SID KROFFT DEAD AT 96

 

You can read the full story here.

Along with his brother, Marty, Sid was half of Sid & Marty Krofft Productions. They began as theatrical puppeteers before moving into television by designing the characters and sets for The Banana Splits Adventure Hour for Hanna-Barbera. That allowed them to branch out on their own to create H.R. Pufnstuf, The Bugaloos, Lidsville, Sigmund and the Sea Monsters, both versions of Land of the Lost, Far Out Space Nuts, The Lost Saucer, The Krofft Supershow which included Dr. Shrinker, Electra Woman and Dyna Girl, Kaptain Kool and the Kongs, Wonderbug, Bigfoot and Wildboy and Magic Mongo, The Bay City Rollers Show, and Pryor’s Place.

40TH ANNIVERSARIES

 Where does the time go? These are the shows turning

MARTY KROFFT DEAD AT 86

 

You can read the full story here.

Along with his brother, Sid, Marty was half of Sid & Marty Krofft Productions. They began as theatrical puppeteers before moving into television by designing the characters and sets for The Banana Splits Adventure Hour for Hanna-Barbera. That allowed them to branch out on their own to create H.R. Pufnstuf, The Bugaloos, Lidsville, Sigmund and the Sea Monsters, both versions of Land of the Lost, Far Out Space Nuts, The Lost Saucer, The Krofft Supershow which included Dr. Shrinker, Electra Woman and Dyna Girl, Kaptain Kool and the Kongs, Wonderbug, Bigfoot and Wildboy and Magic Mongo, and Pryor’s Place.

SATURDAY MORNING MASTERS: SCATMAN CROTHERS

 

SCATMAN CROTHERS

(May 23, 1910-November 22, 1986)

 

Notable Roles: Cheshire Cat, Scat Cat, George “Meadowlark” Lemon, King Louie, Hong Kong Phooey/Penrod “Penry” Pooch, Louie Wilson, Rosey, Liquid Man/Nate Branch, Dick Hallorann, Sam the piano player, Uncle Moses, Jazz, Eugene the Genie, Excell Dennis

 

Born Benjamin Sherman Crothers, he began a musical career as a teenager; teaching himself how to sing and play the guitar and drums. He would play with a band in speakeasies throughout his native Terre Haute until he ended up performing five days a week on a radio show in Dayton, Ohio in the 1930s. It was there the station manager suggested he needed a catchier name, so Crothers called himself “Scatman” after his scat singing style. He released several singles through Capitol Records, and an album with High Fidelity Records, went on USO tours with Bob Hope and performed with bandleader Slim Gaillard. Crothers appeared in 3 short films before making his feature-film debut with 1953’s Meet Me at the Fair. He appeared in four Jack Nicholson films; notably Stanley Kubrick’s The Shining for which he won an Academy Award. His television career began in 1957 on an episode of The Adventures of Jim Bowie and went on to include programs like Dragnet, McMillan & Wife, Kojak, Ironside, Charlie’s Angels, The Love Boat, Magnum P.I. and Laverne & Shirley. In 1966, Crothers went into voice acting when he took over the role of the Cheshire Cat from Sammy Davis, Jr. for Hanna-Barbera’s album for The New Alice in Wonderland (or What’s a Nice Kid Like You Doing in a Place Like This?) animated special, as Davis was signed exclusively to Reprise Records, and in 1970 he voiced Scat Cat in the animated film, The Aristocats. The following year, he was cast as the voice of the animated version of Harlem Globetrotter George “Meadowlark” Lemon in The Harlem Globe Trotters and The New Scooby-Doo Movies. He would later play fellow Globetrotter Nate Branch in the follow-up, The Super Globetrotters, as Meadowlark had left the team by then. In 1974 he played the title character in Hong Kong Phooey, which he reprised for Laff-A-Lympics, and provided additional voices for several other Hanna-Barbera shows. During the 1980s, he starred in three short-lived live-action series--One of the Boys, Casablanca (1983) and Morningstar/Eveningstar--as well assumed the role of the Autobot Jazz in the Transformers franchise. He was also given an NAACP Image Award and a star on the Hollywood Walk of Fame. After a four-year struggle with lung cancer, Crothers died in 1986 at the age of 76. He was posthumously inducted into the Black Filmmakers Hall of Fame the following year.

