May 20, 2017

SPIDER-MAN UNLIMITED

SPIDER-MAN UNLIMITED
(FOX, October 2, 1999-March 31, 2001)


Marvel Studios, Saban Entertainment, Koko Enterprise Co., Ltd.


MAIN CAST:
Rino Romano – Spider-Man/Peter Parker, Green Goblin/Hector Jones
Akiko Morison – Dr. Naoko Yamada-Jones
Rhys Huber – Shane Yamada-Jones
Kimberly Hawthorne – Karen O’Malley
Dale Wilson – X-51, Machine Men, Electro
Garry Chalk – Mr. Meugniot


For the history of Spider-Man, check out the post here.


            Fox Kids loved Spider-Man—they just didn’t want to pay for him.



            Although Spider-Man: The Animated Series had come to an end, FOX was under a contractual obligation to produce another season in order to continue airing reruns of Spider-Man for an unspecified amount of time. Because of animosity between Fox Kids head Margaret Loesch and producer Avi Arad, and because continuing the show would have put a damper on their rerun plans, FOX opted to create a new show instead. FOX wanted to make the show as cheaply as possible and considered having Saban Entertainment re-present the very first 26 issues of The Amazing Spider-Man comic series with limited animation; similar to 1966’s The Marvel Super Heroes or today’s motion comics. Unfortunately, those plans were complicated when Marvel Entertainment entered into a deal with Sony Pictures that would eventually lead to the highly-successful Sam Raimi Spider-Man film trilogy, as well as MTV’s Spider-Man: The New Animated Series in 2003. Because of this, FOX and Saban suddenly had lost all access to Spidey’s classic library, his costume, and most of his supporting cast.



Spider-Man 2099.

            Producers Will Meugniot and Michael Reaves toyed with the idea of producing a series around the futuristic Spider-Man 2099 comic; however, they came to feel that Batman Beyond—which had debuted that January—already covered any territory they would have visited. They looked over the “shopping list” of characters Marvel wanted to see utilized and decided that Counter-Earth would allow them optimal storytelling opportunities while explaining away the absence of recognizable Spidey characters. Counter-Earth was an extra planet in the Marvel solar system that was an exact duplicate of Earth. By this time in the comics, three versions had been featured, each with a different creator (2006 would yield a fourth). Meugniot and Reaves decided to use the first version created by the mad geneticist The High Evolutionary as a means to conduct his experiments in an almost god-like fashion. 


Spidey's new duds.

The original plan was to feature an Uncle Ben who didn’t die, resulting in that Peter Parker never learning the valuable lesson of power and responsibility and denying him the will to resist bonding with the alien Venom symbiote. The Spidey we all knew would somehow wind up on Counter-Earth and come into conflict with this alternate Peter while trying to find a way back home. Production began on the show until Marvel nixed the whole double Peter idea. The company was still feeling the effects of a particularly disastrous time in Spidey comics known as “The Clone Saga”; a decades-later sequel to Amazing Spider-Man #149 wherein the clone Spidey once battled returned and eventually replaced Peter in the webs while also establishing that Peter was the actual clone the whole time. Naturally, they were eager to avoid any association to that and forbade having two Peter Parkers present. Interestingly enough, the previous show ended with a truncated version of the saga using alternate reality duplicates; a precursor to the Spider-Verse event that would hit the comics in 2014 and cinema in 2018.


Carnage and Venom sporting a very different look.

With the core of their show gone, producers scrambled to salvage the work they had already done while adhering to Marvel’s restrictions. The result became Spider-Man Unlimited, which shared its name (and nothing else) with the double-sized quarterly anthology series that ran from 1993-98. In the show, John Jameson (John Payne III), son of Daily Bugle publisher J. Jonah Jameson (Richard Newman), embarked on a mission to Counter-Earth, but Venom (Brian Drummond) and Carnage (Michael Donovan) were compelled by their symbiotes to hitch a ride on his ship in order to connect with a hive-mind known as the Synoptic; which wanted to spread symbiotes across Counter-Earth and eliminate all the human life there. Failing to stop them and vilified by the elder Jameson because of it, Spider-Man (Rino Romano) faked his death and briefly contemplated retirement. However, a message from John prompted him to “borrow” nanotechnology from Mr. Fantastic to create a new suit (utilizing elements of Spidey 2099’s costume in FOX’s attempt to emulate the success of Batman Beyond) and pursue the symbiotes on another mission launch. 

