Remember that one day when you could wake up without an alarm? When you would get your favorite bowl of cereal and sit between the hours of 8 and 12? This is a blog dedicated to the greatest time of our childhood: Saturday mornings. The television programs you watched, the memories attached to them, and maybe introducing you to something you didn't realize existed. Updated every weekend.
Lennie Weinrib (voice) – H.R.
Pufnstuf, Orson Vulture, Stupid Bat, Pop Lolly, Pola-Dotted Horse, Tick Tock,
Akim Toadenoff the Great, Hippie Tree, Evil Tree #1 & 3, Charlie the book,
West Wind, Mushroom leader
Allan Melvin (film voice) –
H.R. Pufnstuf, Heinrich Rat, Living Island Boat, Orville Pelican, Polka-Dotted
Horse, Stupid Bat, West Wind
Joan Gerber (voice) – Freddy the
Flute, Judy Frog, Grandmother Clock, Miss Wristwatch, Lady Boyd, Shirley
Pufnstuff, Madame Willow, South Wind
Don Messick (film voice) –
Freddy the Flute (most scenes), Googy Gopher, Orson Vulture
Walker Edmiston (voice) –
Seymour Spider, Dr. Blinky, Ludicrous Lion, Grandfather Clock, Chief Redwood,
test tube, candle, North Wind, East Wind, Mushroom, Hippie Tree (film), candle
(film)
Sharon Baird (performer) –
Stupid Bat, Judy Frog, Lady Boyd, Shirley Pufnstuf
H.R. Pufnstuf was the first television series to be created by Sid
and Marty Krofft. The Banana Splits Adventure Hour, for
which the Kroffts designed the costumed characters, proved to the networks that
productions outside of animation were still viable on Saturday morning. NBC invited the Kroffts
to develop their own show for the network. However, the Kroffts didn’t want to
just make wraparounds for more animated fare; this time, they wanted to go full
live-action.
Jimmy, Pufnstuf, Cling and Clang on the Rescue Racer.
Their
show involved 11-year-old Jimmy (Jack Wild) being targeted by the evil (yet
ineffectual) witch, Wilhelmina W. Witchiepoo (Billie Hayes), for his golden
magic talking flute, Freddy (Joan Gerber). She lured Jimmy to Living Island where
he fell under the protection of the mayor, dragon H.R. Pufnstuf (performed by
Roberto Gamonet, voiced by Lennie Weinrib using a southern accent), and his
Rescue Racer Crew: mute anthropomorphic bells Cling (Joy Campbell) and Clang
(Angelo Rossitto).
Some of the citizenry on Living Island.
On Living Island, everything was alive (as the name implied). That
included the houses, the trees, vegetation, household items and even the four
winds called on by Pufnstuf to blow Witchiepoo out of the sky. Among the
residents of Living Island were Dr. Blinky (performed by John
Silver, voiced by Walker Edmiston impersonating Ed
Wynn), an owl that served as a physician and scientist that lived in a house
prone to sneezing fits; Judy Frog (performed by Sharon Baird, voiced by
Gerber), a singing, dancing frog that served as an entertainer; Pop Lolly
(Weinrib), a lollipop that sold sweets with Cheese Guards serving as protection
against hippie ants looking for freebies; Ludicrous Lion (Silver & Edmiston
impersonating W.C. Fields), a shady and greedy
peddler that operated out of a carriage pulled by Polka-Dotted Horse (performed
by Felix
Silla, voiced by Weinrib); Tick Tock (performed by Andy
Ratoucheff, voiced by Weinrib), a traveling alarm clock that warned of Witchiepoo
attacks; Shirley Pufnstuf (Silver & Gerber impersonating a younger Shirley
Temple), H.R.’s sister and a famous actress; Akim Toadenoff the Great (based
on Erich
von Stroheim, named after Akim Tamiroff, voiced by Weinrib),
a monocled toad that worked as a film director; clock couple Grandmother Clock
(Gerber) and Grandfather Clock (Edmiston) who were just two of the clock people;
resident avian band The Boyds (based on The Byrds) and their lead
singer, Lady Boyd (Baird & Gerber); Hippie Tree (Weinrib), a tree that
often spoke in hippie slang; Madame Willow (Gerber), an old and elitist tree
that used a lorgnette; and Chief Redwood (Edmiston), a Native American tree.
Witchiepoo and Orson on the Vroom-Broom.
