Remember that one day when you could wake up without an alarm? When you would get your favorite bowl of cereal and sit between the hours of 8 and 12? This is a blog dedicated to the greatest time of our childhood: Saturday mornings. The television programs you watched, the memories attached to them, and maybe introducing you to something you didn't realize existed. Updated every weekend.
After a tenure as Jack Kirby’s assistant and an editor at DC Comics, he
went on to work for Filmation and Sid & Marty Krofft Productions before
forming his own puppet studio with Gregory Williams. They provided the O.G.
Readmore puppet for ABC Weekend Specials, several of the puppets for Pee-wee’s
Playhouse, and the penguin puppets for Beakman’s World, one of which
he operated.
Notable Roles: Animator,
writer, story editor, producer, director
Janson began working
at Walt Disney Productions as an
in-betweener. In 1965, he became a story man and received his first screen
credit in Warner Bros.’ Boulder Wham!Roadrunner
short. In the following years, he partnered with fellow animator and writer Chuck Menville. Together, they
produced a series of live-action short films utilizing the long-forgotten stop-motion pixilation
method. Among them was the Academy Award-nominated Stop Look and Listen, which
followed a day in the life of motorists who tooled around the city in invisible
cars. They wrote, directed and starred in their shorts. Clips from their second
film, Vicious
Cycles, were used in ABC’s The
New Communicators which landed them a gig making commercials for Gulf Oil’s “no-nox” gasoline. In
1969, Janson and Menville started long stints at both Filmation and Hanna-Barbera, serving
as story editors and producers for several of their shows. Over at DiC Enterprises in
the 1980s, Menville and Janson were offered the story editor position of The
Real Ghostbusters, but they initially turned it down due to the
massive workload of having to produce a syndicated and Saturday morning version
of the show at the same time. Following the departure of story editor J. Michael Straczynski over
creative differences in changes ABC wanted to make, Janson and Menville became
the story editors for the remainder of the show’s run. They went on to write,
produce and story edit for the reboot of Land of the Lost and Tiny
Toon Adventures. Following Menville’s death in 1992, Janson went
on to develop the Sonic
the Hedgehog animated series for ABC, as well as its
follow-up, Sonic
Underground. He also wrote several episodes of Baywatch Nightsand The
Woody Woodpecker Show revival. Janson’s last credited work was on an
episode of Gadget and the Gadgetinis in 2003,although
he did appear in 2008 documentaries about The Real Ghostbusters.
Notable Roles: Animator,
writer, story editor, producer, director
Born in Baton Rouge,
Louisiana, Menville moved to Los Angeles at age 19 with designs to become an
animator. He was hired by Walt Disney
Productions and served as an assistant on The Jungle Book(1967). Unhappy with his working environment, Menville got into
writing and began a long partnership with his friend, fellow animator and
writer Len Janson. Together,
they produced a series of live-action short films utilizing the long-forgotten stop-motion pixilation
method. Among them was the Academy Award-nominated Stop Look and Listen, which
followed a day in the life of motorists who tooled around the city in invisible
cars. They wrote, directed and starred in their shorts. Clips from their second
film, Vicious
Cycles, were used in ABC’s The
New Communicators which landed them a gig making commercials for Gulf Oil’s “no-nox” gasoline. In 1969,
Menville and Janson started long stints at both Filmation and Hanna-Barbera, serving
as story editors and producers for several of their shows. Outside
of television, he wrote the book The
Harlem Globetrotters: Fifty Years of Fun and Gamesin 1978. Over
at DiC
Enterprises in the 1980s, Menville and Janson were offered the story
editor position of The
Real Ghostbusters, but they initially turned it down due to the
massive workload of having to produce a syndicated and Saturday morning version
of the show at the same time. Following the departure of story editor J. Michael Straczynski over
creative differences in changes ABC wanted to make, Janson and
Menville became the story editors for the remainder of the show’s
run. They went on to write, produce and story edit for the reboot of Land
of the Lost and Tiny
Toon Adventures. Menville’s final project was a story for Batman:
The Animated Series. However, he died of non-Hodgkin lymphoma
before the script could be written. Brynne Stephens wrote the
teleplay for the episode, and Menville was given story credit. His children
keep the “family business” going, as Scott Menville became an actor
primarily in animation and Chad Menville is an author.