 


Spider-Man squares off against the Knights of Wundagore.

Spider-Man found Counter-Earth was ruled by the High Evolutionary (Newman) and his Beastials; hybrids of animals and humans that he created. Apart from the average citizens were Evolutionary’s personal attack squad: The Knights of Wundagore (named for the mountain that served as their base in the comics). Jameson had fallen in league with human freedom fighters that were against the Evolutionary and his forces and refused to leave until they were free. Unwilling to return home without Jameson, Peter set himself up as a photographer for The Daily Byte under publisher Mr. Meugniot (originally named “Mineo” but changed to resemble the show’s producer during a spat between him and Arad where he feared he might lose screen credit, voiced by Garry Chalk), rented a room from single mother Dr. Naoko Yamada-Jones (Akiko Morison) and her son, Shane (Rhys Huber), and aided the freedom fighters as Spider-Man. Along the way, he encountered Counter-Earth versions of familiar Marvel characters, including heroic versions of the Green Goblin (Romano) and Vulture (Scott McNeil), an electric eel Beastial named Electro (Dale Wilson), a Kraven the Hunter-like mercenary called The Hunter (Paul Dobson), and X-51 (Wilson), one of the Evolutionary’s android law-enforcers that gained sentience and joined the rebels.


Spidey with Karen O'Malley.

Spider-Man Unlimited debuted on October 2, 1999. While not intended as a direct continuation of the prior show, Unlimited did attempt some connection to it; particularly by the inclusion of a snippet of Joe Perry’s theme when Spidey first appeared in the first episode. It also shared at least one cast member in Jennifer Hale, who voiced Mary Jane in her only appearance as well as Lady Vermin, another animal-themed character who developed an infatuation with Spidey. It’s notable that this was the first animated series to feature the underarm webbing on Spidey’s regular costume often seen in the comics.




The series was written by Meugniot and Reaves along with Steve Perry, Brynne Chandler Reaves, Diane Duane, Peter Morwood, Robert Gregory Browne and Mark Hoffmeier, as well as comic book writer Roger Slifer and creative consultant Larry Brody. The show was animated by Koko Enterprises Co., Ltd. An attempt was made to give the show a more comic-like appearance with the use of dark shadows and picture-in-picture to simulate comic panels, not to mention comic book-like captions. Spidey’s spider-sense was toned down from the previous series to be a sound with some accompanying flashes on the screen. The theme’s composers were Jeremy Sweet and Ian Nickus, who also composed the rest of the show’s music with Shuki Levy, Haim Saban (under the alias Kussa Mahchi) and Ron Kenan. 


Spidey and Shane attempt to fix up X-51.

After the first three episodes aired, Unlimited was removed from the schedule and replaced with Avengers: United They Stand. At this time, the Fox Kids schedule was in a state of chaotic flux as new VP of programming Roland Poindexter attempted to revitalize the network’s standing from fourth place behind Kids’ WB, Nickelodeon and ABC, as well as compete against the growing Pokémon craze. The second season for the show was already six scripts into production by the time FOX finally cancelled it in November of 1999, having met their contractual obligations to Marvel. Unlimited ultimately returned to the network in December of 2000 after re-airing the first three episodes and finished its run that March. As a result, the show ended on a cliffhanger that would never be resolved. Future episodes would have had the rebels win against Evolutionary and showcased more solo adventures of Spidey as he continued to search for a way home.


The comic series.

            To promote the series, Marvel Comics began publication of a new short-lived volume of Spider-Man Unlimited in December of 1999. The first two issues, including the special #1/2 issue released through Wizard Magazine, recounted the first three episodes of the series, with the final three issues featuring original stories before the book was cancelled. All of the issues were written by Eric Stephenson with Andy Kuhn as the regular artist; however, Min Sung Ku drew #1/2 with Ty Templeton providing the cover, an homage to Spidey’s first appearance in Amazing Fantasy #15. Marvel also attempted to integrate Unlimited into their regular comics by featuring the suit in issues 13 and 14 of the anthology series Webspinners: Tales of Spider-Man. A version of Unlimited’s world appeared in the cross-dimensional storyline Spider-Verse as one of the obliterated alternate dimensions. A surviving Spidey in the Unlimited suit later showed up in the 2018 follow-up, Spider-Geddon. While there was never a dedicated toyline, the Unlimited suit’s design was used by Toy Biz for the action figures Air Strike Spider-Man in the Spider-Man 2000 line and the Wild Water Action multi-pack, and Spin ‘N Trap Spider-Man with a spring-loaded web projectile and included Venom target.