However, not every resident of Living Island was friendly. Under
Wtichiepoo’s employ was Orson Vulture (Campbell & Weinrib), a stuffy and
inept vulture that was her favorite flunky and performed a variety of tasks for
her; Seymour Spider (Rossitto & Edmiston), a dim-witted spider that served
as her hairdresser; Stupid Bat (Baird & Weinrib), who served as a messenger
that tended to bring her messages a second too late; a group of evil trees, one
that sounded like Bela Lugosi (Weinrib), one that
sounded like Peter Lorre (Edmiston), and one
that always rhymed (Weinrib); Musrhooms with the ability to turn anyone they
touch into mushrooms and whose leader chomped on a cigar while sounding like James
Cagney (Weinrib); and skeleton guards that were easily frightened and prone to
running off. When not scheming at her snarky castle, Witchiepoo often took to
the skies on her rocket-powered Vroom-Broom.
Program for the '68 World's Fair featuring Kaleidoscope.
H.R.
Pufnstuf was an amalgamation of various projects the Kroffts
had worked on before. The main plot was recycled from Kaleidoscope, a
live puppet show they performed in the Coca-Cola
Pavilion of the HemisFair
’68 World’s Fair. That show included a dragon character
originally named Luther who became the mascot of the fair, and a silly witch.
Living Island’s currency was buttons, which came from Sid’s childhood of
charging his friends buttons to view puppet shows he held in his back yard, as
did inspiration from The
Wizard of Ozwhich was the first
theatrical film he ever saw. Ludicrous Lion was a reworking of Irving from a
1957 pilot they made called Here’s Irving.
The
Kroffts also paid homage to their time touring as the opening act for Judy
Garland by basing Judy
Frog
on her (unfortunately, she died six months before getting to see that tribute).
Freddy the Flute hanging out in Jimmy's pocket.
In
casting Jimmy, a character with the hopes of connecting with their potential
audience, Sid first saw Wild when his friend Lionel Bart
showed him a rough cut of the film Oliver!The
Kroffts immediately hired him, and Marty took guardianship of the 16-year-old British
actor while he was filming the show at Paramount Studios
in California. Although Wild remembered his time in the Krofft household
fondly, Marty found him a handful considering he was already dealing with two
young daughters on top of building up a show from scratch. Casting Hayes was a
simple choice for the Kroffts when she came in to audition as the character she
presented was basically an extension of herself. To cast the little people
needed to wear and control the various character suits, the Kroffts had their
friend Billy
Barty (who was unavailable to star in the show but didportray
a de-aged Witchiepoo in an episode) get the word out through the newsletter of
his organization, the Little
People of America. Credited as “puppeteers” since they not
only wore the suits but often had to operate various parts of them, the cast
was comprised of many people who worked with the Kroffts before and would
continue to do so through many of their television and stage productions. The
various costumes were designed by Evenda Leeper.
Originally, the concept for the series was to have a Western element to it
before being changed to a fantasy one. Pufnstuf’s accent and cowboy boots were
the only remnant of that original direction to remain in the final product.
Dr. Blinky experimenting.
H.R. Pufnstuf debuted on NBC on September 6, 1969. As would become customary in Krofft
productions, the series’ theme by Les Szarvas laid out all the
exposition to set up the premise as well as catch up new viewers who may have
missed previous episodes; allowing the writers to focus entirely on the story
at hand. Unfortunately, Szarvas’ tune seemed a little too close to “The 59th
Street Bridge Song (Feelin’ Groovy)” for Paul Simon’s liking, resulting
in his suing the production. As part of their settlement, Simon was credited as
the song’s co-writer. Along with all the voices he provided, Weinrib was also
one of the series’ writers with Paul
Harrison and Robert Ridolphi. The series’ music
was composed by Gene Page, Jr., with Szarvas
providing the various song numbers used during the episodes. The show made use
of a laugh track that producer Si Rose, having come from
sitcoms, insisted on. The Kroffts were initially hesitant until Rose convinced
them that with the type of show they were making the laugh track would be
necessary to let the children watching know when to laugh.
Witchiepoo and her Skeleton Guards.