 

Saturday Credits:
Harlem Globe Trotters
The New Scooby-Doo Movies
Hong Kong Phooey
Scooby’s Laff-A-Lympics
The Skatebirds
CB Bears
ABC Weekend Specials (episodes)
The Super Globetrotters
Captain Caveman and the Teen Angels
Scooby-Doo and Scrappy-Doo (1981)
Trollkins
Pryor’s Place

35TH ANNIVERSARIES

*Spanish intro.

*Actual intro unavailable.

PRYOR'S PLACE

PRYOR’S PLACE

(CBS, September 15-December 8, 1984)

Sid & Marty Krofft Productions

MAIN CAST:

Richard Pryor – Richard Pryor, various

Akili Prince – Little Richie Pryor

Cliffy Magee – Wally

Danny Nucci – Freddy

Tony Cox – Allen

Keland Love – Meatrack

Leanne Richelle – Patty

Michael Sheehan – Puppeteer

            Richard Pryor was a stand-up comedian who didn’t shy away from highlighting social injustices in his routines with a liberal amount of profanity.

Pryor sharing an anecdote.

            Beginning in New York in 1963, Pryor’s act was more reminiscent of Bill Cosby’s middlebrow routine using safe material (at the behest of his early advisors). Although he found success and began appearing on television with this style, in 1967 he had a self-described “epiphany” after feeling creatively stifled and began incorporating profanity into his act. In 1969 he moved to California where he continued releasing comedy albums and began writing for televisions shows such as Sanford and Son, The Flip Wilson Show and Lily Tomlin’s 1973 special for which he won an Emmy Award. While engaging in a successful movie career, he also tried to break into mainstream television with an appearance on Saturday Night Live. After starring in the 1976 film Silver Streak, Pryor became a bankable commodity in Hollywood.

            In 1977, Pryor received his own show, The Richard Pryor Show, on NBC. However, it was cancelled after only four episodes due to the audience’s inability to handle his controversial subject matter and Pyror’s unwillingness to tame things down for network censors. However, in 1983, Sid and Marty Krofft had gotten the idea that Pryor could find additional success on Saturday morning television, much like Cosby had with Fat Albert, and approached CBS. CBS agreed to it if they could land Pryor as well as get the rerun rights to the Kroffts’ previous hit, The Land of the Lost. At the time, Pryor was focusing on more family-oriented projects as part of an effort to clean himself up after having set himself on fire while freebasing cocaine in 1980. That shift in his focus, and his love of children (not to mention a very persuasive Marty Krofft) led Pryor to agree to do the show.

Living bread and anthropomorphic rats populate Pryor's Place.

            Pryor’s Place was an urban version of Sesame Street. It starred real people interacting with puppets (a pair of rats and living baked goods to name a few) to teach life lessons to children. However, the topics were far edgier as they included shoplifting, divorce and child abuse, amongst others. The set was modeled after the neighborhood where Pryor grew up, accenting the anecdotes Pryor would share with the audience (which were sanitized for network television, more than biographical) that set the theme for the episode to follow. Pryor, along with playing himself, starred as a variety of characters including a Rastafarian and a wino character he previously employed on stage. Akili Prince played Pryor’s younger self, whom the televised adventures would usually focus around along with his friend, Wally (Cliffy Magee). The show featured sketches and musical numbers written by long-time Pryor collaborator Paul Mooney with Lorne Frohman and Mark Evanier. Pryor’s direct involvement behind the scenes was limited due to other ongoing projects dominating his focus, but he was dedicated to doing something positive for children and put his all into his time on set.