The DVD.

Liberaton Entertainment UK acquired the rights to release the show on DVD in 2009, but went bankrupt before they could proceed with their plans. Clear Vision Ltd. gained the rights and released the complete series in 2010. No American home releases have been announced or planned, however the show was made available for streaming on Amazon. In 2019, it became one of the launch titles for the streaming service Disney+.


The mainstream appearance of the Unlimited suit.

Arad had planned for Unlimited to launch a series of Spidey mini-series, the first one to be called Spider-Man 2001. The failure of the show squashed those plans, but Romano was kept on as the official voice of Spidey in the years following; voicing him in the video games Spider-Man (2001), Spider-Man 2: Enter Electro (both games also featured the Unlimited suit as an alternate costume), X-Men: Mutant Academy 2 and a deleted scene in X2: Wolverine’s Revenge. Hale would also reprise her role of Mary Jane in the Spider-Man game alongside her role of Black Cat from the prior series. In 2023, Unlimited Spidey made an appearance in both the advertising and the actual film Spider-Man: Across the Spider-Verse as one of the plethora of featured alternate Spider-Men. In 2025, Hasbro released an Unlimited figure as part of their Marvel Legends Spider-Man: Retro line.



EPISODE GUIDE:
“Worlds Apart, Part One” (10/2/99) – Spider-Man fakes his death in order to develop a new costume and find a way to rescue John Jameson from Counter-Earth.

“Worlds Apart, Part Two” (10/9/99) – Spider-Man discovers Jameson has joined the rebellion against the High Evolutionary and sets up a new life for himself.

“Where Evil Nests” (10/16/99) – The heroic Green Goblin believes Spider-Man to be a villain before the two team-up to rescue Dr. Yamada-Jones from Venom and Carnage.

“Deadly Choices” (12/23/00) – The rebellion and Beastials are forced to team-up to stop a freedom fighter from destroying New York.

“Steel Cold Heart” (1/13/01) – X-51, a machine man and one of Evolutionary’s operatives, refuses to hurt innocent people and defects to the rebellion.

“Enter the Hunter!” (2/3/01) – Sir Ram hires an assassin named The Hunter to kill Spider-Man.

“Cry Vulture” (2/10/01) – Another heroic version of his foes, the Vulture, joins Spider-Man in stopping Firedrake.

“Ill-Met by Moonlight” (2/17/01) – Spider-Man breaks into Evolutionary’s plant to find a cure for Jameson, who has been turned into a Man-Wolf.

“Sustenance” (3/3/01) – Green Goblin figures out Spider-Man is Peter Parker before they’re both kidnapped by the failed Beastials known as Rejects.

“Matters of the Heart” (3/10/01) – Spider-Man agrees to help a freedom fighter locate his lost brother.

“One is the Loneliest Number” (3/17/01) – Eddie Brock becomes separated from his symbiote and Spider-Man must retrieve it before he dies.

“Sins of the Fathers” (3/24/01) – Spider-Man and X-51 attempt to rescue Karen O’Malley from Evolutionary’s machine men.

“Destiny Unleashed” (3/31/01) – The rebellion stop Evolutionary, but the Synoptic unleashes its plan to populate the world with symbiotes and eliminate all human life.



Originally posted in 2017. Updated in 2025.

May 13, 2017

SAVAGE DRAGON


SAVAGE DRAGON
(USA Network, September 21, 1995-December 21, 1996)


Universal Cartoon Studios, Lacewood Productions (season 1), Studio B Productions (season 2)


MAIN CAST:


            The Savage Dragon is an ongoing comic book series published by Image Comics and one of the company’s original launch titles. The title character, Dragon, is a green-skinned, muscular alien with a large fin on his head and the ability to rapidly heal. He had no memory of his past before he was found in a burning field by Lt. Frank Darling. He eventually joined the Chicago PD to help them battle “superfreaks” (the term for superpowered beings) that were part of the criminal organization known as the Vicious Circle run by the Overlord. 