Here's our latest infographic showing all the current depictions of the Fawcett/DC Comics character Shazam (aka Captain Marvel) and his alter ego, newsboy Billy Batson. Click the image to see the full size.
Five years after their original
live-action Shazam!series, Filmation
made a second attempt at the DC Comics-licensed
superhero; however, this time they returned to more familiar territory by
producing an animated series.
Mary, Billy and Freddy (top) say their magic words and transform into superheroes (bottom).
The animated Shazam! was a lot closer to the source material than the
live-action one. Billy Batson (Burr Middleton) was a TV reporter (for WIZZ
instead of WHIZ)
who was imbued with the powers of the ancient wizard Shazam (Alan Oppenheimer)
to continue on his quest of battling evil. By saying the wizard’s name, Billy
was changed into Captain Marvel (also Middleton), who possessed the wisdom of Solomon,
the strength of Hercules,
the stamina of Atlas,
the power of Zeus,
the courage of Achilles
and the speed of Mercury.
Sharing in his adventures was Billy’s twin sister, Mary (Dawn Jeffory), who
could transform into Mary Marvel with the grace of Selena,
the strength of Hippolyta
(not to be confused with Wonder Woman’s
mother), the skill of Ariadne,
the fleetness of Zephyrus,
the beauty of Aurora,
and the wisdom of Minerva,
and disabled newspaper boy Freddy Freeman (Barry Gordon), who could become
Captain Marvel Jr. (since he shared Captain Marvel’s powers, he used the hero’s
name as his transformation word instead of “Shazam”). They lived in Fawcett
City in the Marvel Mansion along with their Uncle Dudley (Oppenhimer,
impersonating W.C.
Fields), who sometimes tried to help out as the powerless
Uncle Marvel. Also featured was the Marvels’ recurring friend, Tawky Tawny
(also Oppenheimer): a humanoid tiger who tried his best to be part of human
society.
Ibac and the Hiss-Men.
The series made extensive use of the
Marvel Family rogues gallery. The most well-known amongst these were mad
scientist Dr. Sivana; the genius alien worm Mr. Mind (both Oppenheimer); and
Captain Marvel’s corrupted ancient predecessor Black Adam (Lou Scheimer). Other
Marvel foes included were Night Owl (Scheimer), a daring thief whose oversized
eyes gave him excellent night vision; Aunt Minerva (Jeffory), a sweet-looking
old lady who was actually a criminal mastermind with designs on finding a new
husband; Ibac (Scheimer), a muscular brute empowered by the strength of the
four most evil men in history (Ivan the Terrible,
Cesare
Borgia, Attila
the Hun and Caligula)
who, in the cartoon, led an army of humanoid crocodile Hiss-Men;
Dr. Allirog (Oppenheimer), an intelligent gorilla; and Mr. Atom,
an artificially-intelligent nuclear-powered robot.
Shazam!
premiered on NBC
on September 12, 1981 as part of The Kid
Super Power Hour with Shazam. It was paired up with Filmation’s original
creation Hero High, which was
originally intended to feature superhero versions of Archie Comics
characters before Filmation lost the license. Although Captain Marvel and Mary
Marvel would appear in a couple of Hero
High episodes, the Hero High cast
was only featured in the 12th and final episode of Shazam!, which was written by Hero High writer Tom Ruegger.
Otherwise, Shazam! was primarily
written by Dennis
O’Flaherty and Paul
Dini,
with a story and script by Fred
Ladd.
The series’ music was composed by Ray Ellis
(as Yvette Blais) and producer Norm Prescott (as Jeff Michael). Prescott also
served as the show’s narrator. Kevin Frank,
Tim Gula,
Mel Keefer
and Janice
Stocks served as the show’s character designers, following
closely off the artwork of Shazam artist C.C. Beck.
Dr. Sivana and Mr. Mind often working together for evil!
