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| Goliath holds the remains of his beloved Demona. |
In medieval times, gargoyles were the
defenders of humans and their kingdoms. Human-like with monstrous features and
massive wings, gargoyles possessed talons capable of slicing through solid
stone and could glide on wind currents. While at night they were a force to be
reckoned with, by day they turned to stone in order to sleep and heal from any
damage. In 994 A.D. Scotland, a particular clan of gargoyles was betrayed by
the humans they swore to protect; resulting in all but several members to be
smashed as they slept by their enemies. Still trying to do the right thing, the
gargoyles went to rescue the princess
(Kath Soucie) and were
permanently turned to stone for their troubles by The Magus (Jeff Bennett)
until the castle rose above the clouds. In 1994, businessman David Xanatos
(Jonathan Frakes) bought Castle
Wyvern and assembled it brick-by-brick atop his New York City skyscraper, the
Eyrie Building, bringing the
gargoyles back to life.
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| Castle Wyvern circa 994 A.D. |
Inspired by the deep mythology
behind Disney’s Adventures of the Gummi Bears, Greg
Weisman and his development team set out to emulate that formula while
avoiding the disrespect the show garnered by being air concurrently with and
often mistaken for the saccharinely sweet-by-comparison Care Bears. Weisman took his fascination of stone gargoyle
statues and with his team developed a pitch for a show that would be an action
comedy with cute, multicolored gargoyle creatures that had a rich medieval
backstory. Then-head of Disney Michael Eisner promptly rejected
it.
 |
| Castle Wyvern atop the Eyrie Building circa 1994. |
Believing in the project, Weisman
consulted with other Disney animators to find out where the pitch went wrong. Tad Stones suggested the
creation of one, large gargoyle in the vein of the company’s recent hit movie Beauty and the Beast. Inspired by the suggestion, they took the
idea and created the character of Goliath, while reworking the rest of the cast
in his image and turning the concept into an action drama close to what the
final show would become. Six months after the initial pitch, the project was
pitched to Eisner again. And it was promptly rejected. Or, so Weisman thought
until Jeffrey Katzenberg, head
of the Walt Disney Studio, informed them that Eisner hadn’t passed, he just
thought it needed more work. Deciding the show wasn’t the problem, the team
focused on their pitch. Realizing that “less is more,” they gave the new pitch
to Eisner and he greenlit the series.
 |
| Goliath. |
The show centered on the survivors
of the 994 massacre as they became familiar with their new reality and the
perils they would face as a result. In gargoyle custom, none of them had names
save for Goliath (Keith David), who was named by the humans they had protected.
Initially conceived as “The Gargoyle,” an immortal magic creation of an evil
wizard before defying his master and becoming a hero, Goliath was instead
remade into the leader of the clan; a noble and wise soul who would embody the
spirit of a true hero.
 |
| Hudson and Bronx. |
His remaining clansmen took their
names from the places around them. Hudson (Ed Asner), the eldest amongst them,
was the former leader of the clan and served as Goliath’s advisor. In the
original pitch, he was named Ralph Fullmoon and was inspired by Al Bundy but with
worse luck; preferring to enjoy the comforts of home, including TV, instead of
going out. As the pitch evolved, Hudson’s character became more inspired by
that of Lou Grant
(Asner’s famous television role) and featured old scars in the form of a
damaged eye, but his enjoyment of modern living remained once he discovered TV
and recliners, often in the company of Bronx (Frank Welker). Bronx was a
dog-like gargoyle who lacked wings, but was fiercely loyal to the clan and
always jumped into a fray to help them. Initially, he was planned as a comic
relief character who was angst-ridden about being in the future and could only
hover a few feet above the ground until they deemed the dog angle was more
interesting.