The Dragon and his universe.

Dragon was created by Erik Larsen as far back as elementary school; appearing in many of his homemade comics. The character underwent some revisions and maturation by the time it saw legitimate publication in the pages of Graphic Fantasy, a self-publishing effort by Larsen and two friends in 1982. By the time Larsen left Marvel Comics with his fellow creators to co-found Image, Dragon had evolved into his current form. Initially, The Savage Dragon was a three-issue mini-series, but its success turned it into a regular series the following year completely written and drawn by Larsen.


The Dragon and Alex.

The success of Batman: The Animated Series marked a renewed interest in networks for shows based on comic books. The additional success of Image’s debut drew networks towards their properties for potential adaptations. Universal Cartoon Studios acquired the rights to adapt Larsen’s comic into an animated series that would run on the USA Network’s USA Action Extreme Team programming block. 


Overlord.

The series largely boiled down and condensed the essence of Larsen’s book: Dragon (Jim Cummings) was recruited to the Chicago PD to deal with Overlord (Tony Jay) and his legion of superfreaks. Those superfreaks included Mako the Shark (Jeff Bennett), a criminal in the army who was mauled by a shark when an experimental bomb was detonated, turning him into a human shark; Octopus (Rob Paulsen), a seemingly-immortal being with octopus tentacles coming from his torso; Bludgeon (Cummings), a super-strong low-level member of the Circle; Arachnid (Frank Welker), a mutated man-spider with multiple arms and matching abilities; Basher (Peter Cullen), another Circle strongman with ambitions that often led him to act outside of Overlord’s orders; and Horde (Rene Auberjonois), a being comprised of mind-controlling worms. Aiding Dragon was his partner, Alex Wilde (Kath Soucie), and his female counterpart, She-Dragon (Jennifer Hale), as well as the occasional outlaw Barbaric (Bennet). 


The Fiend looking for his next host.

            Savage Dragon debuted on September 21, 1995 and ran for two seasons. Season 1 was co-produced by Lacewood Productions and season 2 by Studio B Productions. AKOM Productions handled the animation based off of character designs by Frank Suarez. Larsen has often described the comic as a practice in self-indulgence, tossing in anything he thought would be cool without much rhyme or reason. That meant it often featured content that wasn’t appropriate for Saturday audiences. As a result, the show was considerably more toned-down than the comic and featured a more typical stand-alone story structure that ignored any sort of ongoing character arcs. The series was written by producer Duane Capizzi, Steve Roberts, Henry Gilroy, Ernie Jon, Steve Cuden, Richard Stanley, Bob Forward, Wendy Reardon, Reed Shelly and Jess Winfield.


Dragon vs. Warrior King.

As with the other entries in the Extreme Team—Wing Commander Academy, Street Fighter, and Mortal Kombat: Defenders of the Realm—Savage Dragon took part in “The Warrior King” crossover event on November 16 during its second season. Developed by Will Meugniot, the titular barbarian (Michael Dorn) crossed between dimensions to find and acquire the Orb of Power, which could control the weather of any planet. While The Warrior King was seen in all four shows, their respective characters didn’t cross over. It was coordinated so that each episode would air on the same day, resulting in each series being shown outside of their regular timeslots. However, the event received little to no promotion, and outside of the rearranged schedule there was no indication that there was anything special about that day.


She-Dragon: NOT a bootleg.

Larsen has described the show as a “meh” effort on the part of those involved, praising the decent animation but panning the watered-down tonality of its overall presentation. He continues to publish the comic through Image, having surpassed 200 issues with no signs of stopping. The show, however, has largely faded into obscurity beyond dedicated fans of the character and animation. While bootleg versions of it have been made available on YouTube and for sale at conventions, the show has yet to have any sort of legitimate release on either DVD or VHS. It has, however, been made available to stream on NBCUniversal’s streaming service, Peacock.          




EPISODE GUIDE:
Season 1:
“R.S.V.P.” (9/21/95) – Overlord and Arachnid kidnap Frank and Alex to lure Dragon into a trap.

“Possession” (9/28/95) – Horde uses his mind-control leeches to turn lab workers into criminals and send Barbaric on a rampage.

“Undercover” (10/5/95) – Alex goes undercover to infiltrate Overlord’s operation but she is quickly discovered.