Only half as many Shazam! episodes were made in comparison
to Hero High, resulting in the Shazam! feature being rerun alongside
remaining new episodes of Hero High. And
while Hero High saw release on DVD
in 2007, Shazam! has yet to see a
release beyond a series of VHS
collections by Family
Home Entertainment beginning in 1990. The following year, DC
Comics would end its licensing agreement with CBS
Publications, the then-current rights holder, and buy
the characters outright.
EPISODE GUIDE:
“Who’s
Who at the Zoo?” (9/12/81) – Dr. Allirog allows himself to be taken in by the city
zoo in order to enact his vengeance against the Marvel family.
“The
Incredible Sinking City” (9/19/81) – Tired of being ignored, Mr. Mind recruits
an all-worm army to cause chaos and destruction in order to be named king of
the world.
“Best
Seller” (9/26/81) – Ibac uses the Marvels’ cousin Freckles to entrap the Marvel
Family in the past and turn them into part of his Hiss-Men army.
“Flight
601 Has Vanished” (10/3/81) – The Marvels and Dr. Sivana end up flung into an
alternate dimension where they end up the playthings of a giant girl.
“Black
Adam’s Return” (10/10/81) – Black Adam returns to resurrect Princess Jemia, but
in failing that he takes Mary as a consolation prize.
“A
Menacing Family Affair” (10/17/81) – Dr. Sivana and his family are given an
amulet that gives them powers on par with the Marvel Family.
“Uncle
Dudley’s Wedding Day” (10/24/81) – Aunt Minerva kidnaps Uncle Dudley to make
him her husband.
“A
Little Something Extra” (10/31/81) – A disguised Black Adam sends Freddy on a
wild goose chase when he throws him a fake newspaper with the headline “Captain
Marvel Vanishes!”
“The
Airport Caper!” (11/7/81) – When Tawny fails to save animals abducted by Night
Owl, it’s up to the Marvel Family to save them all.
“Mr.
Atom, the Smasher” (11/14/81) – After they stop his robot army, Mr. Atom
captures the Marvels with a powerful electromagnet.
“The
Circus Plot” (11/21/81) – Mr. Tawny auditions for the circus while Mr. Mind
concocts a worm-constructed grid that can harness the sun’s power into a
powerful beam.
“Star
Master and the Solar Mirror” (11/28/81) – When Star Master captures Mary and
Freddy, Captain Marvel has to go to Hero High to recruit some help in stopping
him.
Non-comic fans who frequent social media were
probably confused about all the talk of two Captain
Marvel movies in the early months of 2019. Surely Marvel Studios’ Captain Marvel,
the only film to have that title, was the only one. Right? Technically, no.
Shazam as the headliner of Whiz Comics.
Captain
Marvel actually predated Marvel Comics’
version by a couple of decades. Following the success of National Comics’ (the
precursor to DC Comics) Superman and Batman characters, other
publishers began throwing their hats into the superhero comic market. Fawcett Publications
entered into the game in 1939 and tasked writer Bill Parker to come
up with several heroic characters for their debut issue, originally titled Flash Comics. Amongst his ideas, Parker
created a team of six heroes that embodied the power of one of six mythological
figures. Executive director Ralph Daigh decided that the six heroes should
instead be combined into a singular one that could utilize each ability. Parker
then created Captain Thunder, who was designed and illustrated by staff artist Charles Clarence “C.C.” Beck.
Beck based his appearance on popular actor Fred MacMurray and rendered him
in an almost cartoony style that became his trademark.
The Flash/Thrill Comics ashcan.
In the fall of 1939, Fawcett published a low-print
run ashcan of their book for advertising purposes and to secure the trademarks.
The issue was titled both Flash Comics and
Thrill Comics. However, Fawcett soon
discovered that it couldn’t trademark either title or “Captain Thunder” as all
of them were currently in use. The book was then retitled Whiz Comics(after
Fawcett’s earliest magazine, Captain Billy’s
Whiz-Bang)and artist Pete
Costanza suggested renaming the good Captain as “Captain Marvelous”. The
editors liked the name, but decided to shorten it to “Marvel”.
