SID KROFFT DEAD AT 96

 

You can read the full story here.

Along with his brother, Marty, Sid was half of Sid & Marty Krofft Productions. They began as theatrical puppeteers before moving into television by designing the characters and sets for The Banana Splits Adventure Hour for Hanna-Barbera. That allowed them to branch out on their own to create H.R. Pufnstuf, The Bugaloos, Lidsville, Sigmund and the Sea Monsters, both versions of Land of the Lost, Far Out Space Nuts, The Lost Saucer, The Krofft Supershow which included Dr. Shrinker, Electra Woman and Dyna Girl, Kaptain Kool and the Kongs, Wonderbug, Bigfoot and Wildboy and Magic Mongo, The Bay City Rollers Show, and Pryor’s Place.

MARTY KROFFT DEAD AT 86

 

You can read the full story here.

Along with his brother, Sid, Marty was half of Sid & Marty Krofft Productions. They began as theatrical puppeteers before moving into television by designing the characters and sets for The Banana Splits Adventure Hour for Hanna-Barbera. That allowed them to branch out on their own to create H.R. Pufnstuf, The Bugaloos, Lidsville, Sigmund and the Sea Monsters, both versions of Land of the Lost, Far Out Space Nuts, The Lost Saucer, The Krofft Supershow which included Dr. Shrinker, Electra Woman and Dyna Girl, Kaptain Kool and the Kongs, Wonderbug, Bigfoot and Wildboy and Magic Mongo, and Pryor’s Place.

LAND OF THE LOST (1991)

 

LAND OF THE LOST (1991)

(ABC, September 7, 1991-December 5, 1992)

 

Krofft Entertainment

 
MAIN CAST:
Timothy Bottoms – Tom Porter
Robert Gavin – Kevin Porter
Jennifer Drugan – Anamarie “Annie” Porter
Ed Gale – Tasha, Magas
Danny Mann – Tasha (voice)
 
 

Long before reboots became the king of entertainment, Sid and Marty Krofft were called upon to produce a reboot of one of their previous programs: Land of the Lost. ABC had been monitoring the success and positive press CBS was seeing in response to their airings of the original, and how they and NBC found equal success with their live-action offerings Pee-wee’s Playhouse and Saved by the Bell, respectively. Enter the new Land of the Lost, their first new foray into live-action on Saturday morning. 

The Porter family.

Like the original, Land of the Lost centered on a modern family that found themselves suddenly trapped in a strange, three-mooned prehistoric world of Altrusia. While on a camping trip, an earthquake opened up a chasm that they fell into, leading to a dimensional portal they drove through to safety. Replacing the Marshalls from the original were the Porters: widowed father Tom (Timothy Bottoms), a lawyer who threw himself into his work after his wife’s death but tried to make time for his kids with those frequent weekend camping trips; 16-year-old Kevin (Robert Gavin), who was laid-back to the point of being oblivious to danger and considered himself an adult, often leading to his being actively disobedient; and 11-year-old Annie (Jennifer Drugan), a vegetarian who harbored a bit of resentment towards her family always treating her like an incapable baby (and often proving that perception wrong). Unlike the Marshalls, the Porters had a lot of gear with them in their Jeep, allowing them to outfit their lavish treehouse with many of the comforts of home including radios, a portable television (which allowed them to track portal openings via electromagnetic interference) and a video camera (used by Kevin to chronicle their adventure). They also adopted a humanoid Parasaurolophus, named Tasha (Ed Gale in the suit, Danny Mann voicing) by Annie after her mother (voiced by Marta DuBois), after finding her egg.