“Dragonsmasher” (10/12/95) – OpenFace and Octopus create a cyborg to battle Dragon, distracting him from the plot between Overlord and a congressional candidate.

“Locomotion” (10/19/95) – Overlord’s men take over a train and plan to use it to destroy a state-of-the-art tunnel under Lake Michigan.

“She-Dragon” (10/26/95) – Dragon teams-up with She-Dragon to rescue Alex from Overlord, and Dragon learns about She-Dragon’s vendetta against him.

“Hurt” (11/2/96) – Bludgeon looks to spring his partner Lowblow, and Alex falls for a paramedic who’s prejudiced against freaks.

“Web” (11/9/96) – Dragon has to team-up with a local sheriff in order to figure out why people keep disappearing from the town.

“Hit-Man” (11/16/96) – Overlord creates a clone of Dragon in order to get close enough to the mayoral candidate and kill him.

“Red-Handed” (11/23/96) – Dragon finally captures Overlord, but Barbaric breaks him out.

“Loathing” (11/30/96) – Dragon tries to trick The Fiend into taking over his body in order to defeat him.

“Rampage” (12/7/96) – She-Dragon confronts a group of bikers  bent on mayhem, and they seek vengeance on her after one of their bikes is damaged.

“Armageddon” (12/14/96) – Horde is resurrected and sets his sights on destroying the ozone layer.

Season 2:
“Bull” (9/28/96) – Dragon investigates mysterious high rise robberies while Alex falls for an actor who stars on a show mimicking Dragon’s life.

“She-Friend” (10/5/96) – The Fiend takes over She-Dragon and feeds on her hate for Overlord.

“Homecoming” (10/12/96) – Doubleheader gets a picture of a young Dragon setting Dragon and Alex to investigate its origins.

“Loose Cannons” (10/19/96) – She-Dragon finally becomes a police officer after she protects the mayor from three freak bikers who tried to get in good with Overlord.

“Star” (10/26/96) – There’s a new vigilante in town and Dragon is determined to figure out who he is.

“Barbarism” (11/2/96) – After Barbaric’s place is destroyed in a fight, he bunks with Dragon for a while.

“Ceasefire” (11/9/96) – A group of former Vicious Circle members form their own group and meet with diplomats to tout the benefit of freaks in society.

“Endgame” (11/16/96) – An orb comes to Earth and gives The Fiend even more power.

“Negate” (11/23/96) – Negate can turn off a freak’s powers, making him a target for the Vicious Circle and freaks who want to be normal again.

“Ball of Fire” (11/30/96) – A rash of bombings around town lead to one major target: the annual policeman’s ball.

“Femme Fatale” (12/7/96) – A new woman enters Barbaric’s life, but she may have checkered associations.

“Bride” (12/14/96) – Octopus and Openface make a bride for Arachnid, but her defective brain makes her a nightmare.

“Dragonlord” (12/21/96) – Evidence is found that Dragon may have been Overlord before the current holder of that title.


Originally posted in 2017. Updated in 2023.

May 06, 2017

THE VOICES OF THE JUSTICE LEAGUE

To celebrate the upcoming Wonder Woman and Justice League movies, we take a look at the cast of Justice League in their various Saturday morning incarnations with this infographic. Enjoy!


CADILLACS AND DINOSAURS

CADILLACS AND DINOSAURS
(CBS, September 18, 1993-January 28, 1994)


Nelvana Ltd., Galaxy Films, de Souza Productions


MAIN CAST:
David Keeley – Jack Tenrec
Susan Roman – Hannah Dundee
Bruce Tubbe – Mustapha Cairo
Dawn Greenhalgh – Governor Wilhelmina Scharnhorst
Tedd Dillon – Hammer Terhune
Colin O’Meara – Wrench Terhune
Frank Pellegrino – Vice Terhune
Greg Spottiswood - Narrator


            In the future, dinosaurs will roam.

Jack and Hanna fending off a dinosaur stampede.

            Cadillacs and Dinosaurs, also known by its original name of Xenozoic Tales, was an independent comicbook series created by Mark Schultz. The story is set in a dystopian future where the human race had been driven into underground cities to escape the rampant pollution and natural disasters ravaging the surface of the planet. When mankind reemerged after 600 years in the 26th Century in what was dubbed the “Xenozoic Age”, they discovered that many previously extinct lifeforms (particularly dinosaurs, if there was any doubt) had reclaimed the world. 


