July 04, 2015

REVIEW: MY LITTLE PONY: FRIENDS FOREVER #18

Warning: May contain spoilers.
MY LITTLE PONY: FRIENDS FOREVER #18 
Release date: July 1, 2015
Writer: Christina Rice
Art: Jay Fosgitt
Colors: Heather Breckel
Letters: Neil Yuetake
Editor: Bobby Curnow
Covers: Amy Mebberson (regular), Jay Fosgitt (subscription), Tony Fleecs (Jet Pack), Agnes Garbowska (Books-A-Million)













Fluttershy and Rainbow Dash are invited to a reunion at flight camp. While Rainbow Dash is excited, Fluttershy's memories of her time there aren't quite as fond. But, instead of sticking by her friend, Rainbow is eager to prove her continued awesomeness to her former camp mates.





GRADE: A. A short and sweet story from Christina Rice about facing your fears and being true to yourself. The story introduces some new characters, specifically Flutershy's chief bully Cirrus Cloud, and gives a bit of an expansion on Fluttershy's past given many moons ago on the show. There were also some callbacks to other episodes via Rainbow Dash's exploits. The middle part, specifically Fluttershy's freak-out, was a bit clunky in its execution and probably would have worked better in animation. Jay Fosgitt's artwork doesn't exactly match the established Pony style, but it does have an air of Chuck Jones about it which gives the book a unique-yet-familiar look when compared to other books in the line.

This issue came with four covers, seen below. What did you think of the issue? Let us know in the comments or on Facebook by clicking the link at the top of the right-hand menu.



BILL & TED'S EXCELLENT CEREAL

BILL & TED’S EXCELLENT CEREAL


Ralston

            In the future, a perfect society would be forged through the music of two men known as The Great Ones. Of course, first a representative from that future would have to travel back in time via a phone booth to ensure The Great Ones passed their history exam. That was the premise of Bll & Ted’s Excellent Adventure, a 1989 comedy starring Alex Winter and Keanu Reeves as the titular characters, with George Carlin as the representative named Rufus. The movie had a long, rocky road towards release, but it managed to become a box office success.



            The following year, the movie was adapted into an animated series produced by Hanna-Barbera Productions for CBS television. Getting their own piece of the action, Ralston-Purina acquired the rights to produce a cereal based on the cartoon. Produced between 1990 and 1991, the cereal featured cinnamon-flavored toasted oat squares and marshmallows in the shape of musical notes. The commercial for the cereal closely matched the style of the cartoons, but the actual voices (being the movie actors) weren’t featured.

The boxes promoting the various promotions.

            The cereal came with a number of themed premiums. The first was a cassette tape tote meant to look like the phone booth. What was interesting about these was instead of being a mail-away premium or located inside the box like most others, it came shrink wrapped to the front of the box. The back panel featured four “historical hysterical” post cards depicting Bill & Ted interacting with some famous people throughout history as only they could. The next promotion was a “Dial-A-Dude” inside the boxes, which was them in the phone booth that featured a pull out list kids could write names and numbers on and see in a special slot at the bottom of the booth. 3 luggage tags, dubbed Time Travel Tags, were the final released premium. The cereal was pulled before the last premium, pencil toppers of Bill, Ted and the phone booth, could be released.



            In July of 1991, Winter appeared on the first incarnation of the Arsenio Hall Show to promote the Bill & Ted sequel Bogus Journey. While discussing Winter’s projects, Hall brought up the cereal to Winter, who claimed to love it. Hall proceeded to bring out several bowls of the cereal and had selected an audience member to come down and try it.

BILL & TED'S EXCELLENT ADVENTURES (ANIMATED)

BILL & TED’S EXCELLENT ADVENTURES
(CBS & FOX, September 15, 1990-November 16, 1991)


Hanna-Barbera Productions, DiC Entertainment, L.P. (season 2), Nelson Entertainment, Orion Television, MGM Television


MAIN CAST:
Alex Winter (season 1) & Evan Richards (season 2) – Bill S. Preston, Esq.
Keanu Reeves (season 1) & Christopher Kennedy (season 2) – Ted “Theodore” Logan

George Carlin (season 1) & Rick Overton (season 2) – Rufus

            When the future is in peril who can save it? Two dudes from San Dimas, that’s who.

