Other times, they were at odds with Pebbles’
rival, snobbish Cindy Curbstone (Hartwig), and a biker gang called The Bronto
Bunch. The elder Flintstones and Rubbles made the occasional appearances on the
show, but they were no longer the focus. Another thing of note is that while
Bamm-Bamm did seem to pull off the occasional impossible feat here and there,
the super strength he was originally depicted with as a baby was significantly
played down.
Groovin' to the beat.
As The Flintstones focused on
the juxtaposition of the modern world set amongst a Stone Age backdrop, so too
did Pebbles and Bamm-Bamm. Along with everything viewers had come
to expect of the franchise, the show was heavily influenced by its time period.
Lingo, teen idols, drag racing and various activities the kids did for fun were
taken from the trends of the 1970s. The series was written by Neal
Barbera, Walter Black, Larz Bourne, Tom Dagenais, Bob
Ogle, Larry Rhine and Dick
Robbins, with story direction by Brad Case, Carl
Fallberg, Cullen Houghtaling, Alex
Lovy, Lew Marshall, Paul
Sommer and Irv Spector. The music was composed by Hoyt Curtin and Ted
Nichols. It was one of the first Hanna-Barbera
productions to utilize their new limited laugh track.
Proving
successful, CBS decided to expand their Flintstones franchise with the
creation of The Flintstone Comedy Hour. Along with new adventures
featuring the elder characters, the Pebbles and Bamm-Bamm characters
were given new shorts and a band called “The Bedrock Rockers” that performed
during the show in between segments. Reruns of Pebbles and Bamm-Bamm aired
as the second half-hour of the Comedy Hour. As Struthers had become
committed to her role on the sitcom All in the Family before the original first episode ever even aired, Mickey Stevens replaced her for all the new material produced for
the Comedy Hour. When the show was renamed The Flintstone
Comedy Show, ThePebbles and Bamm-Bamm reruns were
dropped from its format and later aired as part of the weekday syndicated Fred Flintstone and
Friends. It would make the rounds later on
cable channel Boomerang.
“Gridiron Girl Trouble” (9/11/71) – Bamm-Bamm’s dogosaurus follows
them to school, and hiding him from the dogcatcher lands Pebbles into playing
in the big football game.
“Putty in Her Hands” (9/18/71) – Pebble’s attempt at sculpting falls
flat. She convinces Bamm-Bamm to pose as her sculpture to fool Cindy, but
statue Bamm-Bamm ends up stolen crooks.
“Frog for a Day” (9/25/71) – Pebbles studies witchcraft to prove her
authenticity when her role in a play is cut back resulting in her believing she
accidentally turned Barney into a frog.
“The Golden Voice” (10/2/71) – Pebbles forces Bamm-Bamm to sing for
her band after hearing him in the shower. Unfortunately, the only place
Bamm-Bamm CAN sing is in the shower.
“Daddy’s Little Helper” (10/9/71) – Believing Fred about to be fired,
Pebbles gets a job at the gravel pit in order to help save his job. However,
she ends up costing him a promotion instead.
“Focus Foolery” (10/16/71) – Pebbles and Bamm-Bamm stumble on a bank
robbery, forcing them to hide out in a baby pageant with Bamm-Bamm posing as a
baby.
“Pebble’s Big Boast” (10/23/71) – Pebble’s brags about knowing a big
rock group to Cindy and is tasked with getting them to play at her party.
“The Grand Prix Pebles” (10/30/71) – Pebbles accidentally gives away
Fred and Barney’s new super fuel. Retrieving it, the kids discover a flaw in
the formula they must fix before the big race.
“The Terrible Snorkosaurus” (11/6/71) – Pebbles fails to sell a
snorkosaurus to Sea Rock World and hides it in her swimming pool, forgetting
Fred has a pool party planned for his boss.
“Schleprock’s New Image” (11/13/71) – Pebbles tries to help jinx
Schleprock change his luck, but her help only leads to endless mishaps
befalling the gang.
“Coach Pebbles” (11/20/71) – Pebbles and her girl friends takes over
coaching the little league team when Fred loses his voice, but their lack of
baseball knowledge brings the team down.
“No Cash and Carry” (11/27/71) – A con man posing as chief of store
security convinces the gang to steal from a department store as part of an
effort to help test his operatives.
“Wooly the Great” (12/4/71) – Moonrock’s super shampoo gives Pebble’s
pet elephant the ability to fly. After Wooly causes Fred to get angry at him,
Wooly runs away to join the circus.
“Mayor May Not” (12/11/71) – Pebbles becomes honorary Mayor of Bedrock
and attempts to improve the city…with disastrous results.
“They Went That Away” (12/18/71) – Pebbles volunteers her friends and
family to watch Uncle Hatrock’s ranch while he’s away, and she unknowingly
hires cattle rustlers as ranch hands.
“The Birthday Present” (1/1/72) – Wooly buries Wilma’s present,
causing Pebbles to believe it was stolen by their neighbors, the creepy
Gruesomes.
William
Hanna and Joseph Barbera had a desire
to recapture the adult market for their productions after having become largely
regarded as “children’s entertainment.” They decided what they needed was an
animated situation comedy for primetime.
A wooly mammoth fountain and a dinosaur lawnmower are just some of the Stone Age technology.