Dinosaurs care not for winning hands.

Technology became an extremely limited resource, and those with the skill to repair it were given a great deal of respect and influence. One of the main characters was one of these beings: mechanic Jack Tenrec, who had an affinity for early 20th century vehicles (especially Cadillacs, of which his was a 1953 Coupe de Ville) and converted his cars to run on dinosaur guano due to the inability to refine oil. Jack’s love interest was scientist Hannah Dundee, an ambassador from Wasoon (Washington, D.C.) who came to the City in the Sea (a submerged Manhattan) to build relations between the two cities as well as find any information she could from the preserved library archives. Hermes was an Allosaurus (called “Cutters” in this era) that Jack raised and became his loyal companion. 


The City in the Sea.

            The dystopian world was full of various criminals, politicians, scientists and inventors, each with their own agendas. Common antagonists for Jack and Hannah were Hammer Terhune, an overweight poacher, and Wilhelmina Scharnhorst, leader of the “Moles” that scavenge the ancient ruins under the City. There was also as a race of reptilian humanoids called the Grith. The Grith couldn’t speak in a human language and had to communicate using Scrabble tiles. They could also communicate telepathically with dinosaurs. 


Death Rattle #8.

            The world of Cadillacs first appeared in 1986 in Death Rattle #8; a horror anthology published by Kitchen Sink Press. The story was spun off into its own series, Xenozoic Tales, in 1987. Because of Schultz’s perfectionism, a monthly schedule was never kept and the series only reached 14 issues by 1996 when it ended in the middle of a story. Each issue had two adventures: the first starring the main characters, and the second was a glimpse into the life of a citizen of that world. The series was well-received, racking up four Harvey Awards and three Eisner Awards. 


Marvel's reprint series.

The potential for the series to become a media franchise was there, leading to the courting of Hollywood to turn it into a movie. Galaxy Films came on board and offered the suggestion of slowly building up the franchise with the public before adapting it into a film with things like toys, games and maybe even a cartoon series. They also suggested using the tagline from the second issue, “Cadillacs and dinosaurs”, as the new title for marketing purposes (which required a licensing deal with General Motors). It was under this title that Marvel Comics would reprint the first six issues in color through their Epic imprint.


Arcade game poster featuring Mustapha, Jack, Hannah and Mess.

            In 1993, Capcom adapted the comic into a beat ‘em up arcade game. The game followed a condensed version of the comic’s story and allowed up to three players. Jack and Hannah were amongst the playable characters, as was their friend and engineer, Mustapha Cairo, and Mess O’Brandovich, a character who only appeared briefly in the comic. The game was generally well-received in several markets. Screenwriter Steven E. de Souza, who was involved in the production of the game, saw potential in the series and acquired the TV rights to the comic. Through his de Souza Productions partnered with Nelvana, the comic’s story was adapted for animation.  


Concept art.

            The show followed the same basic premise as the comic, following Jack (David Keeley) and Hannah (Susan Roman) on their adventures in the dangerous new world. Joining them from the outset was Mustapha (Bruce Tubbe), who already worked at Jack’s fortress-like garage as its sole employee. Unlike the comics, Jack was toned down considerably; reduced to merely being slightly grumpy than being the guy who regularly had to beat on his employees (there was more than just Mustapha) to keep them in line and loyal. He also preached the philosophy of the Old Blood Mechanics: “Machinatio Vitae”, which embraced technology with a respect for nature. The show took a decidedly larger pro-social ecological standpoint. Hobb (Don Francks), a Grith shaman, often appeared in Jack’s mind to offer him guidance and to keep him on the Mechanics’ path when he faltered.


Hermes defends.

            The primary antagonist of the series became Governor Wilhelmina Scharnhorst (Dawn Greenhalgh). She was just one of a council of three ruling over the City, including Governor Dahlgren (Kristina Nicoll) and Governor Toulouse (Philip Williams). Scharnhorst wanted the best for the City, but felt that meant having to discredit the Mechanics—especially Jack—and to plow through nature so that they can expand. She frequently hired poacher Hammer Terhune (Ted Dillon) and his gang to achieve her goals in exchange for the technology she could supply with the help of mad scientist Fessenden (John Stocker).