Poster for the first movie.

Rufus (George Carlin), a resident of the utopian year 2688, was tasked by his leaders to travel back to 20th Century San Dimas, California, to ensure the two Great Ones responsible for their society successfully passed their history class. Those Great Ones? Bill S. Preston, Esq. (Alex Winter) and Ted “Theodore” Logan (Keanu Reeves); the slacker best friends of the garage band Wyld Stallyons. Traveling back in a phone booth-shaped time machine, Rufus’ offer of helping them write their paper on how historical figures would view the present was rejected until a future Bill and Ted arrived in the phone booth and convince them otherwise. They traveled back in time to round up historical figures for their report, but ended up running into difficulties when the phone booth began to go haywire.

Bill, Rufus and Ted from the Hanna-Barbera version.

During an improv workshop in 1983, Ed Solomon and Chris Matheson came up with the characters of Bill and Ted: two ignorant teenagers who had no clue about anything they said. They had such fun creating and acting as the characters that they revisited them over the next year. By 1984, they had crafted a script and began shopping it around. Several studios expressed interest in the script and Solomon and Matheson rewrote them to each studio’s specifications. Ultimately, it landed at Warner Bros., who brought it to the attention of director Stephen Herek; but they eventually opted out of the deal, citing the death of the teen comedy genre.

Rufus getting the royal Roman treatment in a production drawing.


            Dino De LaurentisDe Laurentis Entertainment Group picked up the option and partnered with Interscope Communications, and the film was put into pre-production. Alex Winter and Keanu Reeves were cast as Bill and Ted, respectively (although initially they were cast in the opposite roles). With their casting, the characters were altered from their original envisioned state as being 14-year-old skinny guys who were despised by the popular kids as it would be hard to believe given how cool Winter and Reeves appeared to be. The final lead role of Rufus went to comedian George Carlin after producer Scott Kroopf saw him at a Comic Relief concert. Initially, they were looking at for a more serious actor in the role.

The Dudes and Bill's step-mom Missy.

Filming ran through 1987, but De Laurentis’ company went bankrupt before its release after a series of box office bombs. The film sat in limbo until Orion Pictures picked up the theatrical distribution rights with De Laurentis’ Nelson Entertainment handling home video production. Bill & Ted’s Excellent Adventure was finally released on February 17, 1989 to negative reviews, but the movie ended up grossing over $40 million against its $10 million budget, becoming a box office success.



            Looking to bank further on that success, Hanna-Barbera was tasked with bringing the movie to the small screen in the form of Bill & Ted’s Excellent Adventures for CBS. The basic concept remained unchanged, save for a few cosmetic differences with the characters and renaming the dudes’ favorite hangout the Kozy Korner rather than the Circle K. Traveling in the phone booth was accompanied by a brief segment of CGI showing it propelling through the time stream. The series was written by Paul Dini, Sharman Divono, Rowby Goren, Wayne Kaatz, Gordon Kent, John Loy, John Ludin, Mary Jo Ludin, Doug Molitor, Sean Roche and Jim Thut, with music by Chuck Loeb. It was animated by Fil-Cartoons, Wang Film Productions and Cuckoo’s Nest Studios.

Like, wrong number, dude.

The most unusual aspect of the show was that unlike other movie-to-TV adaptations, the actual movie actors provided their voices for the main characters. That came about at the insistence of Judy Price, the Vice President of Children’s Programs and Daytime Specials at CBS, as a way to maintain a degree of credibility with the project. Ralston also secured the rights to produce a cereal promoting the series, although different actors provided the characters’ voices in its commercial.