Shung

Returning from the original series were the villainous humanoid reptile Sleestaks; however, instead of a whole race focus was largely placed on three that were expelled from their society. Shung (Tom Allard) was their leader. He was arrogant and believed himself the ruler of the land. He used a powerful crystal that gave him telekinetic and telepathic powers to enforce his will Nim (R.C. Tass & Brian Williams) and Keeg (Ross Kramer & Bret Davidson) were his unintelligent underlings that did what they could to please him. They used special crystals as power sources, which the Porters would come to adopt to power their own electronics. To mine for the crystals, the Sleestaks utilized the slave labor of the Paku; a tribe of humanoid primates basically wiped out by their servitude. Unlike the original, the Paku were largely limited to appearances by a single member: Stink (Bobby Porter), who had keen senses, incredible agility, active curiosity and a wacky sense of humor. The new series chose to abandon the special Pakuni language developed for the original, instead making Stink quick to pick-up and adopt English words and phrases with some Pakuni sprinkled in. Stink’s grandfather, Opah (Jonas Mascartolo), was the only other Paku seen.

Stink and Christa.

Newly created was the character of Christa (Shannon Day). Like the Porters, she ended up trapped in the land with her family as a young girl (Farrah Emami). Separated from them during an attempt to find civilization, she grew up alone and came to befriend Stink and a triceratops she named “Princess” after her dog, which she used as transportation. She had largely blocked out memories of her past life. Christa and Stink would eventually befriend the Porters and help them on occasion. Kevin, being a teenaged boy, often fawned over the attractive Christa while Stink often had a turbulent relationship with Tasha.

Futuristic cyborg Cy.

Additionally, there were a number of dinosaurs seen on the show; in particular a Tyrannosaurus dubbed “Scarface” because of the scar over his eye. He was extremely violent towards everyone, and often tried to take down the Porters’ treehouse. A number of guest characters also popped into the land via the portals, including Sir Balen (Bobby Jacoby), a squire pretending to be a knight from King Arthur’s Court; Keela (Adilah Barnes), a sorceress banished there by evil sorcerer Magas (Gale); Siren (DuBois), a woman whose vanity led her to be banished and preventing her from joining her loved ones in the afterlife; and time travelers Simon Cardenas (Danny Gonzalez) and the rancor-like cyborg Cy who collided with each other and knocked themselves off course.

Scarface goes after Tom.

Land of the Lost debuted on ABC on September 7, 1991. Unlike the previous series, it eschewed soundstage sets in favor of filming mostly on location in California’s Descanso Gardens and Leo Carrillo Beach. The series was written by Len Janson, Chuck Menville, Reuben Leder (as Gary Perconte), Janis Diamond, Jules Dennis, Phil Combest, Michele Rifkin, Reed Shelly, Richard Mueller and Marianne Sellek, with Janson and Menville serving as story editors and producers, and Porter credited for the story of the episode “Opah”.  Each episode was designed to instill a prosocial and ecological message within the context of its story in order to fulfill the network’s educational requirements mandated by the new Children’s Television Act. Chiodo Bros. Productions, Inc. was brought on to handle the special visual effects needed for the dinosaurs and portals, with the Chiodo brothers themselves serving as co-producers. Grey LaVoi handled the costume designs with Kevin Kiner providing the series’ music. 

Nim and Keeg steal the family Jeep.

The new Land of the Lost proved successful and was renewed for a second season. While Menville had worked on his portion of the season 2 scripts, he wouldn’t get to see it through as he passed away that June. The episode “Opah” was dedicated in his memory. He would continue to have three posthumous credits through 1993 with episodes he worked on for Disney’s The Little Mermaid: The Animated Series and Batman: The Animated Series. As for Land of the Lost, ABC opted not to renew it and kept it running for an additional season of reruns. During its original run, it was nominated for a Daytime Emmy and six Young Artist Awards.

Tiger Toys produced a toyline featuring every character except Keeg, a pterodactyl and Scarface, vehicles and playsets, as well as a roleplay sword and doll of Stink. Outside of a few dual episode VHS releases from Republic Pictures, the complete series hasn’t seen release outside of bootlegs and digital uploads.

 
 
EPISODE GUIDE:
Season 1:
“Tasha” (9/7/91) – The Porters find an egg in the jungle and end up adopting the baby dino that hatches from it.
 