CBS' 1984 Saturday morning ad with Pryor front and center.

            CBS was banking heavily on the success of Pryor’s Place. So much so, that they prominently displayed Pryor on their ads for their 1984 line-up and made it the central focus of their preview show, Saturday’s the Place. Airing the night of Friday, September 14^th, it was written and co-produced by Evanier, hosted by Joyce DeWitt and featured Howie Mandel (who starred in Muppet Babies at the time) and Ted Knight. The special showed clips from Place, along with other new CBS offerings such as Muppet Babies, Dungeons and Dragons, The Get Along Gang and Saturday Supercade. Pryor’s Place officially debuted on Saturday, September 15^th with a theme song by Ray Parker, Jr., who also appeared in the intro and an episode. Parker had enjoyed success earlier in the year with his smash hit song, “Ghostbusters”.

            The series employed a wide list of who’s who in celebrity guest stars thanks to Pryor’s involvement. However, rather than just being a ratings stunt, they were strategically cast in order to emphasize the message of their particular episode. Among them were Tomlin, Robin Williams,  Kim Fields, Willie Nelson, William Marshall, Pat Morita, Rip Taylor, Sammy Davis, Jr., Scatman Crothers, Ron Cey, Kareem Abdul-Jabbar, Henry Winkler, John Ritter, Shirley Hemphill, and California chief justice Rose Elizabeth Bird. 

Little Richie with Pryor as a Rastafarian.

            The series was nominated for a Huamnitas Prize for “Children’s Live-Action Category: Home Free” and several Daytime Emmy awards. It only won the Emmy for “Outstanding Achievement in Art Direction/Set Decoration/Scenic Design” and “Outstanding Achievement in Costume Design.” Unfortunately, while it earned the respect of awards committees, it failed to reach a significant audience. Part of that was due to its being broadcast in the 11:30 timeslot, which in some markets was reserved for local programming and resulted in its being pushed back. The low-key humor was also pointed out as being a possible cause, failing to grab audiences who may have been expecting something different from Pryor.

The kids of Pryor's Place.

            The end result was the series being cancelled after its single season of 13 episodes. CBS continued to air it in reruns throughout the first half of 1985, but disappeared from the airwaves altogether once it left their schedule. The next time anyone would see any part of the show would be on VHS in 1998 when Rhino Entertainment released four double-episode tapes. Pryor’s Place does live on in one form, however: Pryor’s hometown of Peoria, Illinois renamed one of their streets Richard Pryor Place in honor of the comedian.          

   

EPISODE GUIDE:

“High Noon at 5:30 P.M.” (9/15/84) – Richie faces off with the neighborhood bully.

“To Catch a Little Thief” (9/22/84) – Richie steals a basketball to get in good with a street gang.

“Love Means Never…” (9/29/84) – Richard recalls his painful first grade first romance.

“Voyage to the Planet of the Dumb” (10/6/84) – Richie and his friends skip school and end up transported to a planet where stupidity rules.

“Close Encounters of…” (10/13/84) – Richie tries to get a fuzzy alien home.

“Sax Education” (10/20/84) – Richie loses a saxophone and learns responsibility.

“Readers of the Lost Art” (12/27/84) – Richie and Wally are tricked into experiencing the “uncool” act of reading.

“Divorce Children’s Style” (11/3/84) – Divorce sometimes happens, but what does it do to the kids involved?

“The Kimosabe Blues” (11/10/84) – Richie and Wally’s argument threatens their friendship.

“The Showoff” (11/17/84) – Richie is terrified to perform in front of his first audience.

“Cousin Rita” (11/24/84) – Little Richie’s friend has a crush on his older cousin.

“Home Free” (12/1/84) – Amanda reveals a traumatic incident from her past to Richie.

“Too Old Too Soon, Too Smart Too Late” (12/8/84) – Richie learns the importance of respecting elders.

Originally posted in 2016. Updated in 2020.