Billy Batson gets his powers from Shazam.
Captain Marvel is the alter-ego of 12-year-old orphan
Billy Batson (named after Fawcett founder Wilford H. Fawcett, nicknamed
“Captain Billy”) who was granted power by the ancient wizard, Shazam, to continue his
fight of good against evil. By speaking the wizard’s name, Billy gained an
adult body with the wisdom of Solomon, the strength
of Hercules, the
stamina of Atlas, the
power of Zeus, the
courage of Achilles
and the speed of Mercury.
When not carrying on the fight for justice, Billy served as an on-air radio
reporter for station WHIZ.
C.C. Beck's rendition of Captain Marvel and Billy Batson.
Captain Marvel proved to be a success. Whiz Comics #2 sold over 500,000 copies, and the character
steadily grew to become the most popular character in the Golden Age of
Comic Books; eclipsing even Superman. In 1941, he was spun off into his own
solo title, Captain
Marvel Adventures, and was gradually given a supporting cast that
shared his abilities. Amongst them were the Lieutenant
Marvels, a group of three boys from around the country that shared Billy’s
name (and were all based on members of the staff); Captain Marvel
Jr., who was disabled newsboy Freddy Freeman; Mary Marvel,
Billy’s twin sister, Mary; Uncle Dudley, a con artist who ingratiated himself
with the Marvel family and they allowed to pretend to share their powers as Uncle Marvel; and Hoppy the Marvel Bunny,
an anthropomorphic animal parody. 1941 also saw the debut of the Republic Pictures
serial Adventures of Captain Marvel,
making him the first superhero to be depicted in film (portrayed by Frank Coghlan,Jr. and Tom Tyler). A radio
serial would follow in 1943 starring Burt Boyar.
Battle of the Supermen! Superman faces DC's version of Shazam, Captain Thunder.
Unfortunately, success came with a price. National
took notice of the similarities between Captain Marvel and Superman—his basic
powers, mild-mannered reporter alter-ego, overall appearance—and decided to take
Fawcett to court for copyright infringement. The suit went to trial in 1948
and while Fawcett was found to be infringing, the presiding judge discovered
National failed to copyright several of their Superman newspaper strips and thus abandoned
the copyright. National filed an appeal on the decision and it was found by Judge Learned Hand
that while the character itself was not infringing, the specific stories and
super feats could be and would need to be reexamined at a retrial. Since the
end of World
War II, sales on comics had been steadily declining, and instead of
prolonging the fight Fawcett decided to just settle the matter out of court.
A page from Charlton Comics' Hoppy reprints, with a renamed and recolored Hoppy.
Part of the settlement was that Fawcett would cease
publication of the Captain Marvel family of titles. However, Fawcett decided to
ultimately cancel all of their comics and shut down their entire comics
division in 1953. Fawcett sold the reprint rights for Hoppy to Charlton
Comics, who renamed him Hoppy the
Magic Bunny (sometimes also called "Happy" or "Speedy"),and L. Miller and Son,
a British publisher who published black and white Captain Marvel reprints, decided to save their comic book business
by adapting Captain Marvel into the derivative superhero, Marvelman.
Superman shows no hard feelings as he unveils Captain Marvel's new book.
Captain Marvel sat out the next two decades, missing
the resurgence of superhero comics. Carmine
Infantino, publisher of DC Comics, wanted to inject new properties into
their comics line and licensed the Fawcett characters in 1972. Because rival
Marvel Comics had created their own Captain Marvel
to secure the name’s trademark in 1967, DC’s revival comic was retitled Shazam!The book
maintained the same continuity with Fawcett’s publications and included
reprints of those stories. The new content was said to take place on Earth-S of
the DC multiverse; keeping it separate from its main line. Beck was brought
back to draw the first ten issues before leaving over creative differences. Although
the book had a strong debut, it couldn’t match the popularity the title once
had (largely due to DC’s inability to advertise it using the “Captain Marvel”
name) and it ended in 1978. Further appearances of the Marvel family came as
back-up features in other titles. DC also resurrected
the Captain Thunder name for a one-off pastiche version of Captain Marvel in Superman #276.