.JPG)
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| Broadway, Brooklyn and Lexington. |
Broadway (Bill Fagerbakke) was
developed out of a female character called Isa Dora, and later Coco. He was heavy-set
compared to the others and loved food. Brooklyn (Bennett), was initially the
leader of the clan named Nick who came up with plans that never worked. He was
reworked as Amp and more resembled Lexington before evolving into the
hot-headed and brash Brooklyn; the least human-looking of the clan with a large
beak. Lexington (Thom Adcox-Hernandez) was intended to be an idiot savant named
Lassie who more resembled Brooklyn. Ultimately, he became the most curious and
intelligent of the clan with an affinity for technology and discovering how
things worked. Lexington was also the smallest member and, unlike the others,
had his wings under his arms rather than on his back. Together, the three of
them often provided the comic relief for the show.
 |
| Elisa Maza. |
Their first human ally was a police
detective named Elisa Maza (Salli Richardson) from the 23rd Precinct.
Elisa’s profession went through numerous changes before settling on a police
officer. She was also to be a mother and a descendant of the princess from 994,
and named Morgan Reed after architect Julia
Morgan. After Richardson was cast, a great deal of her was infused into
Elisa from her ethnic heritage to her overall appearance. She was also renamed
Elisa and Morgan was used for a recurring police officer character. Potential last
names for the character included Chavez (later becoming the name of her
captain, Maria Chavez, played by
Rachel Ticotin and Elisa Gabrielli in one episode),
followed by Bluestone (recycled into the name of her eventual partner Matt
Bluestone, played by Thomas F. Wilson) until finally settling on Maza. Elisa
was a street-wise cop who lived alone with her cat, Cagney (Welker), and drove
an unmarked classic car. Initially being just a friend, a romance developed
between her and Goliath that would culminate in the final episode of the series.
 |
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| Xanatos with his right-hand-man Owen and Demona. |
Xanatos became the primary
antagonist of the gargoyles at first. Initially named Xavier, he was to be the
descendant of The Magus until changed into a businessman. His name was changed
to avoid confusion with the X-Men’s
Professor Xavier, inspired
by Thanatos, the Greek
God of Death, and David in order to contrast Goliath’s name (as in David
and Goliath with the roles reversed). Xanatos initially wanted the
gargoyles to help contribute to his crooked advancements to his company and
wealth, but when they turned against him he came up with an endless series of
plots and schemes against the gargoyles; from hiring mercenaries known as The Pack to developing robotic versions
of Goliath called The Steel Clan.
He also frequently teamed-up with Demona (Marina Sirtis); Goliath’s former lover
who survived the massacre and had spent the next thousand years growing
increasingly angry at the world to the point she happily turned against the
clan to further her own ends. Demona was initially the clan’s planner named
Georgette before evolving into the leader named Dakota. Because Xanatos owned
Castle Wyvern, the clan was forced to relocate to the clock tower of Elisa’s precinct
for a time.
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| Macbeth with a Hunter mask. |
Outside of the main characters, the
gargoyle world boasted a rich and populated universe with a great many
characters ripped straight out of classic literature and mythology. Amongst
them were Macbeth (John Rhys-Davies) and The Weird Sisters (all Soucie);
trickster-gods Puck (Brent Spiner) and Anansi (LeVar Burton);
avatar of death, Anubis (Tony Jay); Norse all-father Odin (Morgan Sheppard); legendary King Arthur Pendragon (John St. Ryan); and many others.
Even minor characters served major roles down the line. Generic yuppie couple,
Margot (Sirtis and Tress
MacNeille) and Brendan (Pat Fraley), appeared frequently
in the background and eventually Margot became a district attorney against the
gargoyles. An officer, Morgan Morgan (David), who first appeared in the first
episode, would end up becoming a human alternative for Goliath for Elisa’s
affections. And then there was Vinnie
(Bennet, doing a Vinnie
Barbarino impression): a background character who had his motorcycle
destroyed by Lexington, was a guard on a destroyed flying fortress, and was
fired from his guard job because of the gargoyles, gained some prominence when
he had the B-plot of the episode “Vendettas” dedicated to him seeking revenge.