“Something’s Watching” (9/14/91) – While recording the land for posterity, Kevin encounters Christa the jungle girl and Stink the Paku.
 
“Jungle Girl” (9/28/91) – Christa is wary of the Porters until they help her begin to unravel her forgotten past.
 
“Shung the Terrible” (9/21/91) – The Sleestaks steal the Porters’ truck and their leader claims it for his own.
 
“The Crystal” (10/5/91) – Annie ends up with Shung’s power crystal which turns her personality dark.
 
“Wild Thing” (10/12/91) – After she causes a lot of trouble, Tom sends Tasha away into the jungle.
 
“Kevin vs. the Volcano” (10/26/91) – Helping his family try to stop a volcano eruption gets Kevin trapped in a cave by Scarface.
“Day for Knight” (10/19/91) – Kevin becomes jealous of the knight of the Round Table that ends up in the land.
 
“Mind Games” (11/2/91) – Feeling overworked, Annie runs off to stay with Christa just as Shung uses her necklace to control Christa.
 
“Flight to Freedom” (11/9/91) – A signal hits Kevin’s TV after an earthquake, making the Porters think they can use it to track down an exit portal.
 
“Heat Wave” (11/16/91) – While looking for water, Tom and Kevin find Nim and Keeg and attempt to lead them away from the treehouse.
 
“The Thief” (11/23/91) – Kevin accuses Tasha of stealing stuff from the treehouse.
 
“Power Play” (12/7/91) – Out of batteries, Tom decides to try and get the Sleestaks’ crystals to see if they’ll power their devices.
 
Season 2:
“The Sorceress” (9/12/92) – Banished sorcerers Keela befriends the Porters, unaware that another sorcerer is about to come for her.
 
“Dreammaker” (9/19/92) – Tracking down a strange TV signal leads the Porters to…their old neighborhood?
 
“The Gladiators” (10/3/92) – Tom and Kevin are pitted against each other by Shung for their lives.
 
“Opah” (9/26/92) – Stink’s grandfather pays the Porters a visit and ends up saving their lives.
 
“Life’s a Beach” (10/10/92) – A beach day unlocks some of Christa’s traumatic memories.
 
“Future Boy” (10/17/92) – A boy from the future collides with a dangerous cyborg and they both end up in the land.
 
“Siren’s Song” (10/24/92) – The Porters are lured into a trap with a vision of their wife/mother.
 
“In Dinos We Trust” (10/31/92) – Kevin is forced to rely on Tasha when he’s blinded by snake venom.
 
“Annie in Charge” (11/7/92) – Annie takes over when one of Cy’s traps wipe Kevin and Tom’s memories.
 
“Make My Day” (11/14/92) – Discovering an ancient Sleestak weapon makes Kevin think he can use it against Shung.
 
“Cheers” (11/21/92) – Fermented fruit leads to Kevin becoming drunk.
 
“Sorceress’ Apprentice” (11/28/92) – Keela asks Annie to watch her spellbook for a few days, but Annie can’t help but try out some magic.
 
“Misery Loves Company” (12/5/92) – After Stink is injured, he finds he enjoys the Porters taking care of him a bit too much.

45TH ANNIVERSARIES

SMF ANNIVERSARY CELEBRATION (PART 4)

This weekend we continue our 2 year anniversary celebration. 

As we celebrate, we figured we'd also take the opportunity to celebrate the various other programs enjoying anniversaries this year (at least at an interval of 5). Some we've covered, some we'll get to covering sooner or later, but all of them represent Saturday morning. For this installment, we recognize those shows turning 25. A quarter of a freakin' century right here, folks. 

Take a walk down memory lane with us, and feel free to share your memories in the comments, or over on our Facebook group or Facebook page. We'd love to hear from you!

Now, without further ado, join us in celebrating...

NOTE: Not all intros available at this time.