            After one season, CBS decided to drop the show due to the production going over budget and delivery delays, despite the shows always airing on time and respectable ratings. The following year, the relatively new FOX network decided to pick up the series with production moving to DiC Entertainment. DiC reworked the character designs slightly and animation was handled by Big Star Enterprise and Spectrum Animation Studio. FOX sought to improve the repetitiveness they felt the Hanna-Barbera episodes fell into by having the phone booth able to send Bill and Ted into literature, films and even inside the human body. Goren and Molitor remained, but were joined by Jim Aitken, Phil Harnage, Perry Martin, Kati Rocky, Judy Rothman Rofé, Barbara Slade and Ellis Weiner on scripts, with Murray McFadden and Timothy Mulholland on music. As FOX was also planning a live-action show in anticipation of the sequel film, Bill & Ted’s Bogus Journey, being as successful as the first, they decided to tie the cartoon into it by recasting the voices with their live-action actors: Evan Richards, Christopher Kennedy and Rick Overton.

Bill & Ted: the comic strip.

            The changes didn’t sit well with fans and the show only lasted eight more episodes; one episode longer than its live-action counterpart, which also flopped. When the show began airing in the United Kingdom, episodes were adapted along with original stories in comic form in the magazine Look In! In 2005, the first episode was released as a special feature in the Bill and Ted’s Most Excellent Collection DVD box set. In 2013, TGG Direct, LLC released a “best of” collection on two discs, which omits five episodes from the first season. Originally a Wal-Mart exclusive, it was soon made available nationwide. In 2014, both discs were released individually.


EPISODE GUIDE:
Season 1:
“One Sweet & Sour Chinese Adventure” (9/15/90) – The dudes go to ancient China to replace a vase they broke and meet Marco Polo.

“The Birth of Rock ‘N Roll or Too Hip for the Womb” (9/22/90) – Bill and Ted are flunky music appreciation and given an assignment about classical music.

“A Most Excellent Roman Holiday” (9/29/90) – The dudes head to ancient Rome and end up saving Julius Caesar from being assassinated.

“Model ‘T’ For Ted” (10/6/90) – Ted accidentally wrecks his father’s car and they head back in time to help fix it.

“The More Heinous They Are, the Harder They Fall” (10/20/90) – The dudes head back in time to find a bigger bully to deal with their bully at school.

“Birds of A Feather Stick to the Roof Of Your Mouth” (10/27/90) – The dudes head into time to try and find a replacement for a rare bird they allowed a cat to eat.

“A Black Night in San Dimas” (11/3/90) – Bill and Ted face expulsion unless they can improve their grades.

“Pocket Watch Full of Miracles” (11/10/90) – The dudes head into time to find an antique pocket watch for Mr. Preston’s birthday.

“The Babe Ruth “BABE” is A DUDE, Dude” (11/24/90) – After accidentally washing a signature off Coach Sweatsock’s baseball the dudes head into time to get it resigned.

“When the Going Gets Tough, Bill & Ted Are History” (12/1/90) – Fed up with no applause, the band breaks up causing a breach in time security.

“Never the Twain Shall Meet” (12/8/90) – The dudes search for someone to bring to Career Day.
“A Job, a Job—My Kingdom For a Job” (12/15/90) – Bill & Ted must find a job.

“A Grimm Story of an Overdue Book” (12/22/90) – Ted has a very overdue library book so the dudes head back in time to try and find a copy to replace it.

Season 2:
“Now Museum, Now You Don’t” (9/14/91) – Bill and Ted have to try and replace the Mona Lisa and Venus De Milo.

“The Totally Gross Anatomy of a Gym Teacher” (9/21/91) – A new phone shrinks Bill and Ted and they take a journey through their gym coach’s body.

“The Star Strangled Banner” (9/28/91) – Music is threatened when Missy sings a horrible rendition of “The Star Spangled Banner” at the opening of a baseball game.

“Leave It to Bill & Ted” (10/5/91) – Bill and Ted head into TV land in order to change the outcome of their favorite shows, Leave it to Badger.