Gargoyles debuted in
syndication on October 24th, 1995 as part of The Disney Afternoon 2-hour programming block. After a
special week-long run to air the five part introduction story, it moved to its
regular spot on Fridays, sharing a timeslot with Aladdin. The series premier began
with a cold open and featured the standard intro with music by Carl Johnson at the
end. This was done to both establish that the series didn’t take place in just
medieval times and to prevent the intro from giving spoilers about the
characters and action. The series was considerably darker and more “adult” than
the other offerings on The Disney
Afternoon at the time, and also the first Disney production to feature a
serial storytelling format. Writers included Eric Luke, Michael Reaves, Brynne Chandler Reaves, Steve Perry, Lydia Marano, Marty Isenberg, Robert N. Skir, Cary Bates, Shari Goodhartz, Adam Gilad, Gary Sperling, Robert Cohen, Diane Duane and Peter Morwood. Animation was handled by Akom Production Company, Animal-ya, Hanho Heung-Up Company, Koko
Enterprises Company, Saerom Animation,
Sunmin Image
Pictures Co., Sunwoo Entertainment,
Hong Ying Animation,
Toon City Animation and Wang Film Productions
Company.
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| 23rd Precinct clock tower, the gargoyle's second home. |
The show took over its timeslot when
Aladdin moved earlier, sharing it on
Fridays with Timon & Pumbaa for the second season. That season also
saw the introduction of additional gargoyle
clans around the world, including in London, Japan and the mystical island of Avalon; where it was revealed the
princess from 994 escaped the castle with her subjects and the eggs from the
gargoyle’s rookery. The season also introduced a new gargoyle to the Manhattan
clan: Angela (Brigitte Bako), the biological daughter of Goliath and Demona who
was amongst the eggs rescued and who was still a young woman by the time
Goliath met her, thanks to the different flow of time on Avalon. For 19
episodes of the season, Goliath, Elisa, Bronx and Angela traveled around the
world, sent on a quest by the magic of Avalon to places they “needed to be”
that fans had dubbed the “Avalon
World Tour.”
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| Macbeth and Demona bind each others' fates. |
The second season also brought about
several changes and character revelations. Xanatos and Fox (Laura San-Giacomo),
a former member of The Pack, were married and had a son named Alexander. It was
soon revealed that Fox was the daughter of Xanatos’ rival, Halcyon Renard (Robert Culp), and that her
mother, Anastasia, was actually Titania
(Kate Mulgrew), the mystical
queen of the magical Third Race.
Xanatos’ right-hand man, Owen Burnett (Bennett), was actually Puck who took on
the role after learning about Titania’s secret identity. Puck offered Xanatos a
choice between immortality and his eternal servitude, and Xanatos, believing
he’d achieve immortality on his own, chose the latter. Owen’s form was modeled
after Renard’s assistant Preston Vogel
(Peter Scolari). It also came
to light that Macbeth and Demona had become mystically linked by The Weird
Sisters, keeping them alive eternally and feeling each other’s pain in close
proximity until they killed each other.
 |
| Goliath, Elisa, Bronx and Angela on their quest. |
The reason for all the new characters and developments introduced this season was because Gargoyles was meant to be the springboard for a shared Disney action universe; with any one of those concepts available to be spun-off into their own series. Eisner had discussed the concept with Weisman after a meeting where Disney considered buying Marvel Comics (which wouldn’t happen until 2009), wanting something similar to what they and rival DC Comics did with their properties. However, the action universe was never to be and Gargoyles’ days were numbered. Sparked by the sudden death of Disney president and CEO Frank Wells, Eisner and Jeffrey Katzenberg found themselves in constant conflict until Katzenberg left to found DreamWorks. With him also went several bosses who loved Gargoyles, and the new management began to view the show as a holdover from the old regime. Adding fuel to the fire was the fact that Disney was disappointed that only 31 of their desired 52 episodes were delivered by the fall of 1995, despite Weisman telling them it was impossible. Then there was the fact that because the show was syndicated, it was constantly preempted for the OJ Simpson trial as the stations that carried it made significantly more money airing the local news. Finally, while the show was #1 in its timeslot during the first season, but fell to #2 when up against Mighty Morphin Power Rangers. All of these factors led Disney to cancel the show.