Hammer, Wrench and Vice.

Cadillacs and Dinosaurs debuted on CBS on September 18, 1993. De Souza himself wrote the first episode, introducing the world and characters to the viewers which was largely an adaptation of the first Xenozoic story. In fact, several episodes were based on the actual issues or a combination of several issues and took on a serial format; gradually introducing and expanding on elements of the universe instead of dumping it all on the audience at once. 


Driving amongst the dinos.

David Wise wrote five of the episodes, one of them in partnership with Harlan Ellison. He served as one of the story editors along with fellow episode writers Dennise Fordham and Martin Pasko. Executive producer Herbert J. Wright and comicbook creator Marv Wolfman also wrote episodes, as did veteran animation writers Ted Pederson, Marty Isenberg, Robert Skir and Michael Reaves. Kitchen Sink publisher Denis Kitchen served as the show’s creative consultant and John Tucker was the series’ composer.




            The series, unfortunately, didn’t run beyond its single season of 13 episodes and cancelled any further plans to develop the media franchise beyond a second video game, The Second Cataclysm, released for Sega CD and PC. Tyco was awarded the license to produce the toys based on the show and released a single wave of vehicles and figures. Jack and a variant, Hannah, Mustapha, Hammer and Vice all received figures, as did Hermes and three generic dinosaurs. Jack’s Cadillac and Glider and Hammer’s bike were the vehicles. A playset based on Jack’s garage was advertised but never saw production. In promotion with the toyline, Kitchen Sink published a special run the first issue in both its original form and in 3-D as a giveaway at Toys R Us. While a million copies were published, the comic has become hard to find.


The expanded Xenozoic universe.

In 1994, Topps Comics began publishing their own series of Cadillacs and Dinosaurs comics set between moments of Xenozoic Tales #10 with input from Schultz. This run is often mistakenly attributed as a continuation of the animated series, however, while the show did influence the resurrections of some characters that died in the pages of Xenozoic, it was actually a part of the original comics continuity. Sony Home Video released a VHS with “Rogue” and “Dino Drive” in 1994. United American Video released six more episodes between two tapes in 1998. The series was made available for streaming on Amazon Video, Shomi (until it was shut down in 2016), and on the Retro Rerun channel on YouTube. The series also ran for years on HBO Family in Latin America in both English and Spanish. 



EPISODE GUIDE:
“Rogue” (9/18/93) – Hannah’s trip to the City in the Sea is interrupted by a meeting with Jack, who tries to stop a shivet from causing the destruction he gets the blame for.

“Dino Drive” (9/25/93) – Jack tries to protect a herd of macks causing destruction by promising to move them to a safe area.

“Death Ray” (10/2/93) – Scharnhorst has Jack take a scientist to a building she claims will power the city, but Jack believes she has sinister intentions for the satellite controlled there.

“Siege” (10/9/93) – Hammer decides to bring the fight to Jack and attempts to conquer his garage.

“Wild Child” (10/23/93) – Jack and Hannah attempt to return a wild child to the Grith, but Hammer kidnaps the boy first.

“Mind Over Matter” (11/6/93) – Scharnhorst has a lab dug up from the bottom of a river in order to get at the secrets within.

“Survival” (11/20/93) – Scharnhorst has a dangerous railroad car dug up while a man from Jack’s past hunts him and Hannah.

“It Only Comes Out at Night” (11/27/93) – Jack and Kirgo investigate the disappearance of several moles and Kirgo ends up abducted.

“Remembrance” (12/11/93) – Jack and Hannah unearth an android created before the upheaval, and Scharnhorst wants the android’s vast library of technical knowledge.

“Pursuit” (12/18/93) -  Jack is accused of the theft of a piledriver, but he escapes capture in order to pursue Hammer and prevent him from turning the piledriver into a poaching weapon.

 “Departure” (1/14/94) – When Hannah’s early-warning system for the city is shut down, she puts in for a promotion that will take her back home.

 “Duel” (1/21/94) – Jack’s childhood friend comes back into his life, but he soon learns that his friend had stolen a life-preserving crystal from the Grith in order to corral dinosaurs for poaching.

“Wildfire” (1/28/94) – Jack and Hannah find themselves having to join Scharnhorst in helping her prevent a jungle fire from reaching her gas wells.