LAND OF THE LOST (1974)

LAND OF THE LOST (1974)

(NBC, September 7, 1974-December 4, 1976)

Sid & Marty Krofft Television Productions

MAIN CAST:

Spencer Milligan – Rick Marshall (season 1-2)

Wesley Eure – Will Marshall

Kathy Coleman – Holly Marshall

Ron Harper – Jack Marshall (season 3)

Phillip Paley – Cha-Ka

Sharon Baird – Sa (season 1-2)

Joe Giamalva (season 1) & Scutter McKay (season 2) – Ta

Dave Greenwood, Bill Laimbeer, John Lambert, Cleveland Porter, Jack Tingley, Scott Fullerton, Mike Westra, Bill Boyd, David Harris, Clarke Roberts – Sleestaks

Jon Locke – Sleestak leader (season 3), Tapa

As the 1970s began, a shift in television programming began to take hold.

ABC's 1974 Saturday ad.

The push for more pro-social and educational programming on television meant networks had to ensure they featured programs that fulfilled those requirements. The industry had also decided to cut down on the number of commercials per hour on Saturday mornings, leaving producers with an extra 1-2 minutes of airtime to fill each half hour. Since it was easier and more cost-effective to fill those minutes with live-action as opposed to animation, a new wave of live-action programs began to be created over the traditional cartoons. At the same time, the high ratings garnered by reruns of Star Trek caused networks to revisit the science-fiction genre for their upcoming schedules. 

CBS' 1974 Saturday ad.

CBS, having found success in their partnership with 20^th Century Fox in bringing M*A*S*H to television sought to duplicate it and cash in on the renewed sci-fi craze by adapting the Planet of the Apes series. Everyone believed that the Apes program would be a hit, and the networks began work on similar programs immediately in order to successfully compete against it. ABC contracted Hanna-Barbera to produce the live-action Korg: 70,000 B.C., which would incorporate modern solutions to prehistoric problems. Meanwhile, CBS doubled-down on their time-bending sci-fi by having Hanna-Barbera create Valley of the Dinosaurs; which had a modern family being shunted back to the Stone Age.

NBC's 1974 Saturday morning ad.

Not to be left out, NBC’s vice president in charge of children’s programs, Joe Taritero, approached Sid and Marty Krofft for their foray into the world of Saturday morning science fiction. Although the Kroffts were largely known for their work in the genres of comedy and fantasy, they were already making live-action and had been incorporating pro-social and educational elements into their programs since before the FCC mandated it. 

When dinosaurs attack!

In order to produce the best show possible, the Kroffts sought out the best people to bring it to life. They hired David Gerrold as the series’ story editor. Gerrold had previously worked on both the original and animated version of Trek. With him came other Trek veterans including Margaret Armen, Norman Spinrad, Joyce Perry, D.C. Fontana, Larry Niven and Walter Koenig, who had also played Ensign Chekov on the original show (Koenig was left out of the animated version due to budgetary restrictions). Trek make-up artist and costume designer Michael Westmore also joined the show, along with Trek art director Herman Zimmerman. Together with their frequent collaborator, Allan Foshko, the Kroffts, Gerrold and Taritero hashed out what would become The Land of the Lost.

Rick, Holly and Will Marshall.

The show centered on the Marshall family—park ranger Rick (Spencer Milligan), his son Will (Wesley Eure) and daughter Holly (who would proceed to name various dinosaurs, played by Kathy Coleman)—as their camping trip led to their being thrust through a time/dimensional vortex into a valley of prehistoric creatures. The Marshalls used their limited supplies and skills to set up a home in a cave and forage for survival until they could find a way home. Within the jungle were various kinds of dinosaurs, primitive people-like beings called the Paku and the humanoid lizard-like Sleestaks. 

The Sleestaks.