After toying with several
ideas, they eventually settled on the Stone Age as the setting for the show.
Barbera would tell film critic and historian Leonard Maltin in a 1997 interview it was in
part because of the ease it made in converting modern conveniences into Stone
Age ones. Cars would be foot-powered, animals served the functions of household
appliances (which they’d often complain about to the audience in a recurring
gag), clams were used as electric razors, newspapers were giant rock slabs,
etc. Hanna would go on to attribute The Honeymoonersas a major
influence on the project, as it was the most popular show at the time and
regarded by him as the funniest. Tex Avery, with whom Hanna
and Barbera were in friendly competition with, has also been cited as another
inspiration; specifically his cartoon The
First Bad Man, which featured a bank robber in Stone Age Dallas that
introduced similar visual jokes that the Flintstones would become known for.
Under the working title The Flagstones, a short
demonstration film was created in order to sell the series to potential
networks and sponsors. The short featured the characters of Fred, his wife
Wilma, and their son Fred, Jr. They spent several weeks pitching the show until
finally young fledgling network ABC bought it. As
the series was developed, several changes occurred such as the removal of Fred,
Jr. and the name eventually becoming The Flintstones in order to
further differentiate it from the Flagstons in Hi
and Lois.
Fred and Barney hard at work in an autographed print.
Taking place in the town of
Bedrock, the series focused on blue-collar gravel pit worker Fred Flintstone (Alan Reed), his wife Wilma (Jean Vander Pyl) and their best
friends and neighbors Betty (Bea Benaderet through
season 4, Gerry Johnson for the
remainder) and Barney (Mel Blanc, Daws Butler for the pilot
and several episodes in season 2 after Blanc was in a near-fatal car accident)
Rubble. Most of the time, Fred and Barney would get into some kind of
misadventure, often linked to a get rich quick scheme Fred cooked up and
hapless Barney would fall for. Other prominent characters included the Flintstone’s
pet Snorkasaurus Dino (Blanc) and Fred’s boss Mr. Slate (John Stephenson). Words related to
rocks or minerals would often find their way into names of people and places, especially
for celebrity parodies such as Stony Curtis for Tony Curtis or Alvin
Brickrock for Alfred Hitchcock. The show debuted
September 30th, 1960 and was a
hit, landing its adult demographics with the familiar sitcom setups it employed
and the style of writing for the series.
The Loyal Order of Water Buffaloes.
The Honeymooners influence
was evident throughout the show. Fred was the overweight, overbearing loudmouth
who constantly tried to get above his station, and Barney was the hapless
dimwit who could out-eat Fred and not gain a pound. Both belonged to a lodge,
the Loyal Order of Water Buffaloes that involved wearing silly hats, and
enjoyed bowling whenever possible. The similarities were so great that at one
point Honeymooners creator and star Jackie Gleason had
considered suing Hanna-Barbera for copyright infringement, but decided he
didn’t want to be the one that got a beloved show pulled from the air
Pebbles and Bamm-Bamm joined the family.
Changes came when the
series reached its third season. Originally opened with an instrumental theme
called “Rise and Shine” by series
composer Hoyt Curtin, by the season’s
third episode the show gained its iconic theme “Meet the Flintstones” performed by the Skip-Jacks and a
22-piece jazz band, as well as a new opening sequence. It was decided to
introduce a baby to the family, based on a suggestion from Barbera’s second wife,
Sheila. Originally intended to be a boy, Hanna and Barbera were convinced to
make it a girl by marketing because girl dolls sold better than boy dolls. The
third season employed the show’s first ongoing story arc leading up to the
birth of Pebbles (Pyl, who also had her own baby at the same time) and the
adjustment period that followed. The following season, the Rubbles, unable to
have children, would go through the process leading them up to the adoption of
their son, Bamm-Bamm (Don Messick); a super-strong
baby. The Rubbles also gained a pet Hoppasaurus, Hoppy (also Messick). It was
at this point that Benaderet would leave the show to focus all her attention on Petticoat Junction, being replaced by
Johnson. The final season introduced The Great Gazoo (Harvey Korman), an exiled alien
that used his incredible powers to help Fred and Barney, often getting them
into even more trouble to teach them a moral lesson.
After Pebbles, the series’
tone softened and the writing became more juvenile, costing the show its adult
demographic ratings and its original sponsor of Winston Cigarettes. With a move from
their original 8:30 timeslot to 7:30, a renewed focus on toys and
merchandising, and the acquisition of Welch’s grape products as a sponsor, the show had effectively
returned to the kiddie fare it was originally created in opposition of. The series
was quietly cancelled in 1966 after 166 episodes, but had secured its place in
history as the longest-running primetime animated series; unsurpassed until The Simpsonsin 1995. The Flintstones left one final mark on viewers with the theatrical release of The Man Called
Flintstonethat same year.
The Great Gazoo teaches his favorite Dum Dum a lesson on a signed print.
The series performed
exceptionally well in syndicated reruns, earning Hanna-Barbera more money than
it had during its entire run on ABC. With the show as popular as it ever was, CBS executive Fred Silverman approached
Hanna-Barbera with the notion of reviving the series, beginning the
Flintstones’ journey to Saturday mornings.