“Goodbye Columbus…And America” (10/20/91) – Bill and Ted accidentally discourage Columbus from discovering America.

“It’s A Bogus Day in the Neighborhood” (10/26/91) – Bill and Ted must keep their childhood idol Mr. Radish from quitting.

“Bill & Ted’s Excellent Adventure in Babysitting” (11/2/91) – Bill and Ted go back in time to find Mr. Preston’s old guitar and end up babysitting themselves.

“The Apple Doesn’t Fall Far From the Phone Booth” (11/16/91) – Bill and Ted learn Mr. Logan wasn’t always as disciplined as he wants Ted to be.

BACK TO THE FUTURE: THE ANIMATED SERIES

BACK TO THE FUTURE: THE ANIMATED SERIES

(CBS, September 14, 1991-December 26, 1992)

Universal Cartoon Studios, Amblin Television, ZM Productions, BIG Pictures



MAIN CAST:
Dan Castellaneta – Doctor Emmett L. Brown
Mary Steenburgen – Clara Clayton-Brown
Josh Keaton – Jules Brown
Troy Davidson – Verne Brown
Danny Mann - Einstein
David Kaufman – Marty McFly
Thomas F. Wilson – Biff Tannen and his relatives
Christopher Lloyd – Doctor Emmett L. Brown (live)
Bill Nye – Doc Brown’s assistant (live)

            What would it be like to meet your parents as kids? Would they live up to their recollections and stories, or would their real personalities surprise you? That’s what writer/producer Bob Gale wondered when he posed the concept of Back to the Future to collaborator and director Robert Zemeckis.


Robert Zemeckis and Bob Gale on the set of Back to the Future.

The pair drafted the script by 1981, setting the movie in 1955 during the rise of the teenage culture. However, this was the 80s and it was almost a requirement that a comedy involving teens be risqué. The studios deemed it too tame and it was continually passed up whenever they would shop it around. Ironically, it was considered too risqué for a family movie under the Disney banner thanks to Zemeckis’ contribution of a mother falling for her future son. Steven Spielberg, who had worked with Gale and Zemeckis on a few films, was interested in the script; but considering their past collaborations had resulted in flops, the pair didn’t want to drag Spielberg down with them or make it seem like he was the only one giving them work. However, after achieving success with Romancing the Stone, Zemeckis felt confident to reapproach Spielberg about it. Spielberg came on board, and with him came backing from Universal Studios. (Minor spoilers for decades-old films to follow, but these do not dampen the experience of seeing them yourself in full.)


Doc explains how the time machine works to Marty.

The film was centered around a time machine created by Doctor Emmett “Doc” Brown (Christopher Lloyd), an eccentric scientist who conceived of the device that would make time travel possible—the flux capacitor—after hitting his head on a sink and squandered his entire family fortune over the course of 30 years to create it. A DeLorean was chosen as the vehicle to house this device due to its mobility and futuristic look, with the on-screen explanation that the car’s stainless-steel construction aided in “flux dispersal”. Unfortunately, to generate the 1.21 gigawatts of power needed to run the time machine, it required the use of a miniature reactor powered by plutonium. As plutonium wasn’t readily available, Doc stole his supply from terrorists enlisting his aid to build a bomb. 


Marty in 1955 trying to introduce his teenaged future parents to each other.

When those terrorists came calling, Doc’s teenaged compatriot, Marty McFly (Michael J. Fox), was forced to use the DeLorean to escape. He accidentally initiated the time circuits and, after achieving the required 88 miles per hour for activation, was shunted back to the year 1955 (a time entered by Doc as he reminisced about conceiving the flux capacitor). There, he inadvertently interrupted the meeting of his parents, Lorraine (Lea Thompson) and George (Crispin Glover), and caused Lorraine to fall for him instead threatening his very existence. Tracking down a younger Doc, Marty enlisted his help finding a way back home due to a lack of extra plutonium and to ensure his parents fell in love at the upcoming school dance so that he and his siblings could be born. Unfortunately, bully Biff Tannen (Thomas F. Wilson) kept getting in the way as he wanted Lorraine for himself and loved beating up on George.