A persisting notion about the show was that it made reference to drug
culture, what with the colorful sets, crazy characters, talking mushrooms and
even the name “Pufnstuf”. Some maintain that “H.R.” was some kind of drug
slang, despite the production stating that they stood for “His Royal” or “Royal
Highness” backwards. By some accounts, either one or both of the Kroffts
indulged in recreational drugs, which they have repeatedly denied in
interviews. They’ve also denied any intentional allusion to drugs both directly
and with a bit of a wink. Marty would eventually admit in a later interview
that “Pufnstuf”, as well as the title of another show, Lidsville, were actually
intentional marijuana references done as pranks to see if they could slip them
past clueless network executives. Regardless of how much truth or projected
subtext goes into analyzing H.R. Pufnstuf, the show did find a loyal
fanbase among a crowd looking for a psychedelic trip.
An aged Jimmy turns out to be Witchiepoo's dream man.
Despite being one of NBC’s highest-rated programs, it was also extremely
expensive as the Kroffts had chosen to shoot it on film (their only program to
do so as they switched to the much-cheaper videotape for the remainder of their
library). Rather than proceed with a second season, NBC aired it for several
cycles of reruns until 1972. Following the conclusion of the NBC run, ABC began airing it on
both Saturday and Sunday mornings until 1978. That year, it was packaged into Krofft
Superstars with other Krofft productions, which ran until 1985. Reruns
would return to television in 1999 when TV Land would air it as part
of their Super Retrovision
SaturdazeSaturday morning-themed overnight programming
block, and then again in 2004 as part of their weekend late-night block TV Land Kitschen.
Looking to get in on the show’s popularity, Universal
Studios approached the Kroffts about doing a film version financed by the
studio and primary sponsor Kellogg’s. Titled simply Pufnstuf,
the film essentially combined the plots of “The Magic Path” and “The
Visiting Witch” with gags recycled from “The Stand-In” and “The Box Kite
Caper”. A little more backstory was added to Jimmy’s life before he ended up on
Living Island, as well as several new characters: a previously mentioned Boss
Witch (Martha
Raye, the second choice after Bette Davis felt insulted at
being the first choice), her chauffer Heimlich Rat (Allan Melvin),
Witchiepoo’s rival Witch Hazel (Cass
Elliot, who was Sid’s neighbor and took the role as a favor), Googy Gopher and
Orville Pelican (both performed by Barty, voiced by Don Messick and Melvin,
respectively). The rest of the cast and crew was largely held over from the
television production, with some modifications made to the sets and costumes.
Weinrib wasn’t available to work on the film, resulting in his being replaced
by Melvin and Messick for many of his various voices, and the film was written
by Rose with John Fenton Murray. Norman
Gimbel and Charles Fox also came in as the
composers, offering a groovier soundtrack than Szarvas’ (and would go on to be
successful music-writing partners). The film, directed by series director Hollingsworth
Morse, premiered in San Antonio, Texas on June 3rd, 1970, before a
wider limited release on June 15. The film was modestly successful, although it
was hampered by detractors who felt it was just an extended episode of the show
and the growing public disinterest in G-rated films.
Paul Lynde finds himself caught between two witches.
Though
further adventures of Pufnstuf and his friends had come to an end, the
characters still continued to make appearances in other Krofft productions and
beyond. Pufnstuf and Witchiepoo guest-starred in an episode of Lidsville (on
which Hayes was a regular as another character), then Pufnstuf on his
own in The Lost Island, Witchiepoo with Orson, Seymour and Stupid in Horror
Hotel, and on her own in The Bay City Rollers Meet the Saturday
Superstars preview special and The Bay City Rollers Show. The
Kroffts also loaned out Witchiepoo to The Paul Lynde
Halloween Specialwhere she appeared
as the sister of the Wicked Witch of the West (Margaret Hamilton),
and Pufnstuf to an episode of CHiPsfor
a cameo appearance (with Weinrib reprising the voice). The characters appeared
in a number of stage show tours, most notably H.R. Pufnstuf
& The Brady Kids Live at the Hollywood Bowlin
1973 and the Ice
Capades. In 1971, an elaborate puppet show was run at Six
Flags Over Mid-America (now Six
Flags St. Louis) at The Sid and Marty
Krofft Puppet Theater while costumed performers as Pufnstuf,
Cling and Clang walked the park.
One merchandising partner, however, attempted to cut the Kroffts out of
the picture entirely. The ad agency of Needham, Harper and Steers (now DDB
Worldwide) approached the Kroffts in 1970 about creating characters they could
use in their upcoming McDonald’s advertising campaign.