Publicity shot of Gray and Bostwick.
In 1974, Filmation Associates
acquired the license from DC to produce a live-action series based on the
character; their first time doing so. Like most other 70s action shows, the
series followed Billy Batson (Michael Gray) as he traveled around in a RV with
his mentor, Mentor (Les Tremayne), encountering a rotating roster of
guest-stars that required help. If Billy or Mentor weren’t enough, then Billy
would exclaim “Shazam!” and transform into Captain Marvel (Jackson Bostwick)
through a stock transformation sequence. As with other superhero shows of the
era, there were never any supervillains featured. Instead, Captain Marvel was
called upon to deal with drug dealers, car thieves, runaway kids and a host of
other relevant social issues. In keeping with their pro-social stance,
Filmation included a short segment at the end of each episode where a character
(usually Marvel himself) would relay the overall moral for the story. Billy’s
job as a radio reporter was only briefly mentioned and never seen.
Billy consults with the elders.
Unlike in the comics, Billy didn’t get his powers
from the wizard Shazam, but rather from the six beings that made up his
powerset: Solomon, Hercules, Atlas, Zeus, Achilles and Mercury (voiced by
producers Lou Scheimer and Norm Prescott, as well as writer
Marc Richards and an uncredited cameo by Adam West). The six
elders would also request an audience with Billy through a device called the Eterni-Phone in the RV, and
after uttering “Oh, Elders, fleet and strong and wise, appear before my seeking
eyes!” Billy would be brought before them (represented by animated characters
with limited movement). There, the elders would deliver a cryptic message that
wouldn’t make sense to Billy until he encountered that day’s problem.
During production of the second season, Bostwick, who
performed most of his own stunts, was injured and was instructed by his doctors
to take a few days off from filming. Producers somehow got the idea that this
was a tactic to get a pay increase and promptly fired him. They felt no one
would notice a change and replaced him with John Davey. Bostwick only appeared
in two episodes of season two, while Davey appeared in the remainder. Bostwick
sued Filmation for wrongful termination and Filmation was forced to pay his
full salary for the entire series, as well as residuals for reruns.
Billy gets new instructions in Shazam! #26 by Nelson Bridwell & Kurt Schaffenberger.
To tie into the program, DC altered the direction of
their comic beginning with issue
#25, which introduced Isis into the DC Universe. The next issue, Uncle Dudley
was reintroduced with a new mustache and was assigned the role of Billy’s “mentor”
by the wizard Shazam. He was to accompany Billy in an RV as he used the cover
of being a roving reporter to pursue his arch-nemesis, Dr. Sivana, and
prevent him from destroying the country city by city. Shazam also gave Billy
access to the six elders to consult with whenever he needed guidance utilizing
the Eterni-Phone. By the time of the comic’s final issue, which was
published two years after the show ended its third and final season, the status
quo was reverted back to normal with Captain Marvel working alongside the
Marvel Family. The art style was also changed from a Beck-influenced one to be
more representative of what was typically found in standard superhero comics.
Captain Marvel and Isis.
Following its conclusion, the show was seen in reruns
on both the network and later across various cable channels. By 1991, DC
purchased the rights to the character outright and the show fell under the
ownership of Warner Bros.; DC’s parent
company. In 2005, Warner Bros.
Television released “The Joy Riders” on the 8th volume of their Warner Bros. Television Commemorative DVD series
that was released as bonus disks with various Warner releases. It was designed
to tout the 50 years of Warner Bros. Television as well as promote their
programs that didn’t have their own home releases yet. The episode was also
included as a special feature of Wonder Woman: The Complete 3rd
Season. The rights to Isis remained with Filmation’s
successors, however when the complete
series was released to DVD in 2007 the set included the three crossover
episodes with Captain Marvel. In 2012, Warner
Archive released the complete
Shazam! series to DVD, and then on
Blu-ray in 2019. The series was also made available for streaming on the iTunes Store and the DC Universe service.