The posters for the trilogy.

Back to the Future was released on July 3, 1985 and was the most successful film of the year. As a result, it gained two sequels filmed back-to-back. 1989’s Back to the Future Part II saw Doc and Marty travel to the year 2015 to help Marty’s future family avoid legal trouble in dealings with Biff’s descendants, but ended up leading to Biff stealing the time machine to go back and his past self rich and powerful. The DeLorean also gained a hover conversion allowing it to fly, and a Mr. Fusion ® Home Energy Reactor, which replaced the need for plutonium by converting trash into fissionable fuel. Back to the Future Part III took the crew to 1885 after the DeLorean was struck by lightning and stranded Doc there. Marty, with the help of 1955 Doc, went back to save 1985 Doc from being killed by Biff’s ancestor, Buford “Mad Dog” Tannen (also Wilson). In the process, they met schoolmarm Clara Clayton (Mary Steenburgen), with whom Doc fell in love. 


Ad for the series.

While it’s not unusual for a studio to want to milk a successful franchise for all it’s worth (heck, the existence of the sequels at all are a testament to that as the first was considered a one and done), Gale and Zemeckis have been adamant in no further films in the franchise will be made during their lifetimes. But Universal found a workaround: how about an animated series? They approached Gale about the idea. Gale agreed, with the caveat that it be educational in the vein of Mr. Wizard since he had a 2-year-old daughter at the time and worried about what she would be watching on television. Universal agreed, and the series entered production with Gale serving as a very hands-on executive producer.


The Browns: Clara, Doc, Jules and Verne in their kitchen.

            The animated series took place following the events of Part III. Doc (Dan Castellaneta) and Clara (Steenburgen, reprising her role) had settled in 1991 Hill Valley, California (the fictional setting from the movies) with their children named after their favorite author Jules Verne, Jules (portrayed as a genius like Doc, voiced by Josh Keaton) and Verne (a troublemaker inspired by Dennis the Menace, voiced by Troy Davidson), and their dog, Einstein (named for the noted scientist and made more anthropomorphic for the show, voiced by Danny Mann). Doc, despite wanting it destroyed in the movies and it being destroyed in Part III, had rebuilt and improved the DeLorean with new features including voice-activated time circuits, the ability to travel anywhere in space as well as time (whereas in the movies they ended up in the exact same location from which they jumped) and the ability to fold up into a suitcase for easy portability (plus whatever else the plot would require of it). Together with college-aged Marty (David Kaufman), they had misadventures through time usually featuring an encounter with one misbegotten relative of Biff Tannen (who sported his 1955 look rather than his 1985 one) after another (all featuring some play on Biff’s name and voiced by Wilson). Also carried over was Doc’s time-traveling train from Part III and Marty’s hoverboard (a hovering skateboard that he somehow used in the present day without incident) from Part II. Making appearances was Marty’s girlfriend, Jennifer (now depicted as a pure blonde, voiced by Cathy Cavadini), and James Tolkan would also reprise his role as strict school official Mr. Strickland from the movies, now dean of Marty’s college, as well as ancestors from the Strickland family in several episodes. Additionally, Biff was given a son, Biff Jr. (Benji Gregory), who continued the family’s bullying ways against classmate Verne.


Marty and Doc check out the new DeLorean.

John Loy and John Ludin were tapped to develop the show and serve as the head writers and story editors. Initially they were going to make Marty the center of the series as he basically was in the films, but CBS vice president Judy Price wanted it to have more appeal for kids. Loy and Ludin decided to shift the focus over to Doc’s kids, who only appeared briefly at the end of Part III. They conceived of several creative directions, but ultimately found that the show worked better if two impulsive kids got into trouble and needed the older characters to help them. Gale originally rejected the kid-centric focus, but after discovering that their other ideas limited the show too much, he conceded that they needed to be central. 