In an unusual move for a children’s show, the details of the series were gradually revealed over the course of its episodes rather than spelled out entirely in the first episode. The Marshalls had not journeyed into the past, but rather into the future of a planet called Altrusia. Altusia had once been the home of an advanced civilization that was able to manipulate time and weather through the use of colored crystals and pylons. Somehow, that technology had gotten out of control, isolating the planet into a dimension accessible only by time portals and devolving the Altrusians into the Sleestaks who savagely react to the first sign of advanced technology. To play the extremely tall Sleestaks, the Kroffts recruited several members of the University of Southern California basketball team including Dave Greenwood, Bill Laimbeer, John Lambert, Cleveland Porter, Jack Tingley, Scott Fullerton, Mike Westra, Bill Boyd, David Harris and Clarke Roberts. Because there were a limited number of suits due to budget constraints, usually only three Sleestaks were seen at a given time.

Enik over the colored crystals.

A lot of the history of the planet was divulged through the introduction of Enik (initially “Eneg” in honor of Gene Roddenberry but changed by Gerrold into a reverse of the Greek word for “cinema”, played by Walker Edmiston). Enik was an Altrusian from the past who traveled through time to learn about his ancestors, but instead ended up in his future and learned about the fate of his people. Enik possessed the ability to send the Marshalls home but was too preoccupied with returning to his own time to save his own people. Although, being a creature of honor, he would help out the Marshalls from time to time. Edmiston would help design the Sleestak outfits and his own costume, as well as helped the writers mold Enik into the character he’d become. Edmiston would also play prospector Jefferson Davis Cole, who had come to be stranded in the land some time ago.

The world of Altrusia.

To create the grand world of Altrusia, the set was built on a modular soundstage at General Service Studios in Hollywood. Various trees and props could be moved around to create the illusion of a vast, sprawling jungle as needs dictated. Additional scenery was produced though the use of chroma key and miniatures. Creatures on the show were created through the use of people in rubber suits or in make-up, stop motion animation, rear projection film effects and hand puppets for close-ups. With such a demand on special effects, Krofft Productions had to enlist the aid of an outside animation/special effects firm; turning to Excelsior Animated Moving Pictures, manned by Gene Warren, Jr., Peter Kleinow and Harry Walton. Warren, Sr. served as an associate producer for Land’s first season, while his partner, Wah Chang, handled the fully rendered dinosaur model designs. Many of the effects were often reused as stock footage, and later intercut into various episodes. The effects, while not holding up to today’s standards, were some of the best on television at the time.

The Marshalls feast with the Paku.

To increase the educational value of the show, Taritero envisioned a new language for the Paku that the audience could learn over the course of the episodes. For this, he enlisted noted linguist Victoria Fromkin, Ph.D to create the 300-word Pakuni language. Upon the completion of each script, they would be turned over to Fromkin so that she could translate the Paku dialogue into Pakuni. The scripts were in turn turned over to NBC censors to ensure she didn’t slip any hidden expletives into the text. The primary Paku depicted on the series was leader Ta (Joe Giamalva & Scutter McKay), the female Sa (Sharon Baird), and Cha-Ka (Philip Paley), who was the most eager to befriend the Marshalls.

Holly looks through a time doorway.

Land of the Lost debuted on NBC on September 7, 1974. The opening theme was composed by Linda Laurie and played over an opening showing how the Marshalls arrived in the strange land. The rest of the series’ music was composed by Jimmie Haskell. Historically, networks were reluctant to commission more than 17 episodes of a children’s show. Knowing this, the final episode, “Circle”, was scripted by Gerrold and Nevin with the notion that the Marshalls and Enik were on the verge of returning home, but first had to pass through a time loop and relive the entire season all over again. This was designed to segue into an endless cycle of reruns and entice people to watch the show over again. The dialogue in the episode also had a sense of finality to it. However, those provisions proved to be unnecessary as Land became a major success and the Kroffts’ biggest hit since H.R. Pufnstuf. The show easily outperformed the two Hanna-Barbera programs it aired opposite of: Valley of the Dinosaurs and Devlin. 

The Lost City.