But then Disney bought ABC, and the network found itself needing a boy’s
action show. So, Gargoyles was revived for their Saturday morning
line-up. To separate it from the afternoon show, it was renamed Gargoyles:
The Goliath Chronicles and had a monologue by Goliath at the beginning and
end of each episode. The primary foes were The Quarrymen; an anti-Gargoyle group
that used technologically-enhanced sledgehammers. They were started by John Castaway (formerly Jon
Canmore, named for Weisman’s younger brother and voiced by Scott Cleverdon and Alan Cumming) who was originally a Hunter, a fanatical group that hunted
gargoyles after Demona slashed and scarred their founder a thousand years ago.
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| The Quarrymen. |
Because of the different standards a network show was held to over a
syndicated one—especially with a Standards and Practices board as notoriously
strict as ABC’s—a lot of the freedom the Gargoyles
crew experienced was suddenly gone and the working environment a lot more
restrictive. The entire production staff was completely replaced after they
finished the first episode of the season. The new crew, many of whom worked on FOX’s X-Men: The Animated Series, had very
little time to familiarize themselves with the series before beginning
production. As a result, a lot of continuity and characterizations were off,
and the animation and writing quality had suffered significantly. Many of
Weisman’s story ideas were used as springboards for episodes of the season, but
taken in completely different directions than Weisman intended. Weisman, who
received his first and only credit on the series during that season due to his
former status as a Disney executive, left the show and waived his contractual
consultant credit as he felt he didn’t really add much to the season as opposed
to making sure a lot of things managed to stay off the air. Weisman
wrote the first episode and Gilad, Marano and Bates remained, joined by Jan Strnad, Julia Lewald, Mark Edward Edens, Brooks Wachtel, Len Uhley, Len Wein and Steve Cuden. Animation was also moved
over to Nelvana, after Disney briefly considered
hiring DiC
Entertainment.
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| Angela. |
The Goliath Chronicles premiered
on September 7th, 1996 to negative fan reaction, leading to the
series’ ultimate cancellation after its 13 episodes finished airing. However,
despite the bittersweet ending of the series, the show had left its mark.
Beginning in 1997, fans gathered together to create The Gathering of the Gargoyles;
an annual convention that featured several regular guests close to the show
including Weisman, David and Adcox-Hernandez. The show featured a radio play
event where attendees could audition for speaking roles, a masquerade ball
where they dressed as their favorite characters, and an art show where artistic
fans could show off or sell their work. The Gathering ran for 13 years until
2009, taking place in various cities around America and one time in Canada.
Footage from the 2004 show was included as a special feature of the season 1
DVD. Also, in 1997 Weisman started an online forum called “Ask Greg” where he would answer
various questions about the show’s production, its future and his other work.
 |
| Demona in her human form. |
An interesting occurrence during
production was that the series employed many alums of the Star Trek franchise. After casting both Frakes
and Sirtis, who both starred in The Next Generation, the producers
began to think about what other Trek stars
they could cast in roles. From the original Star Trek and its related movies were Nichelle
Nichols, W. Morgan Sheppard, David Warner, and Paul Winfield. Also from The Next Generation were Michael Dorn, Brent Spiner,
LeVar Burton, Colm Meaney, Clancy Brown, Matt Frewer, Michael Bell, Gerrit Graham, Diedrich Bader, Clyde Kusatsu and Tony Jay. Avery Brooks from Deep Space Nine and
Kate Mulgrew from Voyager also had roles, and series regulars Richardson and Welker both
guested in Trek productions. Patrick
Stewart was considered for a role, but the production couldn’t meet his regular
fees and thus he never appeared.
Gargoyles
received the full gamut of merchandising.