A family holiday spent in Victorian England.

The production was careful to be as historically accurate as possible, which kept them from getting heavily involved with major historical figures (except for Ben Franklin) or key events. Because of time travel shenanigans, the series had an unusual amount of production work that needed to be done: new backgrounds, characters, props and costumes for the main cast needed to be designed for every era. Character designs were handled by James S. Baker and John Stevenson, who alternated episodes after the first, along with assists from Gayle Middleton. While the main cast had to look a particular way and go through a rigorous approval process, Baker and Stevenson were allowed to have fun and stretch their creative muscles with the designs of the other characters. 


            Back to the Future debuted on September 14, 1991 on CBS, becoming the first production of Universal Cartoon Studios. To commemorate its premiere, a party was held that was attended by Zemeckis and Spielberg. Along with Loy and Ludin, it was written by Wayne Kaatz, Earl Kress, Mary Jo Ludin, Mark Klastorin, Michael Klastorin, Randy Gale, Michael Zimbalist, Cliff MacGillivray, Alex Herschlag, Mark Hoffmeier, Rick Cunningham, Peyton Reed, Mark Gowen, Sean Derek, and Mark Valenti. A re-recorded version of Huey Lewis and the News’ “Back in Time”, which closed out the first movie, served as the series’ theme song played over an intro sequence animated by John Pomeroy. The end credits played over a scene of Doc peddling to power a device that bordered the screen. Typically, Alan Silvestri’s film score played over that, as it did throughout the series as incidental music. But occasionally a new song fitting the theme of the episode would play (the Bewitched theme was used for the credits of “Witchcraft,” for example). Michael Tavera handled the rest of the series’ music needs. The animation was designed and produced by BIG Pictures, with Wang Film Productions providing the actual animation. 



For the first season, the intro featured Doc traveling through time to pick up his family, introducing the characters and devices to the audience. The second season changed the intro to feature clips from various episodes intermixed with some of the original footage. Clara’s design was slightly modified for the second season, the only character to have this done. The series marked the first time Doc’s middle name, Lathrop, was used on screen having previously only appeared in full in the novelization for Part III by Craig Shaw Gardener and solely as an initial throughout the trilogy. Gale made mention that it was Doc’s mother’s maiden name in the feature commentary on Part III. Doc was given two new catchphrases to compliment his customary “Great Scott!”: “jumpin’ gigawatts!” and “oucha magoucha!” (the latter typically when Doc sustained some kind of injury). A post-credits scene during the first season would feature Biff telling a joke in relation to the episode’s plot, possibly alluding to Wilson’s own stand-up career. Biff’s trademark insult, “butthead”, was limited by the network censors to only one instance per episode.


The live-action Doc returns to enhance your brains with science!

The most notable feature of the program was the inclusion of live action segments that bookended the episodes, handled by ZM Productions. Christopher Lloyd reprised his role as Doc to introduce each episode and narrate a scientific experiment that pertained to the main theme of the story. The actual science was performed and supervised by Bill Nye, whom Ludin knew from a local sketch show in Seattle. Not only did it keep up the Mr. Wizard inspiration, it also fulfilled the FCC’s mandate that children’s programming have some element of educational value. The segment proved so popular that Nye received his own educational science show from 1993-98 called Bill Nye the Science Guy. These segments written and directed by Peyton Reed during the first season, with Gale taking over directorial duties in the second with staff writers.


Biff Tannen: a butthead throughout history.

            Despite the popularity of the film trilogy, returning stars, high praise from Spielberg to the production crew, and winning four Daytime Emmy Awards, the series never received great ratings. Ludin asserted that people decided to write it off as “a cash-grab because it was based on a movie, regardless of how good it was or how much work we put into it.” Some were also put off by the Jules and Verne-centric approach, expecting a greater focus on Doc and Marty. CBS honored its commitment for two seasons, but significantly slashed the show’s budget for the second and promptly cancelled it at its conclusion. The series briefly returned to television from March 22-August 30, 2003 as part of Fox’s FoxBox programming block.