After meeting with the Kroffts and getting a bit of information about how they
created their suits and puppets, they were told that the McDonald’s deal fell
through. In reality, Needham already had the account and took what they learned
to create the McDonaldland ad campaign
utilizing some former Krofft employees. The sets and costumes, particularly
that of Mayor McCheese (performed by Billy
Curtis, voiced by Howard Morris impersonating Ed
Wynn), bore a strong resemblance to Pufnstuf. Weinrib was also retained
to voice one of the characters: the large purple monster named Grimace. Because of
McDonaldland, merchandising deals with Pufnstuf fell to the wayside and their
characters were replaced in the Ice Capades by the McDonaldland ones. The
Kroffts sued McDonald’s in 1973 for infringement and lost profits, ending up
winning a judgement of $50,000. On appeal in 1977 and with the changes brought
about by the Copyright
Act of 1976, the court found in their favor again and they were awarded more than
$1 million. McDonald’s was also ordered to stop airing commercials featuring
some of the characters. McDonaldland itself, however, continued on until 2003
when they abandoned the campaign and all of the characters (except their
mascot, Ronald
McDonald) outside of special uses.
EPISODE
GUIDE: “The
Magic Path” (9/6/69) – Jimmy and Pufnstuf infiltrate Witchiepoo’s castle to
rescue Judy Frog and get directions to the Magic Path that could lead Jimmy
home. “The
Wheely Bird” (9/13/69) – Jimmy and Pufnstuf use a bird-shaped “Trojan Horse” to
get inside Witchiepoo’s castle and rescue Freddy. “Show
Biz Witch” (9/20/69) – Jimmy and Pufnstuff hold a talent show to raise money
for Jimmy to buy a pogo stick that could bounce him home. “The
Mechanical Boy” (9/27/69) – Witchiepoo catches Jimmy stealing her boat and
turns him into a mechanical boy that will do her bidding. “The
Box Kite Caper” (10/4/69) – A kite-flying contest inspires Jimmy and Freddy to
try and get off the island using a giant box kite. “The
Golden Key” (10/11/69) – Jimmy is given a map to a key that will open a door
back home, but he has to choose between his escape and rescuing Pufnstuf from
Witchiepoo. “The
Birthday Party” (10/18/69) – Witchiepoon crashes Jimmy’s birthday party,
dousing the attendees with laughing gas so that she can make off with Freddy. “The
Horse with the Golden Throat” (10/25/69) – Dr. Blinkey has to rescue Freddy
after he’s accidentally swallowed by Polka-Dotted Horse. “The
Stand In” (11/1/69) – A plan forms to get Witchiepoo into Shirley’s movie so
that Jimmy can steal her Vroom-Broom and escape the island. “You
Can’t Have Your Cake” (11/8/69) – Judy Frog has to use her new dance step to
rescue Jimmy and Freddy when they fall into Witchiepoo’s cake trap. “Dinner
for Two, Please, Orson” (11/15/69) – Jimmy hopes to use a time machine to
prevent his arrival, but it ends up aging him into the man of Witchiepoo’s
dreams. “Flute,
Book and Candle” (11/22/69) – Jimmy, Pufnstuf and Dr. Blinky go through one of
Witchiepoo’s books to find a way to change Freddy back from a mushroom. “Tooth
for a Tooth” (11/29/69) – Witchiepoo disguises herself as a little girl to get
Dr. Blinky to look at a bad tooth and he sprays her with an anti-witch potion. “The
Visiting Witch” (12/6/69) – Witchiepoo captures Pufnstuf as a gift for Boss
Witch, but when she ends up delayed Jimmy takes her place to free him. “The
Almost Election of Mayor Witchiepoo” (12/13/69) – Witchiepoo enters the mayoral
race against Pufnstuf, and naturally she cheats to win. “Whaddaya
Mean the Horse Gets the Girl?” (12/20/69) – Shirley makes a movie to raise
money for the anti-witch fund which prompts Witchiepoo to demand that her life
story be made. “Jimmy
Who?” (12/27/69) – Dr. Blinky and Witchiepoo try to remind Jimmy of who he is
when he gets amnesia from a blow to the head. Film: “Pufnstuf”
(6/15/70) – Witchiepoo lures Jimmy to Living Island to steal his magical flute
and win Witch of the Year when the Witches’ Council visits for their
convention.
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