EPISODE GUIDE:
Season 1:
“The Joy Riders” (9/7/74) – A young man doesn’t know what to do about
his friends stealing cars for joy rides.
“The Brothers” (9/14/74) – Made to feel useless because of his brother,
the blind Chad runs away only to have his brother pursue him and end up bitten
by a rattlesnake.
“Thou Shalt Not Kill” (9/21/74) – A woman’s niece tries to prevent the
destruction of a horse as requested in the woman’s will.
“The Lure of the Lost (Part 1 of 2)” (9/28/74) – Billy and Mentor try
to help Gary get himself away from the influence of a drug dealer.
“The Road Back (Part 2 of 2)” (10/5/74) – The drug dealer steals the
police car that holds Gary to prevent him from going to the DA’s office with
evidence against him.
“The Athlete” (10/12/74) – Two boys will stop at nothing to keep
Kellie from being part of the all-boys Varsity Team.
“The Treasure” (10/19/74) – Billy and Mentor try to help stop the
theft and sale of priceless Indian artifacts.
“The Boy Who said No” (10/26/74) – Mentor is robbed, and the young boy
who witnessed it is warned off from confessing by the robber.
“The Doom Buggy” (11/2/74) – Don dropped out of school to work but soon
discovers he’s not as smart as he thought he was.
“The Brain” (11/9/74) – Billy and Mentor try to help new kid Jim get
accepted by his peers, and a tough guy decides to use that to talk Jim into a
dangerous stunt.
“Little Boy Lost” (11/16/74) – Billy finds and saves a boy who runs
away, and he and his father soon pay it forward by trying to rescue a puppy
that fell down a well.
“The Delinquent” (11/23/74) – Even though Norm can’t swim, he decides
to go on a canoe ride and ends up capsized.
“The Braggart” (11/30/74) – Braggart Alan ends up having to prove he
did a dangerous stunt or else risk losing his friends.
“The Past is Not Forever (Part 1 of 2)” (12/7/74) – Jackie is accused
of robbing the gas station he works at due to his criminal records and the use
of the keys in the crime.
“The Gang’s All here (Part 2 of 2)” (12/14/74) – Vinnie’s desire to
get even with Jackie almost results in one of them being killed at the oil
refinery.
Season 2:
“On Winning” (9/6/75) – Corky feels he can’t compete with his brother
and his father doesn’t love him as much because of it, so he decides to run
away.
“Debbie” (9/13/75) – Billy has to help make Debbie realize when her
parents warn her off certain things it’s out of love.
“Fool’s Gold” (9/20/75) – A group of boys tease an old prospector
until they end up trapped in his mine.
“Double Trouble” (9/27/75) – Captain Marvel is framed for a crime and
turns himself in to the police, leaving Mentor to try and clear his name.
“Goodbye, Packy” (10/4/75) – Kathy doesn’t want to set her aging wolf
free, so she runs away with him and hides in a hot-air balloon.
“Speak No Evil” (10/11/75) – When a boy confesses to accidentally
setting the school on fire, his fellow culprits chase him into the electrical
plant.
“The Odd Couple” (10/18/75) – Dan refuses to accept Captain Marvel’s
help when his plane runs out of gas, while Captain Marvel needs Isis’ help to
stop a forest fire.
Season 3:
“The Contest” (9/11/76) – Glen is convinced to steal the answer to a
contest for a motorcycle, and the one who convinced him looks for some payback.
“Bitter Herbs” (9/18/76) – Yale is kept out of a club because of his
faith, but soon the leader of the club finds himself in trouble with a mountain
lion.
“Ripcord” (9/25/76) – Young Bill, in a hurry to grow up, packs his
brother’s parachute by himself.
“Finders Keepers” (10/2/76) – Captain Marvel calls on Isis to help him
rescue two girls and Mentor from thieves.
“The Sound of a Different Drummer” (10/9/76) – Curtis’ friends pressure
him to give up the violin and take up sports, causing him to run away and wind
up in a missile testing range.
“Out of Focus” (10/16/76) – Captain Marvel and Isis have to convince a
young filmmaker to give his film to the police so that a pair of thieves can be
brought to justice.