Numerous toys, books and props may have been made in relation to the movies--particularly in the years leading up to the franchise’s 30th anniversary--but the show itself didn’t have much in the way of merchandise. Several episodes were adapted into comic book form by Harvey Comics along with some original stories between 1991-93. The comics were written by notable comic writer Dwayne McDuffie and drawn by Nelson Dewey. McDonald’s produced the only toys related to the series for inclusion in their Happy Meals in 1991. At Toy Fair 2019, it was announced that a new wave of merchandise would be released for the franchise’s 35th anniversary in 2020. Among them was a set of action figures by NECA featuring Marty, Biff, and Doc with Einstein, and a DeLorean vehicle. While the figures were released, the DeLorean had never materialized. 


The French DVDs.

Nine VHS collections and three laserdiscs were released, featuring a collected 18 episodes of the series. Originally the series was only available on DVD in France, but it was released both individually and as part of the 30th anniversary box set on October 20th, 2015 (the day before the future date of the second movie). In 2016, the animated series was re-released as individual season sets and a separate DVD showcasing “A Dickens of a Christmas” with “A Family Vacation” as a special bonus feature, as well as part of a new version of the complete collection.


Verne wearing a coonskin cap in the Back to the Future comic from IDW.

Even though the series has been said by Gale to be non-canonical, Telltale Games included several references to it in its Back to the Future: The Game in 2010-11. Amongst them included Marty’s middle name, “Seamus”; Biff’s ancestor Beauregard Tannen from “Brothers”; Verne being a gamer; and a mention of the Tannensaurus from “Forward to the Past.” IDW Publishing’s Back to the Future comics would also feature several references and nods to the cartoon; utilizing similar characters such as Clara’s family, locations like Hill Valley Elementary School, or visual gags like Verne wearing a coonskin cap.



EPISODE GUIDE:
Season 1:
“Brothers” (9/14/91) – A brotherly spat pits Jules and Verne on opposite sides of the Civil War.
 
“A Family Vacation” (9/21/91) – Doc wants a vacation from technology and takes the family to medieval times without their consent, which leads to Clara being kidnapped.
 
“Forward to the Past” (9/28/91) – Doc heads to prehistoric times to safely test an invention, and ends up causing dinosaurs to rule the Earth in the present.
 
“Witchcraft” (10/5/91) – The Browns end up stuck in Puritanical Salem and Marty is accused of being a witch when he travels back to help them.
 
“Roman Holiday (a.k.a. Swing Low Sweet Chariot Race)” (10/19/91) – Doc and Marty head to ancient Rome to return overdue library books and end up in a mess of trouble with the locals.
 
“Go Fly A Kite” (10/26/91) – Jules’ taunting leads to Verne using an invention that makes him believe Benjamin Franklin is his real father.
 
“Time Waits for no Frog / Einstein’s Adventure” (11/2/91) – Doc and Marty travel to ancient South America to find a cure for Marty’s athletes’ foot. / Crooks steal the DeLorean with Einstein in it and end up needing rescuing from an Australian prison.
 
“Batter Up” (11/9/91) – Marty travels back to 1897 to help Pee Wee McFly win the National League Pennant race.
 
“Sole Sailors” (11/16/91) – Jules gifts Clara and Doc with a space cruise in 2091, but a future news headline machine reveals that very cruise has been sabotaged by Ziff Tannen.
 
“Dickens of a Christmas” (11/23/91) – Doc takes everyone to 1800s London to celebrate a “Dickens” Christmas and the key to the DeLorean ends up stolen by a pickpocket.
 
“Gone Fishin” (11/30/91) – Jules and Verne head back to prevent Doc’s fear of fishing, causing him to become a famous daredevil in Hollywood.
 