In 1994, Parker Brothers
produced 70-piece metallic
puzzle and a collectible card game called Gargoyles Stone Warriors Battle Card Game, while Skybox produced
two sets of traditional trading cards for the series in 1995
and 1996. Milton Bradley,
however, would produce an actual board game based
on the show. Another puzzle
of the castle was released as part of Wrebbit’s
Puzz-3D line. In 1995, Kenner
made a line of three waves of action
figures, two vehicles and a playset for the series while Buena Vista Interactive
released a video game exclusively for the Sega Genesis system in the
United States only. Applause produced a line of 3” PVC figurines
as well as vinyl figures slightly larger than standard action figure size
and character
mugs. Goliath was turned into a talking bank by Thinkway Toys and a costume
by Disguise Inc. Cross promotional
merchandising included ice
pops by Nestle, playing
cards by The United States Playing
Card Company, a Creepy
Crawlers mold
pak by Toymax
and a set of five Burger King Kids’ Club toys.
 |
| Gargoyles promotional image. |
Fun Works and Golden Look-Look Books each published an adaptation of the
first and part of the second episode in 1993 as Defenders of the Night and 1995 as
simply Gargoyles, and Golden also released
an adaptation of the episode “The Edge” in 1996 called Deadly Doubles and a coloring
book. Parachute Press and Scholastic released a novelization
of “Awakening” in 1995 called Stone Warriors Rule! and “Long Way to Morning” as Demona’s Revenge. Publications Internationa, Ltd. released a
20-page look-and-find
book which tasked readers to find various characters and objects amongst
two-page spread drawn by Jamie
Diaz Studios. The Rubber Stamp Factory made a set
of stamps with the gargoyles’ images on it.
 |
| Marvel's Gargoyles #1. |
Marvel Comics produced a series of comics
spinning out of the first season. Published between February and December 1995,
it ran for 11 issues and, while referencing events from the show, didn’t adhere
to the continuity of it. The comic was notable for introducing the characters of
Beth Maza, Elisa’s mother, and Petros Xanatos, Xanatos’ father,
before their actual on-screen appearances in the series. Weisman had no
involvement in the production of the book, but did write an issue of it.
However, it wasn’t published before the series was cancelled due to Marvel’s
bankruptcy. Weisman did write the entirety of the 2006 series published
by Slave Labor Graphics (SLG), picking
up the narrative from the end of season two and completely negating The Goliath Chronicles (which he deemed
as non-canon). He also used his unpublished Marvel script for the sixth issue
of the series. After eight issues and a mini-series entitled Bad Guys, SLG lost the Disney license due to rising costs.
Trades collecting their books were released, but Clan Building Volume Two featured
the unpublished issues #9-12, with #10 featuring art by series character
designer Greg Guler. Disney Adventures magazine
published 11 comics based on the series, as well as several articles about the
show. The story “Stone Cold” from the December, 1994 and January, 1995 issues
inspired the episode “The Price” and the August, 1996 story “The Expert” served
as a promotion for Disney’s then-new movie The Hunchback of Notre Dame.
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| Gargoyles ad. |
In September of 1994, Disney wanted to preview the series at Walt Disney World. Weisman worked
with a different set of editors and sound mixers to compile and compress the
finished material of the first five episodes into an 80-minute movie. Because
the episodes weren’t complete, some parts were altered or left out from the
broadcast airing (although a few Weisman left out intentionally to hide key
plot points). Much to Weisman’s chagrin, Buena Vista Home Entertainment
later released the movie edit on VHS and Laserdisc in 1995 as Gargoyles the Movie: The Heroes Awaken.
Later that year and in 1996, four more VHS collections were released containing
the remaining episodes of season one. In 2004 on the series’ 10th
anniversary, Buena Vista released Gargoyles: the Complete First Season on DVD with the episodes restoring
edits removed when the show was rebroadcast on Toon Disney. A year later, Gargoyles: Season Two, Volume One was released. It wouldn’t be until 2013
when Volume Two would be released by Disney
Movie Club and the online Disney
Store. In 2015, Volume Two was
released to all stores. In 2019, it became one of the launch titles for the
streaming service Disney+.
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