Land underwent several changes both in front of and behind the cameras. Gerrold and Zimmerman left the show, replaced by Dick Morgan (who wrote a couple of first season episodes) and Elayne Cedar, respectively. Under Morgan, the second season maintained the high-quality standards that the series had become known for, although many plot inconsistencies slowly began creeping into the scripts. Morgan also had some difficulty in making grand stories work within the scope of the series’ budget like Gerrold had. Line producer and director Dennis Steinmetz also left, with the Kroffts themselves taking up his duties, and Gordon Wiles came on board as a new director. Meanwhile, the personalities of Ta, Sa and Cha-Ka were further distinguished and defined. Ta developed delusions of grandeur while Cha-Ka became more confident. However, the Paku’s physical actions began to become less-distinctive from modern humans. The Sleestaks were also made more buffoonish, accompanied by amusing background music, and the animation gradually became less convincing.

The Zarn.

Enik was joined by new recurring character, The Zarn (Van Snowden body, Marvin Miller voice). The Zarn was a humanoid composed of light that became stranded on the planet while his ship was traveling through hyperspace. The Zarn was a researcher who was convinced of his own superior knowledge and acted arrogant and overconfident because of it. He also possessed psionic abilities that granted him telepathy and mad him susceptible to angry emotions. To compensate for his delicate senses, the Zarn often employed android assistants and a combat robot named Fred, which resembled a bipedal armless dinosaur.

Uncle Jack joins the Land of the Lost.

The series continued to perform well and was renewed for a third season; however, sweeping changes were made all around. Behind the scenes, Morgan was replaced by Sam Roeca, who served as story editor on the competing Valley of the Dinosaurs. Joe Scanlan and Rick Bennewitz were the new series’ directors, ousting Wiles and Bob Lally, who had been with the show since the beginning. Jon Kubichan assumed the Kroffts’ role as line producers, reducing their roles to executive producers. The writing staff also changed to include Roeca, Kubichan, Greg Strangis, John Cutts, Tom Swale, Peter Germano and Ian Martin.

On the show itself, the most jarring change came when Milligan left over a salary dispute. His character was written off the show as having been sucked into a time doorway (portrayed by a crew member in a wig resembling Milligan’s hair) conveniently at the same time that Rick’s engineer brother, Jack (Ron Harper), came through while searching for his missing relatives. The season opened with the Marshalls’ cave home ending up destroyed in an earthquake that also killed Ta and Sa. The Marshalls moved into an abandoned temple near the Lost City as a result. Cha-Ka remained, but was now able to speak perfect English. The Sleestaks also gained the ability to speak English through their new leader (John Locke). The earthquake pened access to previously unexplored parts of the planet that allowed new dinosaurs to roam through. Eure, who had a budding music career, was allowed by the Kroffts to perform at the end of several episodes on a jury-rigged guitar made out of found materials. Enik was degraded into a virtual clone of Trek’s Mr. Spock, uttering the phrase “most illogical” quite often as well as gaining a new skin color. The third season also relied heavily on guest-stars coming and going effortlessly through the time doorways, whereas they were sparser in the previous seasons and served a purpose in the story.

Guest-stars kept coming and going throughout season 3.

The overall quality of the show gradually diminished as the third season progressed. The pro-social messages once delivered subtly through the stories were no force-fed to the audience. The dinosaur animation remained impressive, but the editing had gotten sloppy to the point where in one episode scenes were clearly assembled out of order, mismatched stock-footage clips were used to arbitrarily insert a dinosaur into a scene, and at points the wrong puppets were used for the close-ups of various creatures. The ratings plummeted not only because of the creative shift, but in part to being scheduled opposite the Krofft Supershow on ABC. NBC moved Land around on its schedule before allowing it to quietly end its run on December 4, 1976.

The infinite time loop known as "reruns".

 Land returned to the airwaves 2 years later in 1978 before it was absorbed into the daily syndicated rerun package Krofft Super Stars. In 1985, CBS had to fill some airtime and decided to air select episodes of Land from June to December. The reruns garnered incredible ratings and prompted CBS to rerun it again from June to September of 1987, getting even higher ratings the second time around. This prompted ABC to enter into negotiations with the Kroffts to bring Land back to television with an all-new series in 1991.

Land of the Lost: the board game.

The original Land had its fair share of merchandising, which contributed to Milligan’s leaving the show as he felt the actors deserved to be compensated for their images to appear on the various products. Amongst them were a lunchbox by Aladdin, View-Master slides, Whitman coloring books, puzzles and a magic slate, a Little Golden Book, a board game by Milton Bradley, various toys by Larami, and costumes by Ben Cooper. Newer merchandise included Sleestak and Cha-ka PVC figures and Nodniks, and a Sleestak bobblehead by Funko, and Sleestak vinyl figures by Keir’s Eye.

A smörgåsbord of Krofft goodness.

Rhino Entertainment released several VHS volumes with two episodes each beginning in 1999. In 2002, the “Skylons” episode was included on the compilation The World of Sid & Marty Krofft. From 2004-05, they released all three seasons and the complete series to DVD. They also released the pilot as part of Saturday Morning with Sid & Marty Krofft and four episodes on The World of Sid & Marty Krofft: Land of the Lost ‘Stak Attack! In 2009, Universal Studios Home Entertainment released the complete series in both original packaging and a Land lunchbox. Later that year, Universal released all three seasons individually. The complete series was also made available as part of the The World of Sid and Marty Krofft-Complete Series by Beyond Home Entertainment Australia. The series’ theme was included on the compilation CD H.R. Pufnstuf and Other Sid & Marty Krofft Favorites.

 In 2009 a film reboot of the series was released to theaters by Universal Pictures. Written by Chris Henchy and Dennis McNicholas and directed by Brad Silberling, the film starred Will Ferrell as Rick Marshall, now a disgraced paleontologist who had a theory about time warps. Doctoral candidate and his biggest fan, Holly Cantrell (Anna Friel), inspired Marshall to continue his experiments and it ended up with them shunted to an interdimensional desert where they met Cha-Ka (Jorma Taccone). The film was done as a parody similar to The Brady Bunch Movie and Starsky & Hutch and geared for an adult audience. It ended up being a box office flop, grossing only $68.7 million in its theatrical run against a $100 million budget. Coleman and Eure filmed cameos for the film that ultimately ended up being cut, and Harper refused the offer to shoot one. Sid and Marty Krofft apologized for the film at San Diego Comic-Con 2017, saying they had little involvement in its production.

EPISODE GUIDE:

Season 1:

“Cha-Ka” (9/7/74) – The Marshalls help a wounded Cha-Ka, but his companions Sa and Ta are wary of the strange humans.

“The Sleestak God” (9/14/74) – The Marshalls come across the Lost City where they encounter the Sleestak.

“Dopey” (9/21/74) – The Marshalls find themselves with a new “pet” brontosaurus.

“Downstream” (9/28/74) – A trip down the river leads the Marshalls to an old prospector armed with a Civil War cannon.

“Tag Team” (10/5/74) – A life-or-death clash between Grumpy and Big Alice puts aside Will and Holly’s arguing over gathering vegetables.

“The Stranger” (10/12/74) – The Marshalls encounter Enik, who has the ability to send them home but is too absorbed in his own quest to do so.

“Album” (10/19/74) – The Sleestak use mind control on Will and Holly by making them think they see their deceased mother.

“Skylons” (10/26/74) – Holly and Will accidentally use a weather-manipulating device that creates a bad storm.

“The Hole” (11/2/74) – When Rick and a Sleestak are left to die in a pit, they must overcome their animosity towards each other and work together to escape.

“The Paku who Came to Dinner” (11/9/74) – Holly’s perfume causes her to be captured by the Paku and attracts the land’s ruling tyrannosaur.

“The Search” (11/16/74) – Will has to convince Enik to save Rick after he’s electrocuted by crystals.

“The Possession” (11/23/74) – A being looking to empower one of the pylons enslaves Cha-Ka and Holly.

“Follow that Dinosaur” (11/30/74) – Will and Holly discover a diary that may contain the secret to escaping the land.

“Stone Soup” (12/7/74) – A drought causes conflict between the Paku and the Marshalls over food.

“Elsewhen” (12/14/74) – A mysterious woman helps Holly overcome her fears so she can rescue her family from the Sleestak.

“Hurricane” (12/21/74) – Will causes a pylon to open a time door that brings over an astronaut from Earth while also creating a hurricane.

“Circle” (12/28/74) – The Marshalls and Enik discover a way home, but first they must go through a time loop and relive their entire time in the land before they can use it.

Season 2:

“The Pit” (9/6/75) – The Marshalls work to rescue Dopey from a tar pit.

“The Zarn” (9/13/75) – The Marshalls encounter a powerful alien being and a woman from Rick’s hometown.

“Fair Trade” (9/20/75) – Will and Holly go to Enik for help rescuing Rick from the Sleestaks.

“One of Our Pylons is Missing” (9/27/75) – Cha-Ka discovers a black hole that sucks things in to maintain the power source of the land.

“The Test” (10/4/75) – Will and Holly help Cha-Ka undergo the Paku rite of passage.

“Gravity Storm” (10/11/75) – The Zarn’s ship’s gravity drive causes gravity to go out of control in the land.

“The Longest Day” (10/18/75) – The Marshalls head to the Lost City to try and figure out why time seems to be standing still.

“The Pylon Express” (10/25/75) – Strange things happen when the moons begin to align, and Holly is taken on a time trip through one of the pylons.

“A Nice Day” (11/1/75) – When Holly is seemingly poisoned by a plant, the Marshalls turn to witch doctor Ta for help.

“Baby Sitter” (11/8/75) – Cha-Ka is left in charge of Holly while Rick and Will explore, and Holly is determined to prove she’s not a baby by outsmarting The Zarn.

“The Musician” (11/15/75) – Cha-Ka attempts to make music while Holly falls under the spell of The Builder after discovering a ring in the Lost City.

“Split Personality” (11/22/75) – An earthquake leads to the Marshalls encountering mirror images of themselves.

“Blackout” (11/29/75) – Rick and Enik have to find a way to reverse the Sleestak’s pylon tampering which caused it to remain night permanently.

Season 3:

“After-Shock” (9/11/76) – An earthquake destroys the Marshall’s home and sucks Rick through a time doorway, only to also bring his brother Jack in return.

“Survival Kit” (9/18/76) – Jack has to bargain with the barbarian Malak in order to recover their stolen medicine to heal Holly.

“The Orb” (9/25/76) – A captured Enik convinces a newly-invisible Will to retrieve a sacred orb to exchange it with the Sleestak for his freedom.

“Repairman” (10/2/76) – A British repairman appears and asks the Marshalls to help retrieve a vital crystal the Sleestaks have stolen that controls the sun.

“Medusa” (10/9/76) – A river mishap takes Holly to a strange garden inhabited by a woman who refuses to let her leave.

“Cornered” (10/16/76) – Jack, Holly and Cha-Ka deal with a fire-breathing dimetrodon that poisoned Will.

“Flying Dutchman” (10/23/76) – Sea captain Vladmir helps fend of Malak but his price is Holly.

“Hot-Air Artist” (10/30/76) – The Marshalls help a balloonist that ends up in the land, not knowing he has designs for Cha-Ka.

“Abominable Snowman” (11/6/76) – Holly is given a unicorn for her birthday, but it ends up stolen by the Yeti-like Tapa.

“Timestop” (11/13/76) – A temporal key is found that can send Enik home, but the Marshalls need to use it to save one of their number.

“Ancient Guardian” (11/20/76) – Ancient menace Kona terrorizes the land, and only an equally-ancient Altrusian statue can save it.

“Scarab” (11/27/76) – When a scarab bites Cha-Ka, his personality changes and he frames the Marshalls for a crime.

“Medicine Man” (12/4/76) – The Marshalls convince an Indian and a Cavalry soldier to work together in order to survive in the land.

Originally posted in 2016. Updated in 2020.