“Retired” (12/7/91) – On April Fool’s Day, Jules and Verne sabotage Doc’s inventions causing him to believe he’s used up his brain and retire from science.
 
“Clara’s Folks” (12/14/91) – Jules, Verne and Marty head back to 1850 to meet their grandparents and their grandmother ends up falling for Marty.
 
Season 2:
“Mac the Black” (9/19/92) –Verne goes to the Caribbean in 1697 to become a pirate so he can get an earring while Marty is mistaken for pirate Mac the Black.
 
“Put on Your Thinking Caps, Kids! It’s Time for Mr. Wisdom!” (9/26/92) – Verne brings science show host Mr. Wisdom to Doc’s lab, where he learns he was Doc’s roommate and stole an invention from him.
 
“A Friend in Deed” (10/3/92) – Marty heads back to the 1800s to find out why Biff Tannen has a deed for Jennifer’s family’s ranch.
 
“Marty McFly PFC” (10/17/92) – Marty and Verne travel back to the 40s to find blueprints for a dance machine of Doc’s when Marty is accidentally enlisted in the Army.
 
“Verne’s New Friend” (10/24/92) – Verne makes a new friend and they head to the 30s to see an old circus in its heyday, getting involved in trying to save it from financial trouble.
 
“Braveord and the Demon Monstrux” (10/31/92) – Seeking to help a grounded Verne play his favorite game, Marty and Jules cause the game to invade reality and get Doc stuck inside.
 
“The Money Tree” (11/7/92) – Jules attempts to become popular by creating a money tree, leading to a lot of trouble.
 
“A Verne by Any Other Name” (11/14/92) – Teased for his name, Verne travels back to attempt to either get Jules Verne to change his or to convince his parents to pick a new one.
 
“Hill Valley Brown-Out” (11/21/92) – Doc upgrades the town power plant after blacking the town out again, but unfortunately makes it so that nothing can ever be turned off.
 
“My Pop’s An Alien” (12/5/92) – Biff finds a craft he saw 25 years earlier in Doc’s bushes, and believes Doc is an alien that arrived with the comet Kahooey.
 
“Super Doc” (12/12/92) – Verne goes back to ensure Doc enters a wrestling match, but a conk on the head has Doc believing he’s a super hero and uses his inventions to fight crime.
 
“St. Louis Blues” (12/19/92) – Marty uses an imperfect hairstyle machine that leaves his hair a fright and causes him to be put into a freak show at the 1904 World’s Fair in St. Louis.
 
“Verne Hatches an Egg” (12/26/92) – Verne brings back a dinosaur egg for show and tell, which unfortunately decides to hatch.



Originally posted in 2015. Updated in 2025.

MOVIETOONS MONTH



            As America celebrates its birthday, we here celebrate the 30th anniversary of Back to the Future. That’s right, on July 3rd, 1985 one of the greatest time travel comedies of all time was released to theaters. So, to commemorate the occasion, Saturday Mornings Forever will be dedicating the month of July to shows based on feature films in something we call Movietoons Month.

            Since Hollywood is obsessed lately with reboots, remakes and decades-after sequels, we’ve decided to make this month’s line-up reflective of movies that have been recently returned to the public consciousness.



            We open the month up with the guest of honor in BACK TO THE FUTURE: THE ANIMATED SERIES. Keeping the time travel theme, and with talks of a new sequel, we follow that up with BILL & TED’S EXCELLENT ADVENTURES.



            It took two tries, but America finally made a Godzilla movie people actually liked, so what better time than to look at the original GODZILLA cartoon? And keeping with the murderous animals makes us RETURN TO THE PLANET OF THE APES.



            One is a machine for justice. The other is a mystical world where anything can happen. It's ROBOCOP and THE WIZARD OF OZ.



            With the Governator returning to the role of Conan next year, we close out the month with two shows about warriors. It’s THE KARATE KID and CONAN THE ADVENTURER.


            So grab your popcorn and